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Inhaltsangabe
The process of reviving and recreating Baroque dance and music has for a long time been imbued with compromises. In dance, the challenge of bringing to life a language of movement codified into several steps and enigmatic floor patterns is often based on suppositions rather than on research. Equally in music, the lack of information by practitioners and scholars regarding the character, tempi, style and technique required in the performance of dance music often leads to unsatisfying results. This book intends to help revert this scenario, providing historical evidence of the connection between music, dance and rhetoric. It establishes, through the cross- reference of primary sources and analyses of original music and choreographic notation, a sub- genre of French theatrical dances structured according to a logical oratorical frame. From this, it identifies the function of certain figures in the light of oratory and rhetoric. These findings elucidate unexplored aspects of the performance practice of Baroque works, providing tools for choreographers, musicians, musicologists and scholars interested in an historically informed performance.
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Über die Autorin bzw. den Autor
ARAM, PhD, Diploma RAM, Cert GSMD, BMus; undertook research at the University of Hull and at the Royal Academy of Music London. Ricardo Barros leads an international career as Baroque dancer, choreographer, harpsichordist, stage director & designer and independent academic. He is the artistic director of Mercurius Company in London.
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Dance as a Discourse
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LAP Lambert Academic Publishing 2010-11, 2010
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Dance as a Discourse: The rhetorical expression of the passions in French Baroque dance
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Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The process of reviving and recreating Baroque dance and music has for a long time been imbued with compromises. In dance, the challenge of bringing to life a language of movement codified into several steps and enigmatic floor patterns is often based on suppositions rather than on research. Equally in music, the lack of information by practitioners and scholars regarding the character, tempi, style and technique required in the performance of dance music often leads to unsatisfying results. This book intends to help revert this scenario, providing historical evidence of the connection between music, dance and rhetoric. It establishes, through the cross- reference of primary sources and analyses of original music and choreographic notation, a sub- genre of French theatrical dances structured according to a logical oratorical frame. From this, it identifies the function of certain figures in the light of oratory and rhetoric. These findings elucidate unexplored aspects of the performance practice of Baroque works, providing tools for choreographers, musicians, musicologists and scholars interested in an historically informed performance. 308 pp. Englisch. Bestandsnummer des Verkäufers 9783843369480
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Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Barros RicardoARAM, PhD, Diploma RAM, Cert GSMD, BMus undertook research at the University of Hull and at the Royal Academy of Music London. Ricardo Barros leads an international career as Baroque dancer, choreographer, harpsicho. Bestandsnummer des Verkäufers 5466872
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Dance as a Discourse : The rhetorical expression of the passions in French Baroque dance
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LAP LAMBERT Academic Publishing, 2010
ISBN 10: 3843369488
ISBN 13: 9783843369480
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Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The process of reviving and recreating Baroque dance and music has for a long time been imbued with compromises. In dance, the challenge of bringing to life a language of movement codified into several steps and enigmatic floor patterns is often based on suppositions rather than on research. Equally in music, the lack of information by practitioners and scholars regarding the character, tempi, style and technique required in the performance of dance music often leads to unsatisfying results. This book intends to help revert this scenario, providing historical evidence of the connection between music, dance and rhetoric. It establishes, through the cross- reference of primary sources and analyses of original music and choreographic notation, a sub- genre of French theatrical dances structured according to a logical oratorical frame. From this, it identifies the function of certain figures in the light of oratory and rhetoric. These findings elucidate unexplored aspects of the performance practice of Baroque works, providing tools for choreographers, musicians, musicologists and scholars interested in an historically informed performance. Bestandsnummer des Verkäufers 9783843369480
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Dance as a Discourse | The rhetorical expression of the passions in French Baroque dance
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LAP LAMBERT Academic Publishing, 2010
ISBN 10: 3843369488
ISBN 13: 9783843369480
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Taschenbuch. Zustand: Neu. Dance as a Discourse | The rhetorical expression of the passions in French Baroque dance | Ricardo Barros | Taschenbuch | 308 S. | Englisch | 2010 | LAP LAMBERT Academic Publishing | EAN 9783843369480 | Verantwortliche Person für die EU: OmniScriptum GmbH & Co. KG, Bahnhofstr. 28, 66111 Saarbrücken, info[at]akademikerverlag[dot]de | Anbieter: preigu. Bestandsnummer des Verkäufers 107227561
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Dance as a Discourse
Verlag:
LAP LAMBERT Academic Publishing Nov 2010, 2010
ISBN 10: 3843369488
ISBN 13: 9783843369480
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Taschenbuch. Zustand: Neu. This item is printed on demand - Print on Demand Titel. Neuware -The process of reviving and recreating Baroque dance and music has for a long time been imbued with compromises. In dance, the challenge of bringing to life a language of movement codified into several steps and enigmatic floor patterns is often based on suppositions rather than on research. Equally in music, the lack of information by practitioners and scholars regarding the character, tempi, style and technique required in the performance of dance music often leads to unsatisfying results. This book intends to help revert this scenario, providing historical evidence of the connection between music, dance and rhetoric. It establishes, through the cross- reference of primary sources and analyses of original music and choreographic notation, a sub- genre of French theatrical dances structured according to a logical oratorical frame. From this, it identifies the function of certain figures in the light of oratory and rhetoric. These findings elucidate unexplored aspects of the performance practice of Baroque works, providing tools for choreographers, musicians, musicologists and scholars interested in an historically informed performance.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 308 pp. Englisch. Bestandsnummer des Verkäufers 9783843369480
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