No TomorrowGuillermo Kuitca (b. 1961) from Buenos Aires came to prominence through his architectural blueprints and map paintings; for example, when he painted systems of maps onto 20 mattresses at documenta 9 in 1992. His iron curtain design for Foster’s new Dallas Opera House in particular elicited much excitement in the USA in 2009. In this case, the serried rows of seats dissolve into a dark mass of metaphysical nothing-ness out of which they seem to be erupting. The curtain highlights this theatrical game most felicitously: the world of the audience in front of it, behind it, that of the theatre, of the imagination – and this very interplay hold a great fascination for Guillermo Kutica. These images originate from the dissolution of schemata and in the concentration of a surrealistic method of painting based upon water, so-called flottage, in which formal painterly elements can either dissolve or be intensified in the fluidity of the water, giving rise to the formation of backgrounds in the very concentration of paint. Some of the new paintings repeatedly adopt this starting point in a heavy, grey-brown form, whereas the map paintings seem to emerge in pure colour as aimlessly wander-ing traces of light or air. Other paintings resemble the indefinable image of evening in which we might immerse ourselves, although we could also be perusing systems of galaxies, whereas other paintings by contrast could be about the folds in time and space or the picture of the moon in front of a theatre curtain shortly before the final exit. A critic commented that Kuitca’s work emulates this »discourse without words« as a metaphoric manifestation, in which Robert Smithson’s entropic, immeasurable mind space is on a par with Bataille’s ideas about amorphic mass (informe), thereby dissolving into perfect processuality. Exhibition: Hauser & Wirth London, Savile Row, 1/6–28/7/2012
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Hardcover. Zustand: VG. Black figured cloth, unpaginated, 62 color plates. Issued in conjunction with a 2012 exhibition of pieces by Argentinean artist Guillermo Kuitca (b. 1961). Basically a book of color plates, with interjected essays by Philip Larratt-Smith and Vivant Denon. Interesting. Bestandsnummer des Verkäufers 140331
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Hardcover. Black figured cloth, unpaginated, 62 color plates. Issued in conjunction with a 2012 exhibition of pieces by Argentinean artist Guillermo Kuitca (b. 1961). Basically a book of color plates, with interjected essays by Philip Larratt-Smith and Vivant Denon. Interesting. VG- (Cover has some scuffs on both sides.). Bestandsnummer des Verkäufers 141450
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Hardcover. Zustand: New. An evocative, alienated world of maps, memory and imagination pervades the art of Argentine artist Guillermo Kuitca, whose work is in the collections of such prestigious institutions as the TATE Modern, the Metropolitan Museum and the Hirschhorn. Kuitca s psychologically and politically charged paintings use architecture, floor plans, baggage carousels and topography to create the paradox of a figure less world in which human beings are constantly present. Some newer paintings adopt as a starting point a heavy, grey brown form, in contrast, the map paintings seem to emerge from pure colors as aimless, wandering, wispy traces of light or air. This comprehensively illustrated exhibition catalog presents an important new body of work from one of the most original and relevant contemporary artists. Brand new copies. Bestandsnummer des Verkäufers 115024
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Hardcover. Zustand: Sehr gut. 1. Auflage. Z : 21 x 28 cm, 176 pages with 80 coloured illustrations, cloth-bound, embossed on title and spine, silk-screen print on cover - Guillermo Kuitca (b. 1961) from Buenos Aires came to prominence through his architectural blueprints and map paintings; for example, when he painted systems of maps onto 20 mattresses at documenta 9 in 1992. His iron curtain design for Foster s new Dallas Opera House in particular elicited much excitement in the USA in 2009. In this case, the serried rows of seats dissolve into a dark mass of metaphysical nothing-ness out of which they seem to be erupting. The curtain highlights this theatrical game most felicitously: the world of the audience in front of it, behind it, that of the theatre, of the imagination and this very interplay hold a great fascination for Guillermo Kutica. Bestandsnummer des Verkäufers ABE-1591084831920
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