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The Polaroid camera combined two of Andy Warhol's obsessions -- the disposible nature of modern consumerism and the photograph as a ready-made. He was an inveterate and relentless user of Polaroid cameras and during the 1970s he made thousands of instant photographs. The near-instant nature of the Polaroid process meant that the photographs could be passed around, admired, sometimes written on moments after the event had been captured. It was a useful tool for a somewhat shy character, one that encouraged interaction and collaboration. In addition to his many portrait commissions, Warhol's Polaroids were used for such Grammy-winning designs as the Rolling Stones' "Sticky Fingers" album cover in 1971.
Between 1970 and 1976 Warhol established a rigorous system of cataloguing. He would take home the Polaroids, edit and sequence them and then enter them in individual red Holson Polaroid albums. These albums, with Warhol's original sequence and themes, have remained intact.
Red Books is a cardboard box containing 11 of the Holson photo albums of Polaroids. These thoughtfully-ordered small albums, selected and sequenced by Warhol himself, tend to cover one event, be it a weekend in Montauk with the Kennedy and Radziwill kids, a portrait sitting with Palomo Picasso or Bridgid Berlin and Larry Rivers staging an impromptu 'performance' at the Factory, and there is a freshness and intimacy that one does not usually associate with the 'cool and detached' Andy Warhol. A separate black book contains a text by François-Marie Banier explaining the significance of these albums within Warhol's oeuvre and how they act as a diary of his work and offer unrivalled insight into his working procedures.
Between 1970 and 1976 Warhol established a rigorous system of cataloguing. He would take home the Polaroids, edit and sequence them and then enter them in individual red Holson Polaroid albums. These albums, with Warhol's original sequence and themes, have remained intact.
Red Books is a cardboard box containing 11 of the Holson photo albums of Polaroids. These thoughtfully-ordered small albums, selected and sequenced by Warhol himself, tend to cover one event, be it a weekend in Montauk with the Kennedy and Radziwill kids, a portrait sitting with Palomo Picasso or Bridgid Berlin and Larry Rivers staging an impromptu 'performance' at the Factory, and there is a freshness and intimacy that one does not usually associate with the 'cool and detached' Andy Warhol. A separate black book contains a text by François-Marie Banier explaining the significance of these albums within Warhol's oeuvre and how they act as a diary of his work and offer unrivalled insight into his working procedures.
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- VerlagSteidl
- Erscheinungsdatum2004
- ISBN 10 3865210198
- ISBN 13 9783865210197
- EinbandTapa dura
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Red Books
Verlag:
Steidl, Göttingen
(2004)
ISBN 10: 3865210198
ISBN 13: 9783865210197
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Buchbeschreibung Box. Zustand: New in publisher's shrink wrap. First edition. Duodecimo. 12 spiral-bound booklets, one containing text and list of plates, eleven facsimile Holson Polaroid albums. Original red buckram box with white lettering and ruling. The two hundred and three photographs in color and b/w were taken between 1969 and 1975 and include portraits of Mick Jagger, William S. Burroughs, John Lenon among many others. Bestandsnummer des Verkäufers 51222
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ANDY WARHOL: Red Books
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Buchbeschreibung Banier, Francois-Marie (essay). ANDY WARHOL: Red Books. 12 booklets; 1 containing brief text and list of plates, and 11 facsimile Holson Poloroid albums; all unpaginated, 203 color and b&w photographs in total. 12mo's, plastic-comb bound wraps in box. Gottingen, Steidl, in conjunction with New York, Pace/MacGill, 2004. A collection of small, Polaroid-sized books, that reproduces hundreds of the Polaroid pictures Warhol made in the 70s. Published in conjunction with an exhibition. Bestandsnummer des Verkäufers 113428
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