Hans-Ulrich Mohr
Introduction: The Code of Contemporary Drama and Theatre and its Functions
Theodore Shank
Beyond Illusion: American Alternative Theatre
Aleks Sierz
'To Recommend a Cure': Beyond Social Realism and In-Yer-Face Theatre
Annette Pankratz
Signifiying Nothing and Everything: The Extension of the Code and Hyerreal Simulations
Piet Defraeye
In-Yer-Face Theatre? Reflections on Provocation and Provoked Audiences in Contemporary Theatre
Silvija Jestrovic
Body and Machine: Extending the Codes in Theatre of Laurie Anderson and Robert Wilson
Clare Wallace
Dramas of Radical Alterity: Sarah Kane and Codes of Trauma for a Postmodern Age
Mateusz Borowski
Gendered Bodies - Historical Bodies: The Development of the Brechtian Convetion in Caryl Churchill's Cloud Nine and Mark Ravenhill's Mother Clap's Molly House
Mark Schreiber
'The Celtic Tiger Is Trapped and Speaks With a Twisted Tongue': Language, Space, and the Question of Identity in the Plays of Enda Walsh
Marion Hebach
'Published and Perished': The Blurring of Boundaries in Margret Edson's Wit
Kathleen Starck
Battefield 'Body': Gregory Burke's Gagarian Way and Anthony Neilson's Stiching
Christopher Innes
Cross-Cultural Connections - Indian Signs/English Conventions
Christiane Schlote
'How Many Things Make a Home, and How Many Can We Carry?': Staged Migrations and Globalized Aesthetics in Tara Arts' Journey to the West
Dieter Riemenschneider
Maori Contemporary Theatre in English: Witi Ihimaera, Woman Far Walking (2000)
Wumi Raji
Transformed Identities: Cultural Transgression and Postcolonial Transformation in Ngugi wa Thiong'o's and Ngugi wa Mirii's I Will Marry When I Want
Adele Edling Shank
Creating Plays for the New Theatre: A Playwriting Workshop
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