Co-produced by the Serpentine Gallery, London, and the Kunsthalle Zürich, this publication has been designed by Daniel Eatock Associates, in collaboration with the artists, Oliver Payne and Nick Relph. * * Accompanying Payne and Relph's exhibition at the Serpentine Gallery (which is the first survey of their work in a public gallery in Britain), the catalogue includes transcripts of Payne and Relph's films "Driftwood," "Gentlemen," and "Comma, Pregnant Pause," all 2004, which are published for the first time. * * In addition, Payne and Relph invited a number of authors to contribute texts on topics that have inspired them and their work. Matthias Connor writes about Scottish glam-rock band Iron Virgin; Tim Nash's piece explores the experience of riding a public bus in London; Oliver Payne offers his thoughts on insurance advertisements and the politics of graffiti; John Relph shares his experiences as an airline mechanic; and Ian Svenonius examines the political history of drinking. Matthew Higgs and Sarah McCrory conducted a non-traditional interview with Payne and Relph by coordinating 20 individuals' questions for the artists; these are presented along with their responses. The catalogue also includes essays on the artists' work by Scott Portnoy and Rochelle Steiner, Chief Curator, Serpentine Gallery. * * The publication is covered in the type of durable and stain-disguising fabric used on London Underground seats. An electronic chip causes the catalogue to ring like a mobile phone when it is opened.
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Anbieter: ANARTIST, New York, NY, USA
Softcover with carpet covers; 192 pages; as new condition; except sound device no longer works; clean and crisp; no internal marks. Foreign shipping may be extra. Bestandsnummer des Verkäufers OlPaKu50
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Anbieter: BWS BKS, Ferndale, NY, USA
Paperback. Zustand: New. Bells and whistles beware, there's a new noisemaker in town: Oliver Payne and Nick Relph's new book--which is jacketed in the durable, stain-resistant patterned fabric of London Underground seat upholstery--rings like a cell phone when it is opened. In this fuzzy tome, published on the occasion of the artists' exhibition at the Serpentine Gallery, London, Payne and Relph offer the first print transcripts of their 2004 films Driftwood, Gentlemen and Comma, Pregnant Pause, as well as their notes on 2005's Sonic the Warhol, which they call their most successful work because "The last album is always the best album." Their own writing is intermixed with pieces from a whole crowd of authors addressing topics that have inspired them and their work, including Matthias Connor on Scottish glam-rock; Tim Nash on riding the bus in London; and Ian Svenonius on the political history of drinking. An unconventional interview conducted by coordinating questions for the artists from 20 different individuals also appears, along with essays by Scott Portnoy and Rochelle Steiner, the Chief Curator at the Serpentine Gallery. Bestandsnummer des Verkäufers 90403
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