?In photography?, says Jeff Wall, ?the unattributed, anonymous, poetry of the world itself appears, probably for the first time?. Its beauty ?is rooted in the great collage which everyday life is, a combination of absolutely concrete and specific things created by no-one and everyone, all of which become available once it is unified into a picture?. Ute Behrend's works come always in twos. Instead of meticulously dissecting the dual components of what you see and what it might signify, Behrend in-fuses her series of images with both elements. She fears neither disorder nor decoration, neither ornament, she takes private photographs, but it is an undefinable privacy, temporally localised as the present day in a place situated somewhere between the city and the surrounding environs andthe holidays, of a generation between youth and mid-life. One's eye oscillates between one and the other image.It compares, contrasts, combines, engendering in turn mini-narratives that start on the left and end on the right orstart on the right and end on the left. Or become long narratives encompassing several images-narratives thatbranch out, leaf, blossom.
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?In photography?, says Jeff Wall, ?the unattributed, anonymous, poetry of the world itself appears, probably for the first time?. Its beauty ?is rooted in the great collage which everyday life is, a combination of absolutely concrete and specific things created by no-one and everyone, all of which become available once it is unified into a picture?. Ute Behrend's works come always in twos. Instead of meticulously dissecting the dual components of what you see and what it might signify, Behrend in-fuses her series of images with both elements. She fears neither disorder nor decoration, neither ornament, she takes private photographs, but it is an undefinable privacy, temporally localised as the present day in a place situated somewhere between the city and the surrounding environs andthe holidays, of a generation between youth and mid-life. One's eye oscillates between one and the other image.It compares, contrasts, combines, engendering in turn mini-narratives that start on the left and end on the right orstart on the right and end on the left. Or become long narratives encompassing several images-narratives thatbranch out, leaf, blossom.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: Antiquariat & Verlag Jenior, Kassel, HE, Deutschland
116 S. Leinen mit Schutzumschlag. 4°. Sauberes Exemplar ohne Stempel und Anstreichungen. Mit zahlreichen Abbildungen und Tafeln. Originaleingeschweißt. Neuwertig Sprache: deu. Bestandsnummer des Verkäufers FOT57687
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Anbieter: Loring art (Barcelona), MÁLAGA, MA, Spanien
Encuadernación de tapa dura. Zustand: Nuevo. Zustand des Schutzumschlags: Nuevo. Alemán/Inglés. Este libro recoge una amplia muestra de los trabajos realizados por Ute Behrend, una serie de fotografias que juegan con los conceptos de privacidad e intimidad, sumergiéndolos en un juego donde prima la meticulosidad. Plantas comunes de interior se complementan con retratos y bodegones, dando la impresión de que estos seres humanos son en realidad plantas de interior: seres naturales lanzados a la vida, protegidos por espinas o por una piel gruesa. Pueden florecer, estar bien cuidadadas o permanecer en un rincón descuidadas y secas. La obra de Ute Behrend juega con lo que se ve y con lo que podría significar realmente. Bestandsnummer des Verkäufers ABE-1631990536004
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Anbieter: Antiquariat Querido - Frank Hermann, Düsseldorf, NRW, Deutschland
Erste Auflage. 27 x 19 cm. [116] S. OPappband. Tadelloses, neuwertiges Exemplar (Originalverschweißt). Durchgehend mit Abbildungen versehen. Bestandsnummer des Verkäufers 58079BB
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Anbieter: Studibuch, Stuttgart, Deutschland
hardcover. Zustand: Wie neu. 120 Seiten; 9783936859980.1 Gewicht in Gramm: 1. Bestandsnummer des Verkäufers 1542483
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Anbieter: BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, Deutschland
Zustand: gut. Zimmerpflanzen In deutscher Sprache. pages. Bestandsnummer des Verkäufers BN297511
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