Stickiness is ambiguous. Sometimes it is a problem, sometimes a solution. It holds a strong affective charge between arousal, lust and disgust. If something is sticky, it promises relation while also threatening unwanted clinginess and the collapse of boundaries between self and other. This volume seeks out moments of stickiness in media cultures, thinking “film” beyond moving images as sediment, residue or layer that transforms, repairs, melts, and splices. Sticky Films explores stickiness in three parts: through sticky feelings, sticky modes of being and becoming, and the representations and material traces of stickiness in audiovisual media.
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Stickiness is ambiguous. Sometimes it is a problem, sometimes a solution. It holds a strong affective charge between arousal, lust and disgust. If something is sticky, it promises relation while also threatening unwanted clinginess and the collapse of boundaries between self and other. This volume seeks out moments of stickiness in media cultures, thinking “film” beyond moving images as sediment, residue or layer that transforms, repairs, melts, and splices. Sticky Films explores stickiness in three parts: through sticky feelings, sticky modes of being and becoming, and the representations and material traces of stickiness in audiovisual media.
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Paperback. Zustand: new. Paperback. Stickiness is ambiguous. Sometimes it is a problem, sometimes a solution. It holds a strong affective charge between arousal, lust and disgust. If something is sticky, it promises relation while also threatening unwanted clinginess and the collapse of boundaries between self and other. This volume seeks out moments of stickiness in media cultures, thinking "film" beyond moving images as sediment, residue or layer that transforms, repairs, melts, and splices. Sticky Films explores stickiness in three parts: through sticky feelings, sticky modes of being and becoming, and the representations and material traces of stickiness in audiovisual media. Sticky Films explores stickiness in three parts: through sticky feelings, sticky modes of being and becoming, and the representations and material traces of stickiness in audiovisual media. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9783957962348
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Paperback. Zustand: new. Paperback. Stickiness is ambiguous. Sometimes it is a problem, sometimes a solution. It holds a strong affective charge between arousal, lust and disgust. If something is sticky, it promises relation while also threatening unwanted clinginess and the collapse of boundaries between self and other. This volume seeks out moments of stickiness in media cultures, thinking "film" beyond moving images as sediment, residue or layer that transforms, repairs, melts, and splices. Sticky Films explores stickiness in three parts: through sticky feelings, sticky modes of being and becoming, and the representations and material traces of stickiness in audiovisual media. Sticky Films explores stickiness in three parts: through sticky feelings, sticky modes of being and becoming, and the representations and material traces of stickiness in audiovisual media. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9783957962348
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Taschenbuch. Zustand: Neu. Sticky Films | Kerim Do¿ruel (u. a.) | Taschenbuch | Configurations of Film | Englisch | 2026 | meson press eG | EAN 9783957962348 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. Bestandsnummer des Verkäufers 135091945
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