Situating itself in between a historic fashion magazine and a classic exhibition catalog, “The Overworked Body Issue” extends the exhibition’s central question: “How to define a recent history of fashion?” An international cast of photographers, models and stylists contributed to the issue through fashion editorials and conceptual advertisements, staging and re-interpreting milestones in 2000s fashion, using a pool of nearly 300 garments that were collected for the exhibition. Contents: The Twenty One Armhole Infinity Dress by Adeline André - Yves Saint Laurent by Stefano Pilati - Jeremy Scott Archive with Eliza Douglas The Overworked Body with Anna Cleveland Photographed by Rob Kulisek Final Home by Dena Yago - Susan Cianciolo / Helmut Lang by Jack Pierson L’etat e Moi by David Lieske - Mainstreaming Grotesque Fashion in the ’00s by Francesca Granata - Fashion Is Fun: An interview with Stefano Pilati by Merlin Carpenter - Time In Store. Architecture/Time. Benjamin/Lang. by Philipp Ekardt - Fashion and Technology in the Parallel Periods of Early 20th Century Modernity and Y2K by Laura Gardner
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The Overworked Body compiles contributions by an international cast of photographers, models and stylists who staged and reinterpreted milestones in 2000s fashion through an exhibition of 300 garments.
Situating itself in between a historic fashion magazine and a classic exhibition catalog, "The Overworked Body Issue" extends the exhibition's central question: "How to define a recent history of fashion?" An international cast of photographers, models and stylists contributed to the issue through fashion editorials and conceptual advertisements, staging and re-interpreting milestones in 2000s fashion, using a pool of nearly 300 garments that were collected for the exhibition.
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