When William Malm published his wide-ranging study of traditional Japanese music in 1959, it was the first time in the twentieth century that such a work had been brought out in a Western language.
Malm's book has still not been replaced as the single most interesting and authoritative text on the subject. But until now it was never revised or updated, nor were its illustrations ever changed. With the present publication, however, an extensively improved edition that includes a CD of sample music has been made available.
Professor Malm's aim has always been to attract the layman reader as well as the musicologist, which has given this book its strength and durability. The writing is clear, lively, and informed, the scope of his study being broadened by frequent comparisons with other traditions, East and West. Accompanying it all is a generous number of drawings and photographs of the players and their various instruments.
The book opens with a brisk and eloquent history of Japan's musical life, then moves on to its religious music, Shinto, Buddhist, and Christian; its court music; the music of the noh drama; and the music of specific instruments: biwa, shakuhachi, koto, and shamisen. After examining the components of kabuki music, it closes with a chapter on folk music, popular musical arts, and the music of other ethnic groups in Japan. For the more technically inclined, there is a detailed appendix on notation systems. Lastly, to put all this in a practical context, a CD is provided, giving nineteen examples of these different genres.
Whether your interest is in a particular form of Japanese music-the marvelous sonority of the bamboo flute, the sharp but wistful sound of the shamisen-or just in music in general, Malm's book will more than satisfy your curiosity.
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WILLIAM P. MALM, born in Illinois in 1928, received his BM (1949) and MM (1950) in composition from Northwestern University and his Ph.D. in ethnomusicology from the University of California at Los Angeles (1959). He developed an ethnomusicology program at the University of Michigan (1960-94) which included an ensemble of nagauta and edobayashi. As director of the Stearns Collection of Musical Instruments (1980-94) he expanded its use in education and research.
Among his publications are Nagauta: The Heart of Kabuki Music (1963); Music Cultures of the Pacific, the Near East, and Asia (1966); Six Hidden Views of Japanese Music (1986); and-a joint effort-Theater as Music (1990), in which one act of a bunraku puppet play is examined.
As a teacher at Michigan he received the Henry Russel, Alumni Merit, and Legislature awards, and in 1993 he was given the Koizumi Fumio Prize in Ethnomusicology.
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Anbieter: MERS Goodwill, Saint Louis, MO, USA
Zustand: good. Used - Good: All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May include From the library of labels. Shrink wrap, dust covers, or boxed set case may be missing. Item may be missing bundled media. Any access codes or passwords originally included with the book may be expired, used or no longer valid. Image is stock photo and cover art edition may be different than pictured. Bestandsnummer des Verkäufers MERV.4770023952.G
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Anbieter: Asia Bookroom ANZAAB/ILAB, Canberra, ACT, Australien
Ninth Printing. Colour and black and white photographic plates, black and white line drawings, 299pp, appendices, bibliography, glossary, index. 27.5 x 19.5cm. A very good hardback in dustjacket and slipcase. Although first published in 1959 this book remains a classic in the field. Well written it includes comparisons between Western and Japanese music. Bestandsnummer des Verkäufers 218584
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Anbieter: Yes Books, Portland, ME, USA
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Stamp on FFEP. Otherwise, a clean unmarked copy in excellent condition. Dust jacket in excellent condition. Includes CD. 354 pages. Bestandsnummer des Verkäufers 019123
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Anbieter: Moe's Books, Berkeley, CA, USA
hardcover. Zustand: very good. Zustand des Schutzumschlags: very good. NO CD. Bestandsnummer des Verkäufers 1120734
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Anbieter: Henry Pordes Books Ltd, London, Vereinigtes Königreich
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 2nd Edition. Hardback. 8vo, 2nd edition, pp. 354 Publisher's original paper covered boards with white lettering to front board and to spine. Dust Jacket is unclipped. Cd is enclosed towards front pastedown. Overall Near Fine condition. Dust Jacket showing microscopic signs of being shelf worn and there is also a small crease towards the top spine. Profusely illustrated with photographic plates in b&w and some illustrations within the text. Includes a detailed index on notation systems. Nineteen musical examples are demonstrated on the CD. The book opens with a brisk and eloquent history of Japan's musical history, then moves onto it's religious music, Shinto, Buddhist, and Christian; its court music; the music of the noh drama; and the music of specific instruments; biwa, shakuhachi, koto and shamisen. After examining elements of kabuki music, it closes with a chapter on folk music, popular musical arts, and the music of other ethnic groups in Japan. Bestandsnummer des Verkäufers 037033
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Anbieter: Les Livres des Limbes, Chisseaux, Frankreich
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Thus. Includes CD with 19 songs, illustrated, 354 pages. Light scuffing of wraps, creasing at spine tips, two top foredge corners bumped, otherwise in fine state. Gift quality. Collectible ISBN 4770023952. Book. Bestandsnummer des Verkäufers 12302
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Anbieter: BennettBooksLtd, Los Angeles, CA, USA
hardcover. Zustand: New. In shrink wrap. Looks like an interesting title! Bestandsnummer des Verkäufers Q-4770023952
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