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This work is conceived as a de-construction ( as the French pholosopher J. Derrida defined it) of a famous score by Beethoven: the String Quartet op.130, including the Grosse Fugue, as its legitimate Finale.For this, the author used several procedures taken from electroacoustics and musical informatics, together with techniques found in generative grammars, particularly those free-of-context grammars (Chomsky sensu).With these complex tools he forged a series of sound organisms, from micro up to macro size(s).The entire score is a continuous series of transformations of different (micro)structures in Beethoven’s music, that become the new sound organisms,mentioned above.The main aim of the present work is to avoid, in a radical manner, the teleological traditional rhetoric of the classical music, but permanently emerging from this rhetoric.
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Über die Autorin bzw. den Autor
Fred Popovici (27 July 1948 -) is a Romanian composer, writing mainly for orchestra.He was born in Br¿ila, Romania, and studied at the Bucharest Academy of Music. Since his graduation in 1972, he has been a teacher and lecturer as well as having his works performed extensively both at home and abroad.
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Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This work is conceived as a de-construction ( as the French pholosopher J. Derrida defined it) of a famous score by Beethoven: the String Quartet op.130, including the Grosse Fugue, as its legitimate Finale.For this, the author used several procedures taken from electroacoustics and musical informatics, together with techniques found in generative grammars, particularly those free-of-context grammars (Chomsky sensu).With these complex tools he forged a series of sound organisms, from micro up to macro size(s).The entire score is a continuous series of transformations of different (micro)structures in Beethoven's music, that become the new sound organisms,mentioned above.The main aim of the present work is to avoid, in a radical manner, the teleological traditional rhetoric of the classical music, but permanently emerging from this rhetoric. 84 pp. Englisch. Bestandsnummer des Verkäufers 9786200638441
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lvbeet op130.133 dec.com : For String Quartet and live electronics. Score
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Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This work is conceived as a de-construction ( as the French pholosopher J. Derrida defined it) of a famous score by Beethoven: the String Quartet op.130, including the Grosse Fugue, as its legitimate Finale.For this, the author used several procedures taken from electroacoustics and musical informatics, together with techniques found in generative grammars, particularly those free-of-context grammars (Chomsky sensu).With these complex tools he forged a series of sound organisms, from micro up to macro size(s).The entire score is a continuous series of transformations of different (micro)structures in Beethoven's music, that become the new sound organisms,mentioned above.The main aim of the present work is to avoid, in a radical manner, the teleological traditional rhetoric of the classical music, but permanently emerging from this rhetoric. Bestandsnummer des Verkäufers 9786200638441
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Taschenbuch. Zustand: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This work is conceived as a de-construction ( as the French pholosopher J. Derrida defined it) of a famous score by Beethoven: the String Quartet op.130, including the Grosse Fugue, as its legitimate Finale.For this, the author used several procedures taken from electroacoustics and musical informatics, together with techniques found in generative grammars, particularly those free-of-context grammars (Chomsky sensu).With these complex tools he forged a series of sound organisms, from micro up to macro size(s).The entire score is a continuous series of transformations of different (micro)structures in Beethoven¿s music, that become the new sound organisms,mentioned above.The main aim of the present work is to avoid, in a radical manner, the teleological traditional rhetoric of the classical music, but permanently emerging from this rhetoric.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 84 pp. Englisch. Bestandsnummer des Verkäufers 9786200638441
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