How, through the cinematographic medium, can we construct an ancient history without giving it back? A grotesque question, no doubt, but at the same time a pertinent one, when one is confronted with the filmic work of Marguerite Duras: India Song, a 1974 production, the most fictional, perhaps the most splendid too, among many of the writer's film experiments. By its inherent characteristics of bifurcation between the narrative sound and the "schematized" visual, between the "factitiousness" of the figures and the surrounding dynamism, or between the somnolent autonomy and the turn to virtual tendency of the diachrony, the film puts forward a properly affective "memento", in which are condensed, in crystalline images, the novelistic preoccupations of the writer of the 1970s: desire and madness, itinerant vacuity, stagnation and the darkening of causality. More than a "thoughtful" shooting, this spherical structuring of transcendence and sensitivity invites aesthetic enthusiasts not so much to question it, as to mix narrative perspectives aimed at meditating on the experience of an existential detachment.
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Derzeit Doktorandin im Bereich "Literaturtheorien und Frankophonie" in Shanghai. Interesse an Fragen der Melancholie und der affektiven Polyphonie sowie an der Wahrnehmung von Alterität. Liebhaber der klassischen schönen Künste und der Geselligkeit.
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Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -How, through the cinematographic medium, can we construct an ancient history without giving it back A grotesque question, no doubt, but at the same time a pertinent one, when one is confronted with the filmic work of Marguerite Duras: India Song, a 1974 production, the most fictional, perhaps the most splendid too, among many of the writer's film experiments. By its inherent characteristics of bifurcation between the narrative sound and the 'schematized' visual, between the 'factitiousness' of the figures and the surrounding dynamism, or between the somnolent autonomy and the turn to virtual tendency of the diachrony, the film puts forward a properly affective 'memento', in which are condensed, in crystalline images, the novelistic preoccupations of the writer of the 1970s: desire and madness, itinerant vacuity, stagnation and the darkening of causality. More than a 'thoughtful' shooting, this spherical structuring of transcendence and sensitivity invites aesthetic enthusiasts not so much to question it, as to mix narrative perspectives aimed at meditating on the experience of an existential detachment. 136 pp. Englisch. Bestandsnummer des Verkäufers 9786205789919
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Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Dong Zihong D.Currently a doctoral student in literary theories and the francophonie in Shanghai. Interests include issues of melancholy and affective polyphony, as well as perceptions of otherness. Lover of classical fine arts and. Bestandsnummer des Verkäufers 834561786
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Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - How, through the cinematographic medium, can we construct an ancient history without giving it back A grotesque question, no doubt, but at the same time a pertinent one, when one is confronted with the filmic work of Marguerite Duras: India Song, a 1974 production, the most fictional, perhaps the most splendid too, among many of the writer's film experiments. By its inherent characteristics of bifurcation between the narrative sound and the 'schematized' visual, between the 'factitiousness' of the figures and the surrounding dynamism, or between the somnolent autonomy and the turn to virtual tendency of the diachrony, the film puts forward a properly affective 'memento', in which are condensed, in crystalline images, the novelistic preoccupations of the writer of the 1970s: desire and madness, itinerant vacuity, stagnation and the darkening of causality. More than a 'thoughtful' shooting, this spherical structuring of transcendence and sensitivity invites aesthetic enthusiasts not so much to question it, as to mix narrative perspectives aimed at meditating on the experience of an existential detachment. Bestandsnummer des Verkäufers 9786205789919
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Taschenbuch. Zustand: Neu. This item is printed on demand - Print on Demand Titel. Neuware -How, through the cinematographic medium, can we construct an ancient history without giving it back A grotesque question, no doubt, but at the same time a pertinent one, when one is confronted with the filmic work of Marguerite Duras: India Song, a 1974 production, the most fictional, perhaps the most splendid too, among many of the writer's film experiments. By its inherent characteristics of bifurcation between the narrative sound and the 'schematized' visual, between the 'factitiousness' of the figures and the surrounding dynamism, or between the somnolent autonomy and the turn to virtual tendency of the diachrony, the film puts forward a properly affective 'memento', in which are condensed, in crystalline images, the novelistic preoccupations of the writer of the 1970s: desire and madness, itinerant vacuity, stagnation and the darkening of causality. More than a 'thoughtful' shooting, this spherical structuring of transcendence and sensitivity invites aesthetic enthusiasts not so much to question it, as to mix narrative perspectives aimed at meditating on the experience of an existential detachment.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 136 pp. Englisch. Bestandsnummer des Verkäufers 9786205789919
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Taschenbuch. Zustand: Neu. The poetics of India Song | a polymorphic composition of the cosmos | Zihong D. Dong | Taschenbuch | Englisch | 2023 | Our Knowledge Publishing | EAN 9786205789919 | Verantwortliche Person für die EU: SIA OmniScriptum Publishing, Brivibas Gatve 197, 1039 RIGA, LETTLAND, customerservice[at]vdm-vsg[dot]de | Anbieter: preigu. Bestandsnummer des Verkäufers 126696859
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