It presents an analytical study of the Alexander Technique in the field of acting, examining its application to an actor's body, mind, breathing, voice, movement, and character development. The study explores key principles such as recognition of habitual patterns, inhibition/prohibition, primary control, direction, non-doing, and "use of self." It examines anatomy, posture, breathing, voice, physical awareness, acting methods, and theatre exercises. Through practical exploration with actors and performers of different ages, abilities, and backgrounds, the study observes how the technique can help identify unnecessary tension, improve coordination, enhance body and breath awareness, and support expressive freedom. The research also discusses practical exercises including three-dimensional awareness, semi-supine work, kinesphere, partner work, character-status exercises, and posture correction. The study concludes that the Alexander Technique is a gradual, lifelong process that can contribute to more integrated physical and mental functioning and provide actors with greater awareness, flexibility, and control in performance.
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Nitesh Kumar Meena is a theatre researcher and professional specializing in Dramatics and Acting. He holds a PhD on the Alexander Technique from the University of Rajasthan and a postgraduate degree from FTII, Pune. He is an Assistant Professor and NET-JRF qualified, with training in voice, speech and Kalaripayattu.
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Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware 224 pp. Englisch. Bestandsnummer des Verkäufers 9786630562453
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Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - It presents an analytical study of the Alexander Technique in the field of acting, examining its application to an actor's body, mind, breathing, voice, movement, and character development. The study explores key principles such as recognition of habitual patterns, inhibition/prohibition, primary control, direction, non-doing, and 'use of self.' It examines anatomy, posture, breathing, voice, physical awareness, acting methods, and theatre exercises. Through practical exploration with actors and performers of different ages, abilities, and backgrounds, the study observes how the technique can help identify unnecessary tension, improve coordination, enhance body and breath awareness, and support expressive freedom. The research also discusses practical exercises including three-dimensional awareness, semi-supine work, kinesphere, partner work, character-status exercises, and posture correction. The study concludes that the Alexander Technique is a gradual, lifelong process that can contribute to more integrated physical and mental functioning and provide actors with greater awareness, flexibility, and control in performance. Bestandsnummer des Verkäufers 9786630562453
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Taschenbuch. Zustand: Neu. The Body as Instrument: The Alexander Technique for Actors | An Analytical Exploration of Embodiment, Movement, and Performance | Nitesh Kumar Meena (u. a.) | Taschenbuch | Englisch | 2026 | LAP LAMBERT Academic Publishing | EAN 9786630562453 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu Print on Demand. Bestandsnummer des Verkäufers 138314100
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Taschenbuch. Zustand: Neu. This item is printed on demand - Print on Demand Titel. Neuware -It presents an analytical study of the Alexander Technique in the field of acting, examining its application to an actor's body, mind, breathing, voice, movement, and character development. The study explores key principles such as recognition of habitual patterns, inhibition/prohibition, primary control, direction, non-doing, and 'use of self.' It examines anatomy, posture, breathing, voice, physical awareness, acting methods, and theatre exercises. Through practical exploration with actors and performers of different ages, abilities, and backgrounds, the study observes how the technique can help identify unnecessary tension, improve coordination, enhance body and breath awareness, and support expressive freedom. The research also discusses practical exercises including three-dimensional awareness, semi-supine work, kinesphere, partner work, character-status exercises, and posture correction. The study concludes that the Alexander Technique is a gradual, lifelong process that can contribute to more integrated physical and mental functioning and provide actors with greater awareness, flexibility, and control in performance. 224 pp. Englisch. Bestandsnummer des Verkäufers 9786630562453
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Softcover/Taschenbuch. Zustand: Neu. It presents an analytical study of the Alexander Technique in the field of acting, examining its application to an actor's body, mind, breathing, voice, movement, and character development. The study explores key principles such as recognition of habitual patterns, inhibition/prohibition, primary control, direction, non-doing, and "use of self." It examines anatomy, posture, breathing, voice, physical awareness, acting methods, and theatre exercises. Through practical exploration with actors and performers of different ages, abilities, and backgrounds, the study observes how the technique can help identify unnecessary tension, improve coordination, enhance body and breath awareness, and support expressive freedom. The research also discusses practical exercises including three-dimensional awareness, semi-supine work, kinesphere, partner work, character-status exercises, and posture correction. The study concludes that the Alexander Technique is a gradual, lifelong process that can contribute to more integrated physical and mental functioning and provide actors with greater awareness, flexibility, and control in performance. Sprache: Englisch Gewicht in Gramm: 352. Bestandsnummer des Verkäufers IB-14765322
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