The 1997 exhibition held at the Sala de las Alhajas in Madrid revolved around two main themes of Francis' work elements and archetypes. Four essays, presented in both Spanish and English, explore the artist's interest in the human mind and in particular the psychology of Jung, thereby offering insight into the intensely personal aspect of his art which is the subject of this collection. Contains b&w photos of the artist in addition to the catalogue of color plates. No index. Oversize: 9.5x11.5<">). Annotation c. by Book News, Inc., Portland, Or.
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Anbieter: Joe Maynard, Nashville, TN, USA
Soft cover. Zustand: Very Good. Folio, approx 11 3/4 inches tall, 215pp, color photographic reproductions, in publisher's stiff pictorial wrappers with flaps (minor bumps to corners, a bit of rubbing most visible to rear cover which is black, else very good). Bestandsnummer des Verkäufers 09062
Anzahl: 1 verfügbar
Anbieter: ANARTIST, New York, NY, USA
Softcover, 218 pages, in Spanish with English at rear; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra. Bestandsnummer des Verkäufers SaFrFu85
Anzahl: 1 verfügbar
Anbieter: Marcus Campbell Art Books, London, Vereinigtes Königreich
Paperback. Zustand: Very good. 25 x 31cm 216pp very good paperback exhibition catalogue for a show at the Sala de las Alhajas Madrid April/June 1997. Has a signature of the previous owner, David Anfam, art historian and writer. Spanish text with colour reproductions. Samuel Lewis Francis was an American painter and printmake whose specific images -- mandalas, trellises, spirals, self-portraits -- emerged from the artist's psyche, giving form to ideas he could feel and sense but not put into words, but that speak of the great and powerful forces that drive the human mind. Francis painted these archetypal images throughout his career, but they dominated his art during the 1970s when he was deeply involved in studying the thought of the Swiss psychologist Carl Gustav Jung. Bestandsnummer des Verkäufers 32981
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Anbieter: Wm Burgett Bks and Collectibles, San diego, CA, USA
Paperback. Zustand: Very Good to Near Fine. First Printing. CLEAN Very Good to Near Fine. Bestandsnummer des Verkäufers 039771
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Anbieter: Books From California, Simi Valley, CA, USA
paperback. Zustand: Good. Bestandsnummer des Verkäufers mon0003930713
Anzahl: 1 verfügbar
Anbieter: Prime Booksellers, Twentynine Palms, CA, USA
Soft cover. Zustand: Near Fine. 1st Edition. Bestandsnummer des Verkäufers ABE-1772907949573
Anzahl: 1 verfügbar
Anbieter: Librería Antonio Azorín, San Lorenzo de El Escorial, M, Spanien
Encuadernación de tapa blanda. Zustand: Muy bien. Idioma español. Ejemplar en muy buen estado. Dimensiones: 30x24 - 215 pp. Bestandsnummer des Verkäufers 193086
Anzahl: 1 verfügbar
Anbieter: Hennessey + Ingalls, Los Angeles, CA, USA
Trade Paperback. Zustand: Used - Like New. Art historians praise American artist Sam Francis (1923-1994) for painting bold abstract images that elude definition. They often celebrate his ability to create art that seems to be fluid and formless with shapes that are constantly emerging and dissolving. Their specific images -- mandalas, trellises, spirals, self-portraits -- emerged from the artist's psyche, giving form to ideas he could feel and sense but not put into words, but that speak of the great and powerful forces that drive the human mind. Francis painted these archetypal images throughout his career, but they dominated his art during the 1970s when he was deeply involved in studying the thought of the Swiss psychologist Carl Gustav Jung. It was Jung's sweeping ideas about the nature of the cosmos, the relationships and paradoxes between all things, and the creative chaos fundamental to the universe that Francis recognized to be true. A very nice clean, tight free of any marks copy. Bestandsnummer des Verkäufers 114967
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