Brassai was the first great chronicler of the urban underbelly
This sumptuous Brassai overview gathers outstanding prints of his finest and most popular photographs, drawing on the Estate Brassai in Paris and the collections of leading museums in France and the United States. The work is organized into 18 thematic groupings, such as “Paris by Night,” “Portraits” and “Self-Portraits,” “Body of a Woman,” “Graffiti,” “Places and Things,” “Pleasures” and “The Street,” focusing throughout on his celebrated depictions of 1930s Paris.
When Brassai took up photography in the late 1920s, after his move to Paris in 1924 (from his native Brassov in Austria-Hungary, via Budapest and Berlin), the photobook was blossoming as a new art form ripe for exploration. Brassai gave the genre one of its undisputed classics, Paris de nuit (1933)―the first in what is now a long line of photobooks portraying cities by night. The book was popular with both cognoscenti and tourists, and made Brassai famous; he became the first great chronicler of the urban underbelly, with images of prostitutes, gangsters, brothels and night clubs.
Today Brassai is canonical, and easily one of the most influential photographers of the 20th century, as this 368-page volume―the most beautifully produced and edited survey of his accomplishment in print―amply attests.
Born Gyula Halász, Brassai (1899–1984) began his career as a sculptor, painter and journalist, forming friendships with artists and writers such as Pablo Picasso, Joan Miró, Salvador Dalí, Jacques Prévert, Henri Michaux and Henry Miller, most of whom he later photographed. Brassaï published numerous great photobooks throughout his career, including Voluptés de Paris (1935), Henry Miller: The Paris Years (1975) and Artists of My Life (1982). The George Eastman House in Rochester, New York, the Art Institute in Chicago and The Museum of Modern Art in New York have all held retrospectives of his work.
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Brassaï (1899-1984) was a key member of a group of European and North American photographers who, over the course of the 20th century, managed to redefine the identity and enrich the potential of photography as an artistic medium.
The main theme of his work was Paris, the subject matter for some of his most significant and renowned images. He captured vibrant images of the daily life of the city, especially the vitality of its night-time atmosphere, in a vivid expression of the powerful artistic dimension of his perspective. The evocative capacity of his images achieved unquestionable recognition that spread from artistic photography circles to the tourist industry and the commercial photography circuit.
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Hardcover. Zustand des Schutzumschlags: dj. First Edition, First Printing. Quarto, 367 pages. In Very Good condition. Spine orange with black lettering. Bumping to front, lower fore corner. Cocking to spine. Textblock clean. Shelved in Photography. 1414896. Shelved Dupont Bookstore. Bestandsnummer des Verkäufers 1414896
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Anbieter: Mullen Books, ABAA, Marietta, PA, USA
Hardcover. BW-photographic boards with black lettering stamped on brown cloth spine. 363 pp. Illustrations, portraits. Catalog of an exhibition at Fundación MAPFRE Barcelona, Casa Garriga Nogués from February 20-May 13, 2018; Fundación MAPFRE Madrid, Sala Recoletos from May 31-September 2, 2018; San Francisco Museum of Modern Art from November 17, 2018-February 17, 2019. VG- light corner bumping to boards. Bestandsnummer des Verkäufers 172598
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Anbieter: Klaus Kuhn Antiquariat Leseflügel, Köln, NRW, Deutschland
1. Auflage,. zahlreiche wunderbare Brassai-Fotos, 370 Seiten, Sprache: Spanisch; Zustand: erstklassiges, neuwertiges Exemplar. Noch in Original-Verlagsfolie eingeschweißt. Erhöhte Versandkosten, da über 2,5kg! Sprache: Spanisch Gewicht in Gramm: 2750 30,0 x 24,0 cm, gebundene Ausgabe, Halbleinen. Bestandsnummer des Verkäufers 44094
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