Storia del design e storia delle innovazioni tecnologiche s’intrecciano in maniera indissolubile nelle pagine di questo manuale. Tante sono le discipline qui considerate. Oltre al campo del design per l’arredo – che spesso esemplifica in maniera eccellente le più ampie linee di ricerca progettuali – è stato preso in esame un largo ventaglio di settori: da quello degli oggetti tecnici alla grafica e alla moda, dal car design a quello sociale, includendo il più delle volte riflessioni sulla ricaduta che il progetto ha sulla storia del costume nelle sue applicazioni alla vita reale.
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
This book, dedicated to the history of design from the mid-nineteenth century to the present, is committed to drawing guidelines for the development of this discipline, offering a synthetic vision of the subject and, at the same time, highlighting elements for future investigations. If it’s true that the history of artefacts and objects has always accompanied that of man, punctuated by turns occurring with the acquisition of technological innovations, it is in the mid-nineteenth century that we can retrace historically the professional figure of the designer, thus marking the birth of modern and contemporary design. The subject is branched and composite, embracing many disciplines: in addition to the field of furniture - which often exemplifies the broadest lines of design research in an excellent way - other sectors are considered here, from technical objects to graphics, from fashion to car design. A particular attention is reserved to the influence of the art world, with all its array of thought references that has constantly permeated the birth of design projects. Along with the synchronic story following the thread of time, is presented a diachronic approach in which - through in-depth boxes - the story of a single type, a material or a concept detaches from its era to create relationships with similar phenomena of other periods. The volume is complete with a large iconographic kit, images with long captions elaborating on each story and offering a possibility of independent reading.
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