“For me, the essence of documentary photography has always been to do with evidence.” —Susan Meiselas
A member of Magnum Photos since 1976, Susan Meiselas became known for her work in the conflict zones of Central America in the 1970s and '80s and for the strength of her color photography. Covering many subjects and countries, from war to human-rights issues and from cultural identity to the sex industry, Meiselas uses photography, film, video and sometimes archive material, as she relentlessly explores and develops narratives integrating the participation of her subjects in her works. Meiselas constantly questions the photographic process and her role as witness.
Presenting a selection of works from the 1970s through the present day, Susan Meiselas: Mediations retraces her trajectory from the 1970s to the present. Published to accompany a major traveling retrospective of the photographer’s work, it features an illustrious list of contributors that includes Ariella Azoulay, Eduardo Cadava and Kristin Lubben, among others.
Susan Meiselas (born 1948) studied at Sarah Lawrence College and Harvard University, taking up photography in the early 1970s. She is credited with being one of the first to work with color in documentary photography, a controversial decision when she was shooting the conflict in Nicaragua in the late 1970s. Meiselas joined Magnum Photos in 1976 and has worked as a freelance photographer since then.
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Susan Meiselas is an award-winning documentary photographer, whose work has been published in numerous books and exhibited internationally in galleries including the Fundació Antoni Tàpies in Barcelona and Jeu de Paume in Paris.
This exhaustive monograph of Susan Meiselas will be released in occasion of the retrospective that will take place at Tàpies Foundation in Barcelone, Jeu de Paume in Paris and SFMOMA in San Francisco. Mediations is published by Damiani/Jeu de Paume/Fondation Tàpies. This exhibition and monograph propose a selection of works from the 1970s to today which reveal the particular approach of Susan Meiselas toward to the underlying reasons for making photographs, how the image concerns it's subject as much as the photographer and the role that these images can have at different levels in society and particularly in photojournalism. She questions the relationship between the image and the subject in such a way as to include the people portrayed in the image in the process of the making. There is nothing systematic in her approach: each work expresses in a very strong manner that context is vital to the understanding of photography. Therefore her work is specific to the persons portrayed, to the notion of community to which they belong and to the locality of the geographic and political territories that the artist addresses. The way of the showing the work is equally a part of the thought process. How does the spectator behold the artwork? It is often comprised of many parts, made in different media: each "layer" is used to document a level of meaning. For Meiselas one should be able to grasp why the image was taken. Both the subject of the image and the context in which the images are shown are taken into account in the elaboration of each project.
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Anbieter: Greenworld Books, Arlington, TX, USA
Zustand: like_new. Fast Free Shipping â" Excellent condition book with clean cover and pages. Barely handled, with minimal wear. An outstanding copy, close to enjoy! Bestandsnummer des Verkäufers GWV.8862085699.LN
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Anbieter: Midtown Scholar Bookstore, Harrisburg, PA, USA
Hardcover. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. Bestandsnummer des Verkäufers M8862085699Z3
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Anbieter: Browsing Is Arousing, Middlebury, VT, USA
Zustand: Very Good. Hardcover, 184 pages. This exhaustive monograph of Susan Meiselas will be released in occasion of the retrospective that will take place at Tapies Foundation in Barcelone, Jeu de Paume in Paris and SFMOMA in San Francisco. Mediations is published by Damiani/Jeu de Paume/Fondation Tapies. This exhibition and monograph propose a selection of works from the 1970s to today which reveal the particular approach of Susan Meiselas toward to the underlying reasons for making photographs, how the image concerns it's subject as much as the photographer and the role that these images can have at different levels in society and particularly in photojournalism. She questions the relationship between the image and the subject in such a way as to include the people portrayed in the image in the process of the making. There is nothing systematic in her approach: each work expresses in a very strong manner that context is vital to the understanding of photography. Therefore her work is specific to the persons portrayed, to the notion of community to which they belong and to the locality of the geographic and political territories that the artist addresses. The way of the showing the work is equally a part of the thought process. How does the spectator behold the artwork? It is often comprised of many parts, made in different media: each "layer" is used to document a level of meaning. For Meiselas one should be able to grasp why the image was taken. Both the subject of the image and the context in which the images are shown are taken into account in the elaboration of each project. Record # 371136. Bestandsnummer des Verkäufers 371136
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Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Bestandsnummer des Verkäufers 67931933-20
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Anbieter: GoldBooks, Denver, CO, USA
Hardcover. Zustand: new. New Copy. Customer Service Guaranteed. Bestandsnummer des Verkäufers 93G30_84_8862085699
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Anbieter: Bagatelle Books, Asheville, NC, USA
Hardcover. Zustand: Fine. First Edition, First Printing. Small quarto. 7 x 9.75 in. 184 pp. Fully illustrated with reproductions of black & white and color reproductions of photographs. Slight bumping to bottom fore-corners, else fine in original pictorial paper-covered boards. Signed on the title page by Meiselas in year of printing. This exhaustive monograph of Susan Meiselas was published on the occasion of the retrospective at Tapies Foundation in Barcelone, Jeu de Paume in Paris and SFMOMA in San Francisco in 2018. Signed. Bestandsnummer des Verkäufers 7281
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Anbieter: Black Dog Books, Emerson, NJ, USA
Hardcover. Zustand: Fine. 1st Edition. Signed and dated by the author. Signed by Author(s). Book. Bestandsnummer des Verkäufers 017807
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Anbieter: Court Street Books LLC, Florence, AL, USA
Hardcover. Zustand: As New. 1st Edition. Signed by Maiselas at her SF MOMA exhibit, signature only. No noticeable flaws in either cover or pages. Signed by Author(s). Bestandsnummer des Verkäufers 016560
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Anbieter: Gibbs Books, Buffalo, NY, USA
Hardcover. Zustand: As New. Zustand des Schutzumschlags: No Dust Jacket as Issued. Author (illustrator). 1st Edition. 1st. Edition 1st. Printing 2018, Illustrated hardcover with illustrated end pages, 184 page book. This copy is signed and dated in the year of publication by Susan Meiselas on the main title page. Presenting a selection of work from the 1970's through to the present day this book , emphases the importance of the processes involved in the development of her projects and covers more then forty years. Condition : AS NEW with a very small top corner bump. Size: 4to - over 9¾ - 12" tall. Signed by Author(s). Book. Bestandsnummer des Verkäufers 121524-R
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Anbieter: Antiquariat KAMAS, Düsseldorf, NRW, Deutschland
Gr.-8° cased binding. 184 pages with many illustrations. Presenting a selection of works from the 1970s through to the present day.Good copy. Sprache: Englisch Gewicht in Gramm: 830. Bestandsnummer des Verkäufers 43680
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