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The Brooklyn based artist portrays the animated ambivalence of parenting through his iconic work. On the walls ; the work of Brian Adam Douglas (also known as “ElbowToe”) thrills. His gorgeous collages are so papery and textural ; colourful and luminous t
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Über die Autorin bzw. den Autor
Under the name Elbow Toe, Brooklyn based artist Brian Adam Douglas has been pasting his distinctive woodcuts, stencil work, large-scale charcoal drawings and collages onto the walls of cities all around the world throughout the past decade. His diverse practice is anchored by an interest in the human gesture as a powerful form of communication, one charged with unspoken narratives and he transforms public space into a stage for these private moments.
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Paper Cuts
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Zustand: New. Print on Demand pp. 82. Bestandsnummer des Verkäufers 11246113
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Paper Cuts
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Zustand: New. PRINT ON DEMAND pp. 82. Bestandsnummer des Verkäufers 1814427636
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Paper Cuts
Anbieter: Books Puddle, Woodside, NY, USA
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Zustand: New. pp. 82. Bestandsnummer des Verkäufers 2614427646
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Paper Cuts
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Zustand: New. Brand New Original US Edition. Customer service! Satisfaction Guaranteed. Bestandsnummer des Verkäufers SNTA-174564
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Paper Cuts
Anbieter: Basi6 International, Irving, TX, USA
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Zustand: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service. Bestandsnummer des Verkäufers ABEOCT25-250399
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Paper Cuts
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Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide. Bestandsnummer des Verkäufers ABBB-174564
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Brian Adam Douglas - Paper Cuts
Verlag:
Drago Arts & Communication May 2011, 2011
ISBN 10: 8888493778
ISBN 13: 9788888493770
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Hardcover
Anbieter: Hennessey + Ingalls, Los Angeles, CA, USA
Verkäuferbewertung 4 von 5 Sternen
Hardcover. Zustand: New. For his book Paper Cuts, published in occasion of his first solo show in the UK, Due Date, at the Warrington Museum of Art, Warrington, and at the Black Rat Project, London (March 2011), the Brooklyn based artist Brian Adam Douglas - aka Elbow Toe - explores his preconceived notions of parenthood and the opportunities for growth that come through that process. As an artist in the process of trying to become a parent and living in one of the most parent-centric sections of New York City, Brian Adam is keenly aware of the mania that strikes at the heart of parents young and old. In these paintings he addresses fears (loss of individuation as well as of the proverbial unknown), the strengthening of bonds in times of crisis, the issues of trying to become a parent later in life and the wisdom gained through the process of parenting. The work is divided into two groups: a set of images on panels, and a set of images on paper. In the more fully developed works on panel, all the actions take place in staged environments. The elements surrounding the figures are merely cardboard props, strictly for the purpose of giving the figures' action a point of reference. The action of the figures is the reality of the image, everything else is just window dressing. The paint drips and splashes act as abstract gestures clearing things away yet never managing to obscure the events occurring on the stage. In the works on paper, the events being described are contained in a sea of white. By the very nature of the presentation the gestures and relationships are isolated and distilled. Bestandsnummer des Verkäufers 84266
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Paper Cuts
Anbieter: Libro Co. Italia Srl, San Casciano Val di Pesa, FI, Italien
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Rilegato. Zustand: new. Warrington, Warrington Museum of Art, 1 marzo - 31 marzo 2011.Roma, 2011; ril., pp. 86, ill., cm 23x31. For his book Paper Cuts, published in occasion of his first solo show in the UK, Due Date, at the Warrington Museum of Art, Warrington, and at the Black Rat Project, London (March 2011), the Brooklyn based artist Brian Adam Douglas - aka Elbow Toe - explores his preconceived notions of parenthood and the opportunities for growth that come through that process. As an artist in the process of trying to become a parent and living in one of the most parent-centric sections of New York City, Brian Adam is keenly aware of the mania that strikes at the heart of parents young and old. In these paintings he addresses fears (loss of individuation as well as of the proverbial unknown), the strengthening of bonds in times of crisis, the issues of trying to become a parent later in life and the wisdom gained through the process of parenting.The work is divided into two groups: a set of images on panels, and a set of images on paper. In the more fully developed works on panel, all the actions take place in staged environments. The elements surrounding the figures are merely cardboard props, strictly for the purpose of giving the figures' action a point of reference. The action of the figures is the reality of the image, everything else is just window dressing. The paint drips and splashes act as abstract gestures clearing things away yet never managing to obscure the events occurring on the stage. In the works on paper, the events being described are contained in a sea of white. By the very nature of the presentation the gestures and relationships are isolated and distilled. Libro. Bestandsnummer des Verkäufers 2298508
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Brian Adam Douglas : Paper Cuts
Anbieter: BWS BKS, Ferndale, NY, USA
Verkäuferbewertung 2 von 5 Sternen
Hardcover. Zustand: New. For his book Paper Cuts, published in occasion of his first solo show in the UK, Due Date, at the Warrington Museum of Art, Warrington, and at the Black Rat Project, London (March 2011), the Brooklyn based artist Brian Adam Douglas - aka Elbow Toe - explores his preconceived notions of parenthood and the opportunities for growth that come through that process. As an artist in the process of trying to become a parent and living in one of the most parent-centric sections of New York City, Brian Adam is keenly aware of the mania that strikes at the heart of parents young and old. In these paintings he addresses fears (loss of individuation as well as of the proverbial unknown), the strengthening of bonds in times of crisis, the issues of trying to become a parent later in life and the wisdom gained through the process of parenting. The work is divided into two groups: a set of images on panels, and a set of images on paper. In the more fully developed works on panel, all the actions take place in staged environments. The elements surrounding the figures are merely cardboard props, strictly for the purpose of giving the figures' action a point of reference. The action of the figures is the reality of the image, everything else is just window dressing. The paint drips and splashes act as abstract gestures clearing things away yet never managing to obscure the events occurring on the stage. In the works on paper, the events being described are contained in a sea of white. By the very nature of the presentation the gestures and relationships are isolated and distilled. Bestandsnummer des Verkäufers 96953
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