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Sul principio di contraddizione. Ediz. italiana e inglese - Hardcover

 
9788897753650: Sul principio di contraddizione. Ediz. italiana e inglese
  • VerlagViaindustriae
  • Erscheinungsdatum2021
  • ISBN 10 8897753655
  • ISBN 13 9788897753650
  • EinbandTapa dura
  • Sprachemehrsprachig
  • Anzahl der Seiten160
  • HerausgeberVolpato Elena

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ISBN 10: 8897753655 ISBN 13: 9788897753650
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Rilegato. Zustand: new. Torino, Gam, 5 maggio - 3 ottobre 2021.A cura di Volpato E.Traduzione di Gabriele A. e Ligniti E.Testo Italiano e Inglese.Foligno, 2021; ril., pp. 160, ill. col., cm 21,5x28,5. It is neither a theme nor a language that unites the five artists in this exhibition. Rather, it is the presence of a space of possibility within their works, made, almost always, by at least two elements, by two or more natures, by two or more images that cannot be fully reconciled with one another and are bound together through ambiguity which at times becomes an explicit relationship of contradiction. The emotional strength of their work, despite the considerable differences in their practice, seems to derive from the vibration of that space created between the elements which cannot fully overlap, or coincide in a univocal affirmation, but which keep sliding one upon the other and demanding attention one despite the other.What unites these five artists is the skill in holding within their works the space that separates and joins more than one representation and in recognizing their overlapping in time, in hosting inside the work's body that cone of shade from which they arise, revealing the inexhaustibility of the images, their constant and repeated surfacing. An inexhaustibility that is also an awareness of loss. With each appearance, something becomes clear while something else retreats into the background, disappearing into darkness.The space of the human dimension is the space of contradiction, of the ambiguous overlapping of opposites, where each image takes its own shadow by the hand, where each word bears the impossibility of expression and each new emergence is a separation.Speaking about a principle of contradiction, assigning these words to the title of an exhibition is a game of antinomy; it provokes in the reader the instinct to correct the phrase and restore it to its Aristotelian formulation. The principle we all know is that of non-contradiction. And this principle serves as the basis for the idea from which logical argumentation and the solidity of science is founded, the progress of which has been established through the exclusion of contrasting theories. Accepting contradiction may seem like a liberty that art may claim out of a love for whimsy, a liberty against reason. Both paths-that of myth and that of logos-parted ways from the beginning of philosophy: on the one hand, a manifold story, indefinitely varied and intertwined with a polisemy of symbols; and on the other hand, logic and the exercise of dialectics which at each crossroads impose a choice, a true and a false. And yet current scientific and philosophical theories, from quantum physics to paraconsistent logic and dialetheism, make us face contradiction, allowing within their fields the overlapping and compresence of opposing truths, of contrasting determinations. This, too, offers us a small confirmation that the space of ambiguity and of vibration of incompatible meanings that the works these five artists present us with is a place worth exploring: a place of awareness, of the unresolved human condition and space of ideas that launches us back in time, towards the primal dualisms belonging to every culture, and then forward in time, towards the new representations of the world, and the more they progress, the more we discover how ancient they truly are.There are many reasons for which the work of each artist has been considered necessary for display and more complex than what can be described here in a few sentences, but undoubtedly the reflections preceding this exhibition are born in response to the imaginary of Flavio Favelli (Florence, 1967), of his architectural compositions made of unperturbed notes as well as visceral echoes, of his reverse mirrors that imprison images instead of reflecting them, of his ability to make the tragedy of historical events emerge from the depths of time together with the apparent lightness of advertising that. Libro. Bestandsnummer des Verkäufers 3798239

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A cura: Volpato Elena
ISBN 10: 8897753655 ISBN 13: 9788897753650
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Zustand: Nuovo. Ril. in tela., cm 28,5x21,5, pp 155, tavv. e ill. in b/n. Testo: ital.-inglese - ISBN: 9788897753650. Bestandsnummer des Verkäufers 93529

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Volpato, Elena
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Zustand: new. Bestandsnummer des Verkäufers UV71X8ISG3

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