Setting a group of medieval carved ivory horns in the specific artistic and historical context in which they were manufactured, used and re-used, this book presents a mine of information for the study of medieval history.
The first chapters explore such technical aspects as the cutting and carving of oliphants, and also the broader issues of the morphology of ivory and its availability in the Mediterranean basin in the Middle Ages. On the basis of specific carving methods and varying vocabulary of motifs, the oliphants are organized into groups and their probable sites of production are suggested.
The core of this volume, however, is the attempt to place them in their specific historical context. The purpose of their mass-production, namely their patronage and original function, is explored, but also their reception and new functions in the church treasuries of Latin Europe is broadly discussed.
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Avinoam Shalem, Ph.D. (1995), History of Art, University of Edinburgh, is Professor of Islamic Art at Munich University. He has published extensively on Islamic 'minor arts' including Islam Christianized (Peter Lang, 1998).
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Hardcover. Zustand: New. 1st Edition. 24 by 16cm., 157pp., 15 colour and 92 black and illustrations. This book discusses a group of medieval carved ivory horns, namely oliphants. It draws upon medieval visual as well as literary sources both Arabic and Latin, with an eye to providing an original interpretation of these objects. In doing so, it breaks new ground in the understanding of both oliphants and the historical context of medieval artefacts in general. Bestandsnummer des Verkäufers ABE-1634734399986
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Leather / fine binding. Zustand: New. Über den AutorAvinoam Shalem, Ph.D. (1995), History of Art, University of Edinburgh, is Professor of Islamic Art at Munich University. He has published extensively on Islamic minor arts including Islam Christianized . Bestandsnummer des Verkäufers 909453809
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Buch. Zustand: Neu. Neuware - Setting a group of medieval carved ivory horns in the specific artistic and historical context in which they were manufactured, used and re-used, this book presents a mine of information for the study of medieval history. The first chapters explore such technical aspects as the cutting and carving of oliphants, and also the broader issues of the morphology of ivory and its availability in the Mediterranean basin in the Middle Ages. On the basis of specific carving methods and varying vocabulary of motifs, the oliphants are organized into groups and their probable sites of production are suggested.The core of this volume, however, is the attempt to place them in their specific historical context. The purpose of their mass-production, namely their patronage and original function, is explored, but also their reception and new functions in the church treasuries of Latin Europe is broadly discussed. Bestandsnummer des Verkäufers 9789004137943
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