Dreamwork for Dramatic Writing: Dreamwrighting for Stage and Screen teaches you how to use your dreams, content, form, and structure, to write surprisingly unique new drama for film and stage. It is an exciting departure from traditional linear, dramatic technique, and addresses both playwriting and screenwriting, as the profession is increasingly populated by writers who work in both stage and screen. Developed through 25 years of teaching award-winning playwrights in the University of Missouri's Writing for Performance Program, and based upon the phenomenological research of renowned performance theorist Bert O. States, this book offers a foundational, step-by-step organic guide to non-traditional, non-linear technique that will help writers beat clichéd, tired dramatic writing and provides stimulating new exercises to transform their work.
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David Crespy founded the University of Missouri’s Writing for Performance program which received the 2017 Gold Medallion from the Kennedy Center American College Theatre Festival. Twice a Fulbright recipient, he wrote Off-Off-Broadway Explosion and Richard Barr: The Playwrights’ Producer both with a foreword by Edward Albee. He has taught workshops in dreamwork for dramatic writing across the US as well as in Spain and Greece.
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