Revealing a vibrant and intertwined artistic scene in the Balkans
On the Very Edge brings together fourteen empirical and comparative essays about the production, perception, and reception of modernity and modernism in the visual arts, architecture, and literature of interwar Serbia (1918-1941). The contributions highlight some idiosyncratic features of modernist processes in this complex period in Serbian arts and society, which emerged 'on the very edge' between territorial and cultural, new and old, modern and traditional identities.
With an open methodological framework this book reveals a vibrant and intertwined artistic scene, which, albeit prematurely, announced interests in pluralism and globalism. On the Very Edge addresses issues of artistic identities and cultural geographies and aims to enrich contextualized studies of modernism and its variants in the Balkans and Europe, while simultaneously re-mapping and adjusting the prevailing historical canon.
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
Contributors
Jelena Bogdanovi¿ (Iowa State University), Lilien Filipovitch Robinson (George Washington University), Igor Marjanovi¿ (Washington University in St. Louis), Milo? R. Perovi¿ (University of Belgrade), Jasna Jovanov (The Pavle Beljanski Memorial Collection and University EDUCONS, Novi Sad), Svetlana Tomi¿ (Alfa University, Belgrade), Ljubomir Milanovi¿ (Serbian Academy of Sciences and Arts), Bojana Popovi¿ (Museum of Applied Art in Belgrade), Anna Novakov (Saint Mary's College of California), Aleksandar Kadijevi¿ (University of Belgrade), Tadija Stefanovi¿ (University of Belgrade), Dragana ¿orovi¿ (University of Belgrade), Viktorija Kamili¿ (independent scholar), Marina Djurdjevi¿ (Museum of Science and Technology, Belgrade), Neboj?a Stankovi¿ (Princeton University), Dejan Zec (Institute for Recent History of Serbia)
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Igor Marjanovic is an Associate Professor of Architecture at Washington University in St. Louis.
Revealing a vibrant and intertwined artistic scene in the Balkans.
'On the Very Edge' brings together fourteen empirical and comparative
essays about the production, perception, and reception of modernity and
modernism in the visual arts, architecture, and literature of interwar Serbia
(1918-1941). The contributions highlight some idiosyncratic features of
modernist processes in this complex period in Serbian arts and society,
which emerged 'on the very edge' between territorial and cultural, new
and old, modern and traditional identities.
With an open methodological framework this book reveals a vibrant and
intertwined artistic scene, which, albeit prematurely, announced interests
in pluralism and globalism. 'On the Very Edge' addresses issues of artistic
identities and cultural geographies and aims to enrich contextualized studies
of modernism and its variants in the Balkans and Europe, while simultaneously
re-mapping and adjusting the prevailing historical canon.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
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Paperback. Zustand: new. Paperback. On the Very Edge brings together fourteen empirical and comparative essays about the production, perception, and reception of modernity and modernism in the visual arts, architecture, and literature of interwar Serbia (1918-1941). The contributions highlight some idiosyncratic features of modernist processes in this complex period in Serbian arts and society, which emerged "on the very edge" between territorial and cultural, new and old, modern and traditional identities. With an open methodological framework this book reveals a vibrant and intertwined artistic scene, which, albeit prematurely, announced interests in pluralism and globalism. On the Very Edge addresses issues of artistic identities and cultural geographies and aims to enrich contextualized studies of modernism and its variants in the Balkans and Europe, while simultaneously remapping and adjusting the prevailing historical canon. Contributors: Jelena Bogdanovic (Iowa State University), Lilien Filipovitch Robinson (George Washington University), Igor Marjanovic (Washington University in St. Louis), Milos R.Perovic (University of Belgrade), Jasna Jovanov (The Pavle Beljanski Memorial Collection and University EDUCONS, Novi Sad), Svetlana Tomic (Alfa University, Belgrade), Ljubomir Milanovic (Serbian Academy of Sciences and Arts), Bojana Popovic (Museum of Applied Art in Belgrade), Anna Novakov (Saint Mary's College of California), Aleksandar Kadijevic (University of Belgrade), Tadija Stefanovic (University of Belgrade), Dragana Corovic (University of Belgrade), Viktorija Kamilic (independent scholar), Marina Djurdjevic (Museum of Science and Technology, Belgrade), Nebojsa Stankovic (Princeton University), Dejan Zec (Institute for Recent History of Serbia) This volume brings together fourteen empirical and comparative essays about the production, perception, and reception of modernity and modernism in the visual arts, architecture, and literature of interwar Serbia (1918-1941). Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9789058679932
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Kartoniert / Broschiert. Zustand: New. KlappentextrnrnRevealing a vibrant and intertwined artistic scene in the Balkans. On the Very Edge brings together fourteen empirical and comparativeessays about the production, perception, and reception of modernity andmodernism in. Bestandsnummer des Verkäufers 909493263
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Taschenbuch. Zustand: Neu. Neuware - Revealing a vibrant and intertwined artistic scene in the BalkansOn the Very Edge brings together fourteen empirical and comparative essays about the production, perception, and reception of modernity and modernism in the visual arts, architecture, and literature of interwar Serbia (1918-1941). The contributions highlight some idiosyncratic features of modernist processes in this complex period in Serbian arts and society, which emerged 'on the very edge' between territorial and cultural, new and old, modern and traditional identities.With an open methodological framework this book reveals a vibrant and intertwined artistic scene, which, albeit prematurely, announced interests in pluralism and globalism. On the Very Edge addresses issues of artistic identities and cultural geographies and aims to enrich contextualized studies of modernism and its variants in the Balkans and Europe, while simultaneously re-mapping and adjusting the prevailing historical canon.This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).ContributorsJelena Bogdanovi¿ (Iowa State University), Lilien Filipovitch Robinson (George Washington University), Igor Marjanovi¿ (Washington University in St. Louis), Milo¿ R. Perovi¿ (University of Belgrade), Jasna Jovanov (The Pavle Beljanski Memorial Collection and University EDUCONS, Novi Sad), Svetlana Tomi¿ (Alfa University, Belgrade), Ljubomir Milanovi¿ (Serbian Academy of Sciences and Arts), Bojana Popovi¿ (Museum of Applied Art in Belgrade), Anna Novakov (Saint Mary's College of California), Aleksandar Kadijevi¿ (University of Belgrade), Tadija Stefanovi¿ (University of Belgrade), Dragana ¿orovi¿ (University of Belgrade), Viktorija Kamili¿ (independent scholar), Marina Djurdjevi¿ (Museum of Science and Technology, Belgrade), Neboj¿a Stankovi¿ (Princeton University), Dejan Zec (Institute for Recent History of Serbia). Bestandsnummer des Verkäufers 9789058679932
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