Stone Age researchers spend a lot of time studying and documenting lithic artefacts. Since it is impossible to study all these artefacts physically, they often rely on images. Drawings are often the most informative because the lines and symbols in these drawing contain technological information which tells the audience how the artefact depicted was made. Conversely, making these drawings is an excellent way of learning to recognise and understand this technological information. In a distant past Yannick aspired a career as an artist and while the art world is probably better off without him, he managed to find a new purpose for his artistic bend in his career as an archaeologist in the form of making lithic illustrations. Both professional and amateur archaeologists ask him questions about the drawings regularly with "It's probably very difficult, I'm sure?" the most prominent. Drawing lithic illustrations is bound to rules and conventions anybody can learn. Of course it helps if you have a deft hand at drawing, but this style of drawing is a craft, not an art form. A craft anybody can learn with a little perseverance. Starting from there, Yannick gives courses in drawing artefacts. While preparing these courses he noticed that almost no books or papers suitable as course material are available, a realisation eventually resulting in this book. Contents 1 Introduction 1.1 Art or craft 1.2 Why draw in the digital age 1.3 Reading guide 2 Conventions 2.1 Introduction 2.2 Terminology 2.3 Angle of incidence 2.4 Projections 2.5 French or American projection 2.6 Lines 2.7 Ripples 2.8 The ventral surface 2.9 Burins 2.10 Polished artefacts 2.11 Natural phenomena and damage 2.12 Burnt flint 2.13 Other symbols 2.14 Microliths 3 Preperations 3.1 Introduction 3.2 Residue and use-wear analysis 3.3 Digital illustration 3.4 Supply list 3.5 Function of the assorted supplies 3.6 The work station 3.7 The artefact 4 The pencil drawing 4.1 Introduction 4.2 Preparing the graph paper 4.3 The outline 4.4 The dorsal ridges 4.5 The dorsal negatives 4.6 The ventral surface and the bulb of percussion 4.7 The lateral sides 4.8 The cross-section 4.9 The striking platform and additional details 4.10 Refits 4.11 Finishing touches 5 The pen drawing 5.1 Preparations 5.2 The lay-out 5.3 Tracing the illustration 5.4 Finishing touches 6 Scanning and digitally editing your illustrations for publication 6.1 Scanning 6.2 Editing your illustration 6.3 Step one: paint it black 6.4 Step two: Increasing the contrast 6.5 Step three: making the illustration binary 6.6 Cosmetic alterations 7 Conclusion
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Yannick Raczynski-Henk (1972) studied Prehistoric archaeology at Leiden University with a special focus on Middle Palaeolithic open air sites in the loess area of Limburg (Netherlands) and the adjoining areas. Since 2003 he works as a geoarchaeologist in the Netherlands, predominantly in the littoral zone of the Dutch Holocene landscapes.
Stone Age researchers spend a lot of time studying and documenting lithic artefacts. Since it is impossible to study all these artefacts physically, they often rely on images. Drawings are often the most informative because the lines and symbols in these drawing contain technological information which tells the audience how the artefact depicted was made. Conversely, making these drawings is an excellent way of learning to recognise and understand this technological information.
In a distant past Yannick aspired a career as an artist and while the art world is probably better off without him, he managed to find a new purpose for his artistic bend in his career as an archaeologist in the form of making lithic illustrations.
Both professional and amateur archaeologists ask him questions about the drawings regularly with "It's probably very difficult, I'm sure?" the most prominent. Drawing lithic illustrations is bound to rules and conventions anybody can learn. Of course it helps if you have a deft hand at drawing, but this style of drawing is a craft, not an art form. A craft anybody can learn with a little perseverance.
Starting from there, Yannick gives courses in drawing artefacts. While preparing these courses he noticed that almost no books or papers suitable as course material are available, a realisation eventually resulting in this book.
Contents:
1 Introduction
1.1 Art or craft
1.2 Why draw in the digital age
1.3 Reading guide
2 Conventions
2.1 Introduction
2.2 Terminology
2.3 Angle of incidence
2.4 Projections
2.5 French or American projection
2.6 Lines
2.7 Ripples
2.8 The ventral surface
2.9 Burins
2.10 Polished artefacts
2.11 Natural phenomena and damage
2.12 Burnt flint
2.13 Other symbols
2.14 Microliths
3 Preperations
3.1 Introduction
3.2 Residue and use-wear analysis
3.3 Digital illustration
3.4 Supply list
3.5 Function of the assorted supplies
3.6 The work station
3.7 The artefact
4 The pencil drawing
4.1 Introduction
4.2 Preparing the graph paper
4.3 The outline
4.4 The dorsal ridges
4.5 The dorsal negatives
4.6 The ventral surface and the bulb of percussion
4.7 The lateral sides
4.8 The cross-section
4.9 The striking platform and additional details
4.10 Refits
4.11 Finishing touches
5 The pen drawing
5.1 Preparations
5.2 The lay-out
5.3 Tracing the illustration
5.4 Finishing touches
6 Scanning and digitally editing your illustrations for publication
6.1 Scanning
6.2 Editing your illustration
6.3 Step one: paint it black
6.4 Step two: Increasing the contrast
6.5 Step three: making the illustration binary
6.6 Cosmetic alterations
7 Conclusion
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Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Stone Age researchers spend a lot of time studying and documenting lithic artefacts. Since it is impossible to study all these artefacts physically, they often rely on images. Drawings are often the most informative because the lines and symbols in these drawing contain technological information which tells the audience how the artefact depicted was made. Conversely, making these drawings is an excellent way of learning to recognise and understand this technological information.In a distant past Yannick aspired a career as an artist and while the art world is probably better off without him, he managed to find a new purpose for his artistic bend in his career as an archaeologist in the form of making lithic illustrations.Both professional and amateur archaeologists ask him questions about the drawings regularly with 'It's probably very difficult, I'm sure ' the most prominent. Drawing lithic illustrations is bound to rules and conventions anybody can learn. Of course it helps if you have a deft hand at drawing, but this style of drawing is a craft, not an art form. A craft anybody can learn with a little perseverance.Starting from there, Yannick gives courses in drawing artefacts. While preparing these courses he noticed that almost no books or papers suitable as course material are available, a realisation eventually resulting in this book.Contents1 Introduction1.1 Art or craft1.2 Why draw in the digital age1.3 Reading guide2 Conventions2.1 Introduction2.2 Terminology2.3 Angle of incidence2.4 Projections2.5 French or American projection2.6 Lines2.7 Ripples2.8 The ventral surface2.9 Burins2.10 Polished artefacts2.11 Natural phenomena and damage2.12 Burnt flint2.13 Other symbols2.14 Microliths3 Preperations3.1 Introduction3.2 Residue and use-wear analysis 3.3 Digital illustration3.4 Supply list3.5 Function of the assorted supplies3.6 The work station3.7 The artefact4 The pencil drawing4.1 Introduction4.2 Preparing the graph paper4.3 The outline4.4 The dorsal ridges4.5 The dorsal negatives4.6 The ventral surface and the bulb of percussion4.7 The lateral sides4.8 The cross-section4.9 The striking platform and additional details4.10 Refits4.11 Finishing touches5 The pen drawing5.1 Preparations5.2 The lay-out5.3 Tracing the illustration 5.4 Finishing touches6 Scanning and digitally editing your illustrations for publication6.1 Scanning6.2 Editing your illustration6.3 Step one: paint it black6.4 Step two: Increasing the contrast6.5 Step three: making the illustration binary6.6 Cosmetic alterations7 Conclusion 52 pp. Englisch. Bestandsnummer des Verkäufers 9789088905308
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Paperback. Zustand: Brand New. illustrated edition. 50 pages. French language. 10.00x7.75x0.25 inches. In Stock. Bestandsnummer des Verkäufers zk9088905304
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Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. With a little perseverance anyone can learn how to make lithic artefact drawings. This book is a concise how-to guide.Stone Age researchers spend a lot of time studying and documenting lithic artefacts. Since it is impossible to study all these artefact. Bestandsnummer des Verkäufers 449865130
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Taschenbuch. Zustand: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Stone Age researchers spend a lot of time studying and documenting lithic artefacts. Since it is impossible to study all these artefacts physically, they often rely on images. Drawings are often the most informative because the lines and symbols in these drawing contain technological information which tells the audience how the artefact depicted was made. Conversely, making these drawings is an excellent way of learning to recognise and understand this technological information.In a distant past Yannick aspired a career as an artist and while the art world is probably better off without him, he managed to find a new purpose for his artistic bend in his career as an archaeologist in the form of making lithic illustrations.Both professional and amateur archaeologists ask him questions about the drawings regularly with ¿It¿s probably very difficult, I¿m sure ¿ the most prominent. Drawing lithic illustrations is bound to rules and conventions anybody can learn. Of course it helps if you have a deft hand at drawing, but this style of drawing is a craft, not an art form. A craft anybody can learn with a little perseverance.Starting from there, Yannick gives courses in drawing artefacts. While preparing these courses he noticed that almost no books or papers suitable as course material are available, a realisation eventually resulting in this book.Contents1 Introduction1.1 Art or craft1.2 Why draw in the digital age1.3 Reading guide2 Conventions2.1 Introduction2.2 Terminology2.3 Angle of incidence2.4 Projections2.5 French or American projection2.6 Lines2.7 Ripples2.8 The ventral surface2.9 Burins2.10 Polished artefacts2.11 Natural phenomena and damage2.12 Burnt flint2.13 Other symbols2.14 Microliths3 Preperations3.1 Introduction3.2 Residue and use-wear analysis3.3 Digital illustration3.4 Supply list3.5 Function of the assorted supplies3.6 The work station3.7 The artefact4 The pencil drawing4.1 Introduction4.2 Preparing the graph paper4.3 The outline4.4 The dorsal ridges4.5 The dorsal negatives4.6 The ventral surface and the bulb of percussion4.7 The lateral sides4.8 The cross-section4.9 The striking platform and additional details4.10 Refits4.11 Finishing touches5 The pen drawing5.1 Preparations5.2 The lay-out5.3 Tracing the illustration5.4 Finishing touches6 Scanning and digitally editing your illustrations for publication6.1 Scanning6.2 Editing your illustration6.3 Step one: paint it black6.4 Step two: Increasing the contrast6.5 Step three: making the illustration binary6.6 Cosmetic alterations7 ConclusionBooks on Demand GmbH, Überseering 33, 22297 Hamburg 52 pp. Englisch. Bestandsnummer des Verkäufers 9789088905308
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Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Stone Age researchers spend a lot of time studying and documenting lithic artefacts. Since it is impossible to study all these artefacts physically, they often rely on images. Drawings are often the most informative because the lines and symbols in these drawing contain technological information which tells the audience how the artefact depicted was made. Conversely, making these drawings is an excellent way of learning to recognise and understand this technological information.In a distant past Yannick aspired a career as an artist and while the art world is probably better off without him, he managed to find a new purpose for his artistic bend in his career as an archaeologist in the form of making lithic illustrations.Both professional and amateur archaeologists ask him questions about the drawings regularly with 'It's probably very difficult, I'm sure ' the most prominent. Drawing lithic illustrations is bound to rules and conventions anybody can learn. Of course it helps if you have a deft hand at drawing, but this style of drawing is a craft, not an art form. A craft anybody can learn with a little perseverance.Starting from there, Yannick gives courses in drawing artefacts. While preparing these courses he noticed that almost no books or papers suitable as course material are available, a realisation eventually resulting in this book.Contents1 Introduction1.1 Art or craft1.2 Why draw in the digital age1.3 Reading guide2 Conventions2.1 Introduction2.2 Terminology2.3 Angle of incidence2.4 Projections2.5 French or American projection2.6 Lines2.7 Ripples2.8 The ventral surface2.9 Burins2.10 Polished artefacts2.11 Natural phenomena and damage2.12 Burnt flint2.13 Other symbols2.14 Microliths3 Preperations3.1 Introduction3.2 Residue and use-wear analysis 3.3 Digital illustration3.4 Supply list3.5 Function of the assorted supplies3.6 The work station3.7 The artefact4 The pencil drawing4.1 Introduction4.2 Preparing the graph paper4.3 The outline4.4 The dorsal ridges4.5 The dorsal negatives4.6 The ventral surface and the bulb of percussion4.7 The lateral sides4.8 The cross-section4.9 The striking platform and additional details4.10 Refits4.11 Finishing touches5 The pen drawing5.1 Preparations5.2 The lay-out5.3 Tracing the illustration 5.4 Finishing touches6 Scanning and digitally editing your illustrations for publication6.1 Scanning6.2 Editing your illustration6.3 Step one: paint it black6.4 Step two: Increasing the contrast6.5 Step three: making the illustration binary6.6 Cosmetic alterations7 Conclusion. Bestandsnummer des Verkäufers 9789088905308
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Taschenbuch. Zustand: Neu. Drawing Lithic Artefacts | Yannick Raczynski-Henk | Taschenbuch | 52 S. | Englisch | 2017 | Sidestone Press | EAN 9789088905308 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu Print on Demand. Bestandsnummer des Verkäufers 109558716
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