Críticas:
-Feenstra's analyses are a significant contribution to the scholarly dialogue about contemporary Spanish film and its representations of defiance and the recuperation of cultural identity in the decades following Franco's death A model for the analysis of cinematic narrative, hers should offer special interest to students of Spanish film and Spanish history. --Dr. Richard K. Curry, Editor, Cine y Revista de estudios interdisciplinarios sobre cine en espa ol.[-][-]-This is a substantial new contribution to the cultural study of post-Franco Spain. It traces in sparkling detail the passage from dissidence and marginalisation to scandalous centrality through the body's signifying practices on screen. Its preoccupation with visibility and ideological change gives it a special topical pertinence. -Chris Perriam, Professor of Hispanic Studies, University of Manchester.[-][-]-Here is a -book of passion on the metamorphoses of post-Francoist Spain as it catapulted into the contemporary world (1975-1995). It is a book that questions the power of myths expressed through passionate bodies, in particular bodies who for too long were marginalized in traditional societies. -- Mich le Lagny, professor of the history of culture at the Universit de Sorbonne Nouvelle Paris III.[-][-]A well researched study on post-Franco cinema, that breaks new ground in Spanish film studies by introducing contemporary French theories on myths and stereotypes into the field; of particular interest is the way in which it shows how stereotypes function in a context of political change.[-](Nadia Lie, Professor of Hispanic Studies, University of Louvain (KULeuven), Belgium)[-][-]Pietsie Feenstra's new book makes a significant and welcome contribution to the field of Spanish cultural studies. In her mapping of the evolution of the body as it both marks film and is, in turn, marked by film, Feenstra offers a set of insightful and original readings that will challenge contemporary Spanish historiography and add to the growing corpus of work on Spanish cinema.[-]Steven Marsh, Assistant Professor of Latin American and Peninsular Studies at the University of Illinois at Chicago
Reseña del editor:
In the 1970s, especially after Franco's death in 1975, Spanish cinema was bursting at the seams. Numerous film directors broke free from the ancient taboos which had reigned under the dictatorship. They introduced characters who, through their bodies, transgress the traditional borders of social, cultural and sexual identities. Post- Franco cinema exhibits women, homosexuals, transsexuals, and delinquents in new and challenging ways. Under Franco rule, all of these dissident bodies were 'lost'. Here, they reflect new mythological figures, inhabiting an idealised body form (a prototypical body). These new images transform the stereotyped bodies as they question ancient archetypal values. Spanish cinema offers a dazzling performance transforming previous dissident bodies into the new protagonists of its national cinema.
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