"The Defendant" by G. K. Chesterton is a collection of essays that delve into the defense of various seemingly trivial or undervalued aspects of society and literature. Chesterton challenges the conventional disdain for popular literature, such as penny dreadfuls, arguing that they fulfill a fundamental human need for storytelling and adventure. He contends that these narratives, often dismissed as vulgar, are in fact a testament to the enduring human spirit and imagination. In his essays, Chesterton also defends the making of rash vows, suggesting that such commitments reflect a profound moment of personal truth and aspiration. He critiques the modern aversion to vows, linking it to a broader cultural fear of commitment and change. Furthermore, Chesterton explores the symbolism of skeletons, arguing that they should not be seen as mere emblems of death but as representations of life's enduring structure. He also addresses the importance of public monuments and the art of publicity, advocating for a celebration of public virtues and achievements. Lastly, Chesterton defends the genre of nonsense literature, exemplified by the works of Edward Lear and Lewis Carroll, as a vital expression of creativity and a necessary escape from the rigidity of rational thought. Through these essays, Chesterton invites readers to reconsider their perceptions and embrace the beauty and significance of the overlooked and the ordinary.
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Gilbert Keith Chesterton (1874-1936) était un écrivain, philosophe, dramaturge, journaliste et critique littéraire anglais, largement reconnu pour son esprit incisif et sa plume prolifique. Né à Londres, Chesterton a étudié à la Slade School of Fine Art avant de se tourner vers l'écriture. Chesterton est surtout connu pour ses romans, ses essais et ses nouvelles. Parmi ses oeuvres les plus célèbres, on trouve "L'Homme qui était Jeudi" et la série de nouvelles mettant en scène le père Brown, un prêtre détective. Son style unique, caractérisé par un humour brillant, des paradoxes et une profonde réflexion philosophique, a fait de lui une figure centrale de la littérature anglaise du début du XXe siècle. En tant que critique social et littéraire, Chesterton a écrit sur une variété de sujets, allant de la théologie à la politique, en passant par l'art et la littérature. Ses essais, publiés dans des journaux et des revues, étaient appréciés pour leur clarté de pensée et leur capacité à rendre accessibles des concepts complexes. La conversion de Chesterton au catholicisme en 1922 a influencé une grande partie de son travail ultérieur, ajoutant une dimension spirituelle et théologique à ses écrits. Il a utilisé sa plume pour défendre la foi et critiquer le matérialisme et le relativisme de son époque. Outre sa carrière littéraire, Chesterton était un conférencier populaire et un débatteur public. Son charisme et son talent oratoire attiraient de larges audiences, et ses débats avec des figures contemporaines telles que George Bernard Shaw sont restés célèbres. Gilbert Keith Chesterton est décédé en 1936, mais son héritage perdure à travers ses nombreux écrits, qui continuent d'inspirer et de provoquer la réflexion. Son oeuvre reste un témoignage de son génie littéraire et de sa capacité à combiner humour, profondeur philosophique et critique sociale.
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Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -' One of the strangest examples of the degree to which ordinary life is undervalued is the example of popular literature, the vast mass of which we contentedly describe as vulgar. The boy's novelette may be ignorant in a literary sense, which is only like saying that a modern novel is ignorant in the chemical sense, or the economic sense, or the astronomical sense; but it is not vulgar intrinsicallyit is the actual centre of a million flaming imaginations. In former centuries the educated class ignored the ruck of vulgar literature. They ignored, and therefore did not, properly speaking, despise it. Simple ignorance and indifference does not inflate the character with pride. A man does not walk down the street giving a haughty twirl to his moustaches at the thought of his superiority to some variety of deep-sea fishes. The old scholars left the whole under-world of popular compositions in a similar darkness.' 54 pp. Englisch. Bestandsnummer des Verkäufers 9791041817962
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Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - 'The Defendant' by G. K. Chesterton is a collection of essays that delve into the defense of various seemingly trivial or undervalued aspects of society and literature. Chesterton challenges the conventional disdain for popular literature, such as penny dreadfuls, arguing that they fulfill a fundamental human need for storytelling and adventure. He contends that these narratives, often dismissed as vulgar, are in fact a testament to the enduring human spirit and imagination. In his essays, Chesterton also defends the making of rash vows, suggesting that such commitments reflect a profound moment of personal truth and aspiration. He critiques the modern aversion to vows, linking it to a broader cultural fear of commitment and change. Furthermore, Chesterton explores the symbolism of skeletons, arguing that they should not be seen as mere emblems of death but as representations of life's enduring structure. He also addresses the importance of public monuments and the art of publicity, advocating for a celebration of public virtues and achievements. Lastly, Chesterton defends the genre of nonsense literature, exemplified by the works of Edward Lear and Lewis Carroll, as a vital expression of creativity and a necessary escape from the rigidity of rational thought. Through these essays, Chesterton invites readers to reconsider their perceptions and embrace the beauty and significance of the overlooked and the ordinary. Bestandsnummer des Verkäufers 9791041817962
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Taschenbuch. Zustand: Neu. This item is printed on demand - Print on Demand Titel. Neuware -'The Defendant' by G. K. Chesterton is a collection of essays that delve into the defense of various seemingly trivial or undervalued aspects of society and literature. Chesterton challenges the conventional disdain for popular literature, such as penny dreadfuls, arguing that they fulfill a fundamental human need for storytelling and adventure. He contends that these narratives, often dismissed as vulgar, are in fact a testament to the enduring human spirit and imagination. In his essays, Chesterton also defends the making of rash vows, suggesting that such commitments reflect a profound moment of personal truth and aspiration. He critiques the modern aversion to vows, linking it to a broader cultural fear of commitment and change. Furthermore, Chesterton explores the symbolism of skeletons, arguing that they should not be seen as mere emblems of death but as representations of life's enduring structure. He also addresses the importance of public monuments and the art of publicity, advocating for a celebration of public virtues and achievements. Lastly, Chesterton defends the genre of nonsense literature, exemplified by the works of Edward Lear and Lewis Carroll, as a vital expression of creativity and a necessary escape from the rigidity of rational thought. Through these essays, Chesterton invites readers to reconsider their perceptions and embrace the beauty and significance of the overlooked and the ordinary.Books on Demand GmbH, Überseering 33, 22297 Hamburg 54 pp. Englisch. Bestandsnummer des Verkäufers 9791041817962
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Taschenbuch. Zustand: Neu. The Defendant | Exploring the Paradoxes of Society and Literature | G. K. Chesterton | Taschenbuch | Englisch | 2023 | Culturea | EAN 9791041817962 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu Print on Demand. Bestandsnummer des Verkäufers 127191465
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Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 54 | Sprache: Englisch | Produktart: Bücher | " One of the strangest examples of the degree to which ordinary life is undervalued is the example of popular literature, the vast mass of which we contentedly describe as vulgar. The boy's novelette may be ignorant in a literary sense, which is only like saying that a modern novel is ignorant in the chemical sense, or the economic sense, or the astronomical sense; but it is not vulgar intrinsicallyit is the actual centre of a million flaming imaginations. In former centuries the educated class ignored the ruck of vulgar literature. They ignored, and therefore did not, properly speaking, despise it. Simple ignorance and indifference does not inflate the character with pride. A man does not walk down the street giving a haughty twirl to his moustaches at the thought of his superiority to some variety of deep-sea fishes. The old scholars left the whole under-world of popular compositions in a similar darkness.". Bestandsnummer des Verkäufers 42677626/1
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