Inhaltsangabe
The book presents a selection of the photographic work made in Naples by Anders Petersen, Swedish master of photography, during Spot home gallery’s first artist residency in the year 2022.
The book presents a selection of the photographic work made in Naples by Anders Petersen, Swedish master of photography, during Spot home gallery’s first artist residency in the year 2022.
Throughout his long career, Petersen has photographed in cities across almost every continent, from Tokyo to London, from Valparaiso to Stockholm, driven by an inexhaustible curiosity and a profound interest for the other. For him, photography serves as a means to explore the complexity of the human experience, to capture with sensitivity and honesty the emotions that define and unite us as living beings, part of the one, big, same family.
Naples, a “city-world” of many thousand facets, with its chaos and its diverse humanity, was the ideal place for a photographer like him: it is precisely in chaos that life unfolds with all its unpredictability, vibrancy, and beauty.
They had never met before, but when it happened, it was love at first sight. Anders was struck by the city’s energy and enthusiastically accepted the not-so-easy challenge of photographing it. Naples revealed herself without filters, without fear of showing its wounds and vulnerabilities, open to the empathetic approach of a photographer who can look beyond the surface of things, who can find beauty in the ordinary, and embrace its imperfections.
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Über die Autorinnen und Autoren
Anders Petersen (born 1944) is a Swedish photographer, based in Stockholm. He makes intimate and personal documentary-style black and white photographs. Petersen has published more than 20 books. He has had exhibitions at Bibliothèque nationale de France, Liljevalchs konsthall, MARTa Herford, and Museum of Contemporary Art of Rome. His work is held in the collections of the Museum of Modern Art in New York and Moderna Museet in Stockholm. Petersen studied photography under Christer Strömholm in Sweden from 1966 to 1967. He has been director of the Göteborg School of Photography and Film. He began to photograph for magazines, and continued his personal photo diary work, which continues to this day. He has photographed for extensive periods of time in prisons, mental asylums, and elderly care homes.
Anders Petersen (born 1944) is a Swedish photographer, based in Stockholm. He makes intimate and personal documentary-style black and white photographs. Petersen has published more than 20 books. He has had exhibitions at Bibliothèque nationale de France, Liljevalchs konsthall, MARTa Herford, and Museum of Contemporary Art of Rome. His work is held in the collections of the Museum of Modern Art in New York and Moderna Museet in Stockholm. Petersen studied photography under Christer Strömholm in Sweden from 1966 to 1967. He has been director of the Göteborg School of Photography and Film. He began to photograph for magazines, and continued his personal photo diary work, which continues to this day. He has photographed for extensive periods of time in prisons, mental asylums, and elderly care homes.
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Suchergebnisse für Anders Peterson: Napoli
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NAPOLI: ANDERS PETERSEN Format: Paperback
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Paperback. Zustand: New. Speaking about her relationship with Naples, Lea Vergine once said that it was the only city that did not have a ghetto. Remarking "do you think a Neapolitan cares if you are Jewish or whatever?" This nonchalance for the other, by whom one wants to be looked at, yet always eluding the judgment, is what I find in Anders Petersen's shots. A kind of continual escape, an ability to speak only through fragments. Yet everything can be found in these fragments: there is irony and sensuality, and a kind of ancient nobility, there is surrender to the artist's eye, yes, but never completely. There is trust, though. Trust and defiance always walk these paths together, in what percentage is unknown: the subject sets them each time, or the photographer finds them in that sole possible motion that grounds a relationship, that is, the encounter. These photographs are born in this undetermined space, pertaining more to the soul than to topography, at the crossroads between Petersen's imagination and the hyperbolic reality he - or better, we - intersect. Thus, he renders it back to us in the only way it can be rendered. No one will ever know how to shape this chaos, but we can, through our observing eyes, both make it our own and be a part of it, knowing that it will mutate, escape us, betray itself, and that what we see will only be true in the instant it occurred. Never before have I been able to find, as I did in this work by a man so distant in origins from Mediterranean culture, the words used by Fabrizia Ramondino in her 1991 biography Star di casa: "Naples, where it is so difficult to live and so tempting to leave, which is so difficult to abandon and always compels one to return, becomes, more than any others, the emblematic place of the general human condition of our time: to find oneself on an uninhabitable planet and yet to know that this is the only one that for the time being we can call home. Valeria Parrella. Bestandsnummer des Verkäufers LU-9791280978066
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Paperback. Zustand: New. Speaking about her relationship with Naples, Lea Vergine once said that it was the only city that did not have a ghetto. Remarking "do you think a Neapolitan cares if you are Jewish or whatever?" This nonchalance for the other, by whom one wants to be looked at, yet always eluding the judgment, is what I find in Anders Petersen's shots. A kind of continual escape, an ability to speak only through fragments. Yet everything can be found in these fragments: there is irony and sensuality, and a kind of ancient nobility, there is surrender to the artist's eye, yes, but never completely. There is trust, though. Trust and defiance always walk these paths together, in what percentage is unknown: the subject sets them each time, or the photographer finds them in that sole possible motion that grounds a relationship, that is, the encounter. These photographs are born in this undetermined space, pertaining more to the soul than to topography, at the crossroads between Petersen's imagination and the hyperbolic reality he - or better, we - intersect. Thus, he renders it back to us in the only way it can be rendered. No one will ever know how to shape this chaos, but we can, through our observing eyes, both make it our own and be a part of it, knowing that it will mutate, escape us, betray itself, and that what we see will only be true in the instant it occurred. Never before have I been able to find, as I did in this work by a man so distant in origins from Mediterranean culture, the words used by Fabrizia Ramondino in her 1991 biography Star di casa: "Naples, where it is so difficult to live and so tempting to leave, which is so difficult to abandon and always compels one to return, becomes, more than any others, the emblematic place of the general human condition of our time: to find oneself on an uninhabitable planet and yet to know that this is the only one that for the time being we can call home. Valeria Parrella. Bestandsnummer des Verkäufers LU-9791280978066
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Paperback. Zustand: New. Speaking about her relationship with Naples, Lea Vergine once said that it was the only city that did not have a ghetto. Remarking "do you think a Neapolitan cares if you are Jewish or whatever?" This nonchalance for the other, by whom one wants to be looked at, yet always eluding the judgment, is what I find in Anders Petersen's shots. A kind of continual escape, an ability to speak only through fragments. Yet everything can be found in these fragments: there is irony and sensuality, and a kind of ancient nobility, there is surrender to the artist's eye, yes, but never completely. There is trust, though. Trust and defiance always walk these paths together, in what percentage is unknown: the subject sets them each time, or the photographer finds them in that sole possible motion that grounds a relationship, that is, the encounter. These photographs are born in this undetermined space, pertaining more to the soul than to topography, at the crossroads between Petersen's imagination and the hyperbolic reality he - or better, we - intersect. Thus, he renders it back to us in the only way it can be rendered. No one will ever know how to shape this chaos, but we can, through our observing eyes, both make it our own and be a part of it, knowing that it will mutate, escape us, betray itself, and that what we see will only be true in the instant it occurred. Never before have I been able to find, as I did in this work by a man so distant in origins from Mediterranean culture, the words used by Fabrizia Ramondino in her 1991 biography Star di casa: "Naples, where it is so difficult to live and so tempting to leave, which is so difficult to abandon and always compels one to return, becomes, more than any others, the emblematic place of the general human condition of our time: to find oneself on an uninhabitable planet and yet to know that this is the only one that for the time being we can call home. Valeria Parrella. Bestandsnummer des Verkäufers LU-9791280978066
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