The confession is in her handwriting. A forensic examiner confirms it. The man it describes is missing. She has no memory of writing it.
Margot Sayer builds other people’s memoirs for a living. She is a ghostwriter, and she believes the written record is the truest record there is. She is forty-three pages into the memoir of Julian Cross, a widower in a Rhinebeck brownstone who speaks about his late wife with a practised tenderness Margot has not yet decided is genuine.
Then a handwritten manuscript arrives at her door. It is a confession, it is in her own hand, and the questioned-documents examiner she takes it to tells her what she already knows by looking. The man it names has disappeared, and the one kind of evidence she has always trusted is now the evidence against her.
The fourth Fractured Mind Thriller, narrated by a woman who opens with a warning: everyone lies about the past. Each novel stands alone.
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