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For eleven years, Meenakshi Sthapathi has run her late husband's bronze foundry in a small South Indian temple town, casting sacred idols the same patient way his family has for generations. When a Chennai company offers to buy out her workshop and shut it down for good, replacing centuries of hand-cast bronze work with cheaper factory idols, she is almost ready to say yes and let the old craft die quietly, the way half the foundries around her already have. Instead, Meena mortgages her house to attempt one last impossible project: a six-foot bronze Nataraja for a temple's biggest commission in a century, built by hand against a factory bid that could finish what years of grief already started. To finish in time she will need help she has spent a decade refusing, from a fisherman's orphan boy the village insists does not belong at her bench, and from the daughter she has not properly spoken to in six years. The deadline is unforgiving, the metal is unforgiving, and so, Meena discovers, is the fear she has carried since the accident that took her husband, an old paralysis that returns at the worst possible moment, at the edge of the fire, with everything on the line. Every relationship she has protected herself out of is tested at once: a daughter who was told, as a girl, that the craft was not for her, an apprentice fighting to be seen as more than his family's caste, and a rival bidder who turns out to be carrying grief of his own. This is a novel about the doors we close out of fear and call it love, and what it costs to finally open them. It is about a mother and a daughter finding their way back to each other, about a craft worth fighting to keep alive, and about the particular courage it takes to move, at last, instead of freezing, when the fire finally asks everything of you.
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Taschenbuch. Zustand: Neu. Neuware - For eleven years, Meenakshi Sthapathi has run her late husband's bronze foundry in a small South Indian temple town, casting sacred idols the same patient way his family has for generations. When a Chennai company offers to buy out her workshop and shut it down for good, replacing centuries of hand-cast bronze work with cheaper factory idols, she is almost ready to say yes and let the old craft die quietly, the way half the foundries around her already have. Instead, Meena mortgages her house to attempt one last impossible project: a six-foot bronze Nataraja for a temple's biggest commission in a century, built by hand against a factory bid that could finish what years of grief already started. To finish in time she will need help she has spent a decade refusing, from a fisherman's orphan boy the village insists does not belong at her bench, and from the daughter she has not properly spoken to in six years. The deadline is unforgiving, the metal is unforgiving, and so, Meena discovers, is the fear she has carried since the accident that took her husband, an old paralysis that returns at the worst possible moment, at the edge of the fire, with everything on the line. Every relationship she has protected herself out of is tested at once: a daughter who was told, as a girl, that the craft was not for her, an apprentice fighting to be seen as more than his family's caste, and a rival bidder who turns out to be carrying grief of his own. This is a novel about the doors we close out of fear and call it love, and what it costs to finally open them. It is about a mother and a daughter finding their way back to each other, about a craft worth fighting to keep alive, and about the particular courage it takes to move, at last, instead of freezing, when the fire finally asks everything of you. Bestandsnummer des Verkäufers 9798192291214
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