Angels and insects, holes in the known world's fabric and what comes out of them, the love of death and the death of love. In award-winning horror author Gemma Files's seventh collection of short fiction, the numinous and the awful tango together through a collapsing series of not-so-alternate realities, and everyone they touch emerges changed, whether or not they may have wanted to be. This is fantasy of the darkest sort, horror-cured, marinating in its own transformative juices. So enter a fractured universe of creepy delights, one where the oldest tropes are turned inside out and wrung for their oddest components, as forgotten gods and monsters cavort beneath a storm of BLOOD FROM THE AIR. Formerly a film critic, journalist, screenwriter and teacher, Gemma Files has been an award-winning horror author since 1999. She has published five collections of short work, three collections of speculative poetry, a Weird Western trilogy, a story-cycle and a stand-alone novel (Experimental Film, which won the 2015 Shirley Jackson Award for Best Novel and the 2016 Sunburst Award for Best Adult Novel). Her collection In That Endlessness, Our End won both the Bram Stoker Award and the This Is Horror Award in that category for 2021.
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Formerly a film critic, journalist, screenwriter and teacher, Gemma Files has been an award-winning horror author since 1999. She has published two collections of short work, two chapbooks of speculative poetry, a Weird Western trilogy, a story-cycle and a stand-alone novel (Experimental Film, which won a Shirley Jackson Award for Best Novel and a Sunburst award for Best Adult Novel). She has two new story collections from Trepidatio (Spectral Evidence and Drawn Up From Deep Places), one upcoming from Cemetery Dance (Dark Is Better), and a new poetry collection from Aqueduct Press (Invocabulary).
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