Barbara Heller composed Inner Dialogue with a tonal material consisting of several series of intervals that are put together like a dialog. The composer focuses on upward and downward movements. Barbara Heller writes about this : "I was particularly emotionally attached to one series of intervals, which can be found at the beginning of the 2nd part (Lento) and the 5th part (Calmo) : major sixth, minor second, fourth, major second and tritone. This falling sixth triggered in me the attempt to come back up again with a rising fourth after the semitone step downwards, and then back down again with the whole tone and the tritone - this resulted in an expression that did not let go of me and touched me deeply inside. It was like a trap that I couldn't get out of. And so, in the course of working on the cello piece, it became an inner dialog : with the back and forth downwards and upwards again, a kind of variation-like music that was always - with small changes - a self-questioning, an attempt to free myself from this motif, which I did not succeed in doing. In this edition, editor Beverley Ellis provides important notes on interpretation. Instrumentation : cello
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Paperback. Zustand: new. Paperback. (String Solo). Barbara Heller composed Inner Dialogue with a musical material consisting of several interval series arranged in a dialogue-like manner. The composer focuses on ascending and descending movements. Barbara Heller writes: "I was particularly emotionally connected to one series of intervals, which can be found at the beginning of the second part (Lento)and the fifth part (Calmo): major sixth, minor second, fourth, major second, and tritone. This falling sixth triggered in me the attempt, after the semitone downward step, to climb back up with a rising fourth, and then back down again with the whole tone and the tritone this resulted in an express ion that wouldn't let me go and touched me deeply. It was like a trap from which I couldn't escape. And so, as I worked on the cello piece, it became an inner dialogue: with the back and forth downwards and then upwards again, a kind of variation-like music that repeatedly with small changes was a self-questioning, an attempt to free myself from this 'motif, ' which I failed to do." In this edition, the editor Beverley Ellis provides important suggestions for interpretation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9798350163070
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Paperback. Zustand: new. Paperback. (String Solo). Barbara Heller composed Inner Dialogue with a musical material consisting of several interval series arranged in a dialogue-like manner. The composer focuses on ascending and descending movements. Barbara Heller writes: "I was particularly emotionally connected to one series of intervals, which can be found at the beginning of the second part (Lento)and the fifth part (Calmo): major sixth, minor second, fourth, major second, and tritone. This falling sixth triggered in me the attempt, after the semitone downward step, to climb back up with a rising fourth, and then back down again with the whole tone and the tritone this resulted in an express ion that wouldn't let me go and touched me deeply. It was like a trap from which I couldn't escape. And so, as I worked on the cello piece, it became an inner dialogue: with the back and forth downwards and then upwards again, a kind of variation-like music that repeatedly with small changes was a self-questioning, an attempt to free myself from this 'motif, ' which I failed to do." In this edition, the editor Beverley Ellis provides important suggestions for interpretation. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Bestandsnummer des Verkäufers 9798350163070
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Paperback. Zustand: new. Paperback. (String Solo). Barbara Heller composed Inner Dialogue with a musical material consisting of several interval series arranged in a dialogue-like manner. The composer focuses on ascending and descending movements. Barbara Heller writes: "I was particularly emotionally connected to one series of intervals, which can be found at the beginning of the second part (Lento)and the fifth part (Calmo): major sixth, minor second, fourth, major second, and tritone. This falling sixth triggered in me the attempt, after the semitone downward step, to climb back up with a rising fourth, and then back down again with the whole tone and the tritone this resulted in an express ion that wouldn't let me go and touched me deeply. It was like a trap from which I couldn't escape. And so, as I worked on the cello piece, it became an inner dialogue: with the back and forth downwards and then upwards again, a kind of variation-like music that repeatedly with small changes was a self-questioning, an attempt to free myself from this 'motif, ' which I failed to do." In this edition, the editor Beverley Ellis provides important suggestions for interpretation. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9798350163070
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