In 1972, I was born Đỗ Văn Hùng in Saigon, Vietnam. In the closing days of the war, as part of Operation Babylift, I was evacuated on a Pan American Airways 747, adopted in western New York, and renamed Mark F. Erickson. Growing up, I knew and thought nothing of Vietnam and only passively learned about it from the stories America was telling itself about the war, mainly through the movies of the 1980s. As a student at Harvard College, I made my first Vietnamese-American friends, studied Vietnamese history from a Vietnamese perspective with Hue-Tam Ho Tai, and learned documentary photography with Chris Killip and David Goldblatt. From Killip and Goldblatt, I learned how powerful photo essays challenged the national narratives of the English (In Flagrante), the South Africans (In Boksburg), and the Americans (Robert Frank’s The Americans). Thus, in 1993, I returned to Vietnam with my manual 35mm film camera to subvert the version of my birth country that I myself had absorbed as an American. Through these images of ordinary people doing ordinary things in ordinary places, I had a glimpse into a life I never had the opportunity to live. And twenty-five years later, it is also a glimpse into a Vietnam—now transformed by rapid economic growth—that no longer exists.
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Paperback. Zustand: new. Paperback. In 1972, I was born Do Van Hung in Saigon, Vietnam. In the closing days of the war, as part of Operation Babylift, I was evacuated on a Pan American Airways 747, adopted in western New York, and renamed Mark F. Erickson. Growing up, I knew and thought nothing of Vietnam and only passively learned about it from the stories America was telling itself about the war, mainly through the movies of the 1980s. As a student at Harvard College, I made my first Vietnamese-American friends, studied Vietnamese history from a Vietnamese perspective with Hue-Tam Ho Tai, and learned documentary photography with Chris Killip and David Goldblatt. From Killip and Goldblatt, I learned how powerful photo essays challenged the national narratives of the English (In Flagrante), the South Africans (In Boksburg), and the Americans (Robert Frank's The Americans). Thus, in 1993, I returned to Vietnam with my manual 35mm film camera to subvert the version of my birth country that I myself had absorbed as an American. Through these images of ordinary people doing ordinary things in ordinary places, I had a glimpse into a life I never had the opportunity to live. And twenty-five years later, it is also a glimpse into a Vietnam-now transformed by rapid economic growth-that no longer exists. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9798636555155
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