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Visual Music: A History and Theory of the Abstract Moving Image (New Approaches to Sound, Music, and Media) - Hardcover
Inhaltsangabe
An interdisciplinary exploration of the abstract moving image across various media such as films, concert projections, and kaleidoscopes.
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Über die Autorin bzw. den Autor
Henry Balme is an independent scholar and received his PhD in music history from Yale University, USA. His research focuses on visual music, a transmedial art form combining abstract moving images, and is funded by the American Musicological Society and a John F. Enders Fellowship.
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Visual Music : A History and Theory of the Abstract Moving Image
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Visual Music
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Visual Music : A History and Theory of the Abstract Moving Image
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Visual Music : A History and Theory of the Abstract Moving Image
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Visual Music
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Hardback. Zustand: New. This book traces the evolving relationship between the abstract moving image and music, from the eighteenth century to the present, across media including film, concert projections, and kaleidoscopes.Although the term visual music has become widespread among artists, curators, and scholars over the past three decades, its meaning remains unsettled. Is it a translation of musical form into visual representation, or a musical response to images? This book offers a critical redefinition of the term, grounding visual music in the category of the abstract moving image.Close readings of seminal films by Mary Ellen Bute, Jordan Belson, Oskar Fischinger, Walter Ruttmann, and James Whitney are complemented by analyses of contemporary work by Joanna Priestley, Takashi Ohashi, and Clayton McCracken. These films are examined through multiple critical lenses, including middlebrow modernism, mysticism, transmediality, and the relation of abstract art to music.By bringing theoretical precision and historical depth to the subject, the book offers fresh perspectives on visual music and provides a valuable foundation for students and scholars in musicology, film studies, and art history, as well as those working in the growing field of audiovisual studies. It is essential reading for anyone interested in the fertile terrain where music and the visual arts converge. Bestandsnummer des Verkäufers LU-9798765128701
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Visual Music (Hardcover)
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Hardcover. Zustand: new. Hardcover. This book traces the evolving relationship between the abstract moving image and music, from the eighteenth century to the present, across media including film, concert projections, and kaleidoscopes.Although the term visual music has become widespread among artists, curators, and scholars over the past three decades, its meaning remains unsettled. Is it a translation of musical form into visual representation, or a musical response to images? This book offers a critical redefinition of the term, grounding visual music in the category of the abstract moving image.Close readings of seminal films by Mary Ellen Bute, Jordan Belson, Oskar Fischinger, Walter Ruttmann, and James Whitney are complemented by analyses of contemporary work by Joanna Priestley, Takashi Ohashi, and Clayton McCracken. These films are examined through multiple critical lenses, including middlebrow modernism, mysticism, transmediality, and the relation of abstract art to music.By bringing theoretical precision and historical depth to the subject, the book offers fresh perspectives on visual music and provides a valuable foundation for students and scholars in musicology, film studies, and art history, as well as those working in the growing field of audiovisual studies. It is essential reading for anyone interested in the fertile terrain where music and the visual arts converge. An interdisciplinary exploration of the abstract moving image across various media such as films, concert projections, and kaleidoscopes. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9798765128701
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Visual Music (Hardcover)
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Hardcover. Zustand: new. Hardcover. This book traces the evolving relationship between the abstract moving image and music, from the eighteenth century to the present, across media including film, concert projections, and kaleidoscopes.Although the term visual music has become widespread among artists, curators, and scholars over the past three decades, its meaning remains unsettled. Is it a translation of musical form into visual representation, or a musical response to images? This book offers a critical redefinition of the term, grounding visual music in the category of the abstract moving image.Close readings of seminal films by Mary Ellen Bute, Jordan Belson, Oskar Fischinger, Walter Ruttmann, and James Whitney are complemented by analyses of contemporary work by Joanna Priestley, Takashi Ohashi, and Clayton McCracken. These films are examined through multiple critical lenses, including middlebrow modernism, mysticism, transmediality, and the relation of abstract art to music.By bringing theoretical precision and historical depth to the subject, the book offers fresh perspectives on visual music and provides a valuable foundation for students and scholars in musicology, film studies, and art history, as well as those working in the growing field of audiovisual studies. It is essential reading for anyone interested in the fertile terrain where music and the visual arts converge. An interdisciplinary exploration of the abstract moving image across various media such as films, concert projections, and kaleidoscopes. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9798765128701
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Visual Music : A History and Theory of the Abstract Moving Image
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Buch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book traces the evolving relationship between the abstract moving image and music, from the eighteenth century to the present, across media including film, concert projections, and kaleidoscopes.Although the term visual music has become widespread among artists, curators, and scholars over the past three decades, its meaning remains unsettled. Is it a translation of musical form into visual representation, or a musical response to images This book offers a critical redefinition of the term, grounding visual music in the category of the abstract moving image.Close readings of seminal films by Mary Ellen Bute, Jordan Belson, Oskar Fischinger, Walter Ruttmann, and James Whitney are complemented by analyses of contemporary work by Joanna Priestley, Takashi Ohashi, and Clayton McCracken. These films are examined through multiple critical lenses, including middlebrow modernism, mysticism, transmediality, and the relation of abstract art to music.By bringing theoretical precision and historical depth to the subject, the book offers fresh perspectives on visual music and provides a valuable foundation for students and scholars in musicology, film studies, and art history, as well as those working in the growing field of audiovisual studies. It is essential reading for anyone interested in the fertile terrain where music and the visual arts converge. Bestandsnummer des Verkäufers 9798765128701
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