Well-known art historians from Europe and the Americas discuss the influence of conceptualism on art since the 1970s.Art After Conceptual Art tracks the various legacies of conceptualist practice over the past three decades. This collection of essays by art historians from Europe and the Americas introduces and develops the idea that conceptual art generated several different, and even contradictory, forms of art practice. Some of these contested commonplace assumptions of what art is; others served to buttress those assumptions. The bulk of the volume features newly written and highly innovative essays challenging standard interpretations of the legacy of conceptualism and discussing the influence of conceptualism's varied practices on art since the 1970s. The essays explore topics as diverse as the interrelationships between conceptualism and institutional critique, neoexpressionist painting and conceptualist paradigms, conceptual art's often-ignored complicity with design and commodity culture, the specific forms of identity politics taken up by the reception of conceptual art, and conceptualism's North/South and East/West dynamics. A few texts that continue to be crucial for critical debates within the fields of conceptual and postconceptual art practice, history, and theory have been reprinted in order to convey the vibrant and ongoing discussion on the status of art after conceptual art. Taken together, the essays will inspire an exploration of the relationship between postconceptualist practices and the beginnings of contemporary art.
Distributed for the Generali Foundation, Vienna.
Alexander Alberro is Virginia Bloedel Wright Professor of Art History at Barnard College. He is the author of Conceptual Art and the Politics of Publicity and the coeditor of Conceptual Art: A Critical Anthology, both published by The MIT Press.
Sabeth Buchmann, an art historian and critic, is Professor of Modern and Postmodern Art and Head of the Institute for Art Theory and Cultural Studies at the Academy of Fine Arts Vienna.
Alexander Alberro is Virginia Bloedel Wright Professor of Art History at Barnard College. He is the author of Conceptual Art and the Politics of Publicity and the coeditor of Conceptual Art: A Critical Anthology, both published by The MIT Press.
Benjamin H. D. Buchloh is Andrew W. Mellon Professor of Modern Art in the Department of History of Art and Architecture at Harvard University and an editor of October magazine. He is the author of Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975 (MIT Press) and other books.
Helen Molesworth is Chief Curator at the Institute for Contemporary Art, Boston. She edited Louise Lawler's Twice Untitled and Other Pictures (looking back), published by the Wexner Center for the Arts and distributed by the MIT Press.
Isabelle Graw (Frankfurt am Main/Berlin) is Professor of Art Theory and Art History at the Staatliche Hochschule für bildende Künste–Städelschule, Frankfurt am Main. In 1990 Graw and Stefan Germer founded the quarterly magazine Texte zur Kunst. In 2003, Graw and Daniel Birnbaum founded the Institut für Kunstkritik at the Städelschule.
Sabeth Buchmann, an art historian and critic, is Professor of Modern and Postmodern Art and Head of the Institute for Art Theory and Cultural Studies at the Academy of Fine Arts Vienna.
