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ART after PHILOSOPHY and AFTER: COLLECTED WRITING, 1966-1990 *

KOSUTH, Joseph; Jean-Francois

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ISBN 10: 0262111578 / ISBN 13: 9780262111577
Verlag: MIT Press, Cumberland, Rhode Island * * * * *, 1991
Zustand: Fine Hardcover
Verkäufer L. Michael (North Hollywood, CA, USA)

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Tall Wide D/J + H/C. $179.95. Black Spine With Title In Light Yellow, Dust Jacket: Fine/, shows slight shelf wear. B00k: Fine/As New/, Pages Appear To Be UnOpened, UnMarked, UnRead, Clean and Tight To the Spine, slightest of shelf wear on the bottom of the boards. Prior owners name printed on the top of the front free end page in small letters, Sean R Geffney. SYNOPSIS: The articles, statements, and interviews collected here, produced over a period of twenty-four years, range over philosophy of language, anthropology, Marxism, and linguistics to discover the common principles that inform representation while negotiating the endlessly complex debates about art over the last two decades. = = This B00K, Is Hard To Find, Will Be Packaged And Shipped = Carefully, To Avoid Shipping Damage And Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift. = = World Wide Shipping, AVAILABLE. = =. Buchnummer des Verkäufers 001392

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Bibliografische Details

Titel: ART after PHILOSOPHY and AFTER: COLLECTED ...

Verlag: MIT Press, Cumberland, Rhode Island * * * * *

Erscheinungsdatum: 1991

Einband: Hard Cover

Illustrator: MIT Press. B00k: Fine/As New/, 1991

Zustand: Fine

Zustand des Schutzumschlags: Fine

Über diesen Titel

Inhaltsangabe:

Book by Kosuth Joseph

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Joseph Kosuth's writings, like his installations, assert that art begins where mere physicality ends. The articles, statements, and interviews collected here, produced over a period of 24 years, range over philosophy of language, anthropology, Marxism, and linguistics to discover the common principles that inform representation while negotiating the complex debates about art. Kosuth was one of the first to record the basic ideas and the role of ideas in the avant-garde of the 1970s and 1980s. Rooted in Freud, Wittgenstein, and French theory, his work investigates the linguistic nature of art propositions and the role of social, institutional, psychological, and ethnological context. His writings, like his visual productions, are radical formulations of the meaning of art itself. As a whole, they present a new definition of an expanded role and responsibility for the artist. Kosuth reevaluates the work of Marcel Duchamp and provides a theoretical agenda for institutional critique. He discusses the role of art in the future and its relationship to philosophy, attacks the return to painting of the late 1970s, and argues for the continued relevance of conceptualist ideas at times when other visual idioms have dominated the art world. Joseph Kosuth first received widespread notice at the Museum of Modern Art's "Information" exhibition and the Kunsthalle Bern's "When Attitudes Become Form" in the late 1960s. Today he is considered, along with Sol LeWitt, Edward Ruscha, Bruce Nauman, Dan Graham, Robert Morris and a handful of other artists, a founder of what has become known as conceptual art. His work appears in the permanent collections of many major museums.

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