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Excerpt from Advanced Course of Composition and Rhetoric: A Series of Practial Lessons on the Origin, History, and Pecularities of the English Language, Punctuation, Taste, the Pleasures of Imagination, Figures, Style and Its Essential Properties, Criticism, and the Various Departments of Prose and Poetical Comp
The favor with which the public have kindly received the Ana thor's First Lessons in Composition, and the frequent calls made by Colleges and higher Academies for a more advanced work on the same plan, with which to follow it, have led to the prepara tion of the present volume. The elementary book to which refer ence has just been made, was intended to initiate the beginner by easy steps into the art of composition the work now offered to the public has a wider scope, embracing a variety of'subjects worthy of the attention of advanced pupils, and presenting much important matter heretofore scattered through a number Of different text books. Claiming to give a comprehensive and practical view of our language in all its relations, this Advanced Course views it as a whole, no less than with reference to the individual words composing it; shows how it compares with other tongues, modern and ancient; points out its beauties indicates how they may best be made avail able and, in a word, teaches the pupil the most philosophical method of digesting and arranging his thoughts, as well as the most correct and effective mode of expressing them.
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Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Excerpt from Advanced Course of Composition and Rhetoric: A Series of Practial Lessons on the Origin, History, and Pecularities of the English Language, Punctuation, Taste, the Pleasures of Imagination, Figures, Style and Its Essential Properties, Criticism, and the Various Departments of Prose and Poetical Comp
The favor with which the public have kindly received the Ana thor's First Lessons in Composition, and the frequent calls made by Colleges and higher Academies for a more advanced work on the same plan, with which to follow it, have led to the prepara tion of the present volume. The elementary book to which refer ence has just been made, was intended to initiate the beginner by easy steps into the art of composition the work now offered to the public has a wider scope, embracing a variety of'subjects worthy of the attention of advanced pupils, and presenting much important matter heretofore scattered through a number Of different text books. Claiming to give a comprehensive and practical view of our language in all its relations, this Advanced Course views it as a whole, no less than with reference to the individual words composing it; shows how it compares with other tongues, modern and ancient; points out its beauties indicates how they may best be made avail able and, in a word, teaches the pupil the most philosophical method of digesting and arranging his thoughts, as well as the most correct and effective mode of expressing them.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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