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This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: How the colonial photograph revolutionized the very nature of perception. Buchnummer des Verkäufers

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Afterimage of Empire provides a philosophical and historical account of early photography in India that focuses on how aesthetic experiments in colonial photography changed the nature of perception. Considering photographs from the Sepoy Revolt of 1857 along with landscape, portraiture, and famine photography, Zahid R. Chaudhary explores larger issues of truth, memory, and embodiment.

Chaudhary scrutinizes the colonial context to understand the production of sense itself, proposing a new theory of interpreting the historical difference of aesthetic forms. In rereading colonial photographic images, he shows how the histories of colonialism became aesthetically, mimetically, and perceptually generative. He suggests that photography arrived in India not only as a technology of the colonial state but also as an instrument that eventually extended and transformed sight for photographers and the body politic, both British and Indian.

Ultimately, Afterimage of Empire uncovers what the colonial history of the medium of photography can teach us about the making of the modern perceptual apparatus, the transformation of aesthetic experience, and the linkages between perception and meaning.

Klappentext: An ambitious and theoretically challenging study of how photography shapes a new sensory and governmental apparatus of modernity in the colonial context, Afterimage of Empire succeeds in transforming the ways we think about the histories of photography and of colonialism.
                                                                     --David Lloyd, University of Southern California
Afterimage of Empire
is a significant and original work of cultural analysis, and an important intervention in our understanding of the sensory and rhetorical dimensions of nineteenth century colonialism.
                                                                      --Iftikhar Dadi, Cornell University

Afterimage of Empire
is an astute analysis of photographic material, from the early days of the medium. It is impressive in its ability to move with care through the different scales of analysis--from the minutiae of scattered skulls in the foreground of one photograph to the question of whether a technology transforms both aesthetic form and the viewing subject.
                                                                     --Ranjana Khanna, Duke University

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Chaudhary, Zahid R.
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Buchbeschreibung Univ of Minnesota Press. Buchzustand: BRAND NEW. BRAND NEW Hardcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Buchnummer des Verkäufers 2046165

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Buchbeschreibung Univ Of Minnesota Press. Buchzustand: BRAND NEW. BRAND NEW Hardcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Buchnummer des Verkäufers 2271957

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Buchbeschreibung University of Chicago press. Buchzustand: New. Brand New. Buchnummer des Verkäufers 0816677484

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Buchbeschreibung 2012. HRD. Buchzustand: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Buchnummer des Verkäufers TX-9780816677481

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Buchbeschreibung University of Minnesota Press, United States, 2012. Hardback. Buchzustand: New. 254 x 178 mm. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Afterimage of Empire provides a philosophical and historical account of early photography in India that focuses on how aesthetic experiments in colonial photography changed the nature of perception. Considering photographs from the Sepoy Revolt of 1857 along with landscape, portraiture, and famine photography, Zahid R. Chaudhary explores larger issues of truth, memory, and embodiment.Chaudhary scrutinizes the colonial context to understand the production of sense itself, proposing a new theory of interpreting the historical difference of aesthetic forms. In rereading colonial photographic images, he shows how the histories of colonialism became aesthetically, mimetically, and perceptually generative. He suggests that photography arrived in India not only as a technology of the colonial state but also as an instrument that eventually extended and transformed sight for photographers and the body politic, both British and Indian.Ultimately, Afterimage of Empire uncovers what the colonial history of the medium of photography can teach us about the making of the modern perceptual apparatus, the transformation of aesthetic experience, and the linkages between perception and meaning. Buchnummer des Verkäufers BTE9780816677481

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Buchbeschreibung Univ Of Minnesota Press. Hardcover. Buchzustand: Very Good. 0816677484 Crisp, clean, unread hardcover with light shelfwear, missing dust jacket and a publisher's mark to one edge - Nice!. Buchnummer des Verkäufers Z0816677484Z2

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Buchbeschreibung 2012. Hardcover. Buchzustand: New. 178mm x 23mm x 254mm. Hardcover. "Afterimage of Empire" provides a philosophical and historical account of early photography in India that focuses on how aesthetic experiments in colonial photograph.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 258 pages. 0.739. Buchnummer des Verkäufers 9780816677481

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Buchbeschreibung Univ Of Minnesota Press, 2012. Hardcover. Buchzustand: New. Buchnummer des Verkäufers DADAX0816677484

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