This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: Coinciding with a traveling exhibition opening at the National Museum of Women in the Arts in June, this volume presents a comprehensive and definitive analysis of the life and art of Romaine Brooks, reproducing for the first time in color 34 of the 40 nudes and portraits she painted. Includes an essay by Joe Lucchesi. Buchnummer des Verkäufers
Inhaltsangabe: Amazons in the Drawing Room presents a comprehensive and definitive analysis of the life and art of Romaine Brooks, reproducing for the first time in color thirty-four of the forty nudes and portraits she painted, as well as thirty-seven automatic pen-and-ink drawings. The first female painter since Artemisia Gentileschi in the seventeenth century to portray an ideal of heroic femininity, Romaine Brooks (1874-1970), like her contemporary Gwen John, shaped an image of the androgynous New Woman for the twentieth century.
An American born in Rome, Brooks spent most of her life in Paris. After a brief but passionate romance with the poet Gabriel D'Annunzio, with whom she maintained a lifelong friendship, she turned to relationships with women and to art to express her emerging self. For many years the companion of Natalie Barney, whom the artist depicted as L'Amazone in one of her most famous portraits, Brooks belonged to the international lesbian community that included Compton and Faith MacKenzie, Renée Vivien, Radclyffe Hall (who immortalized Brooks as the barely fictionalized American painter Venetia Ford in The Forge), and Una, Lady Troubridge.
The milieu Brooks chose was the privileged, often eccentric demi-monde of wealthy aristocrats and expatriate writers, artists, intellectuals, and performers who gathered in Rome, London, Capri, Paris, and Florence. The social circles she traveled in included Somerset Maugham, Norman Douglas, Charles Freer, Count Robert de Montesquiou, Jean Cocteau, Augustus John, Carl Van Vechten, and Ida Rubenstein, several of whom were subjects for Brooks's portraits.
Amazons in the Drawing Room, published in conjunction with a major traveling exhibition of Brooks's work--the first since 1971--opening at the National Museum of Women in the Arts in June 2000, provides a fresh context to view Brooks's haunting and compelling art. Whitney Chadwick's overview of Brooks's life and artistic focus and Joe Luchesi's examination of Brooks's portraits and photographs of Russian dancer Ida Rubenstein bring into sharp focus the complex artistic, literary, and political influences that shaped Brooks's sensibility and approach to portraiture.
Review: There can be few art historians better placed than Whitney Chadwick (Women, Art, and Society) to write the biographical essay that prefaces this catalog of the work of Romaine Brooks, the expatriate American artist more famous for her role in Natalie Barney's sapphic circle in Paris in the 1910s and 1920s than for her striking paintings. Anyone familiar with the birth of modern art will immediately note Brooks's influences, from Whistler to Klimt, Schiele, and Gauguin. What is less obvious is her advancement, as Chadwick argues, of an ideal of heroic femininity: even if it is an ironic ideal, as seen in her most remarkable and possibly best-known painting, the 1924 portrait of Una, Lady Troubridge, the lover of Radclyffe Hall, in morning coat and striped trousers, flanked by her dachshunds. While art history continues to privilege stylistic innovation over content, there is hope for the resuscitation of Brooks as perhaps the first painter to document a lesbian gaze, as in her beautiful profile of the short-haired, androgynous Peter, A Young English Girl (1923-4). The book includes an essay by Joe Lucheesi on Brooks's portraits of the dancer and mime Ida Rubinstein, one of her lovers. --Regina Marler
Buchbeschreibung UNIVERSITY OF CALIFORNIA PRESS, 2000. Trade Paperback. Buchzustand: Good. TRADE PAPERBACK Legendary independent bookstore online since 1994. Reliable customer service and no-hassle return policy. General. Book: USED, Good. Bookseller Inventory # 07978052022567101. Buchnummer des Verkäufers 07978052022567101
Buchbeschreibung Berkeley: University of California Press/Chameleon, 2000, 2000. First Paperback Printing, paperback. Very good plus, light sunning on rear white cover, overall a nice, clean copy. First printing with full number line. Domestic orders ship with USPS tracking at no extra charge. Please note that priority mail may run extra on this item which cannot fit in the flat-rate envelope. Buchnummer des Verkäufers 53085
Buchbeschreibung University of California Press, 2000. Paperback. Buchzustand: Acceptable. Noticeable wear, but still very usable. Interior has some markings. SHIPS WITHIN 24 HOURS! Tracking Provided. DHL processing & USPS delivery for an average of 3-5 Day Standard & 2-3 Day Expedited! FREE INSURANCE! Fast & Personal Support! Careful Packaging. No Hassle, Full Refund Return Policy!. Buchnummer des Verkäufers mon0000634641
Buchbeschreibung University of California Press, 2000. Paperback. Buchzustand: Used: Good. Buchnummer des Verkäufers SONG0520225678
Buchbeschreibung University of California Press 2000-09-20, 2000. Paperback. Buchzustand: good. First Edition. 0520225678. Buchnummer des Verkäufers 690152
Buchbeschreibung University of California Press, 2000. Paperback. Buchzustand: New. Buchnummer des Verkäufers DADAX0520225678
Buchbeschreibung University of California Press, 2000. Paperback. Buchzustand: New. book. Buchnummer des Verkäufers M0520225678
Buchbeschreibung Chameleon Books and University of California Press, Berkeley, 2000. Soft Cover. Buchzustand: Near Fine Plus. First Softcover Printing. wrappers, folded card covers., no flaws - clean, no writing or markings, tight sewn binding. a very well preserved copy.; published in association with the national museum of women in the arts.; 128pp., illustrated throughout in color, b/w. introduction and essay by joe lucchesi. catalogue, reference material. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue. Buchnummer des Verkäufers 18511
Buchbeschreibung University of California Press, 2000. Paperback. Buchzustand: Very Good. Great condition with minimal wear, aging, or shelf wear. Buchnummer des Verkäufers P020520225678
Buchbeschreibung University of California Press, 2000. Paperback. Buchzustand: Like New. Almost new condition. Buchnummer des Verkäufers P010520225678