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This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: American Literary Minimalism , fills a need for a comprehensive study of this twentieth-century literary movement, which includes best-selling authors such as Ernest Hemingway, Sandra Cisneros, Raymond Carver, and Susan Minot. Buchnummer des Verkäufers

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Inhaltsangabe: Although a handful of books and articles have been written about American literary minimalism during the last forty years, the mode remains misunderstood. When in a 2011 interview in The Paris Review author Anne Beattie was asked how she felt about being “classed as a minimalist,? she began her answer: “none of us have ever known what that means.? Her response brings into focus the lack of agreement or clarity about the sources and definitions of literary minimalism. Robert C. Clark?s American Literary Minimalism fills this significant gap.
 
Clark demonstrates that, despite assertions by many scholars to the contrary, the movement originated in the aesthetic programs of the imagists and literary impressionists active at the turn of the twentieth century. The genre reflects the philosophy that “form is thought,? and that style alone dictates whether a poem, story, or novel falls within the parameters of the tradition. The characteristics of minimalist fiction are efficiency, frequent use of allusion, and implication through omission.
 
Organizing his analysis both chronologically and according to lines of influence, Clark offers a definition of the mode, describes its early stages, and then explores six works that reflect its core characteristics: Ernest Hemingway?s In Our Time; Raymond Carver?s Cathedral; Jay McInerney?s Bright Lights, Big City; Susan Minot?s Monkeys; Sandra Cisneros?s Caramelo; and Cormac McCarthy?s The Road. In his conclusion, Clark discusses the ongoing evolution of the category.

Über den Autor: Robert C. Clark received his PhD in American literature from the University of Georgia. His recent publications include articles on Ernest Hemingway, Alice Dunbar-Nelson, María Cristina Mena, and Raymond Carver. His current research deals with transpacific minimalism, naturalism, and fiction of the twenty-first-century global financial crisis. He teaches at the University of West Alabama.

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Clark, Robert C.
Verlag: Univ. of Alabama Press, (2015)
ISBN 10: 0817318275 ISBN 13: 9780817318277
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Buchbeschreibung Univ. of Alabama Press, 2015. Gray paper-covered boards, 196 pages. This book is in excellent shape, clean & sharp all around. Dust Jacket is bright, now protected in a mylar cover. Hardcover. Near Fine, Dust Jacket Near Fine. Buchnummer des Verkäufers 276161

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Buchbeschreibung Buchzustand: New. Buchnummer des Verkäufers 21882830-n

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Buchbeschreibung Univ of Alabama Pr, 2015. HRD. Buchzustand: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Buchnummer des Verkäufers TX-9780817318277

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Buchbeschreibung The University of Alabama Press, 2015. HRD. Buchzustand: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Buchnummer des Verkäufers IB-9780817318277

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Buchbeschreibung The University of Alabama Press, United States, 2015. Hardback. Buchzustand: New. 2nd. 231 x 160 mm. Language: English . Brand New Book. Although a handful of books and articles have been written about American literary minimalism during the last forty years, the mode remains misunderstood. When in a 2011 interview in The Paris Review author Anne Beattie was asked how she felt about being classed as a minimalist, she began her answer: none of us have ever known what that means. Her response brings into focus the lack of agreement or clarity about the sources and definitions of literary minimalism. Robert C. Clark s American Literary Minimalism fills this significant gap. Clark demonstrates that, despite assertions by many scholars to the contrary, the movement originated in the aesthetic programs of the imagists and literary impressionists active at the turn of the twentieth century. The genre reflects the philosophy that form is thought, and that style alone dictates whether a poem, story, or novel falls within the parameters of the tradition. The characteristics of minimalist fiction are efficiency, frequent use of allusion, and implication through omission.Organizing his analysis both chronologically and according to lines of influence, Clark offers a definition of the mode, describes its early stages, and then explores six works that reflect its core characteristics: Ernest Hemingway s In Our Time ; Raymond Carver s Cathedral ; Jay McInerney s Bright Lights, Big City ; Susan Minot s Monkeys ; Sandra Cisneros s Caramelo ; and Cormac McCarthy s The Road . In his conclusion, Clark discusses the ongoing evolution of the category. Buchnummer des Verkäufers AAC9780817318277

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Buchbeschreibung The University of Alabama Press, United States, 2015. Hardback. Buchzustand: New. 2nd. 231 x 160 mm. Language: English . Brand New Book. Although a handful of books and articles have been written about American literary minimalism during the last forty years, the mode remains misunderstood. When in a 2011 interview in The Paris Review author Anne Beattie was asked how she felt about being classed as a minimalist, she began her answer: none of us have ever known what that means. Her response brings into focus the lack of agreement or clarity about the sources and definitions of literary minimalism. Robert C. Clark s American Literary Minimalism fills this significant gap. Clark demonstrates that, despite assertions by many scholars to the contrary, the movement originated in the aesthetic programs of the imagists and literary impressionists active at the turn of the twentieth century. The genre reflects the philosophy that form is thought, and that style alone dictates whether a poem, story, or novel falls within the parameters of the tradition. The characteristics of minimalist fiction are efficiency, frequent use of allusion, and implication through omission.Organizing his analysis both chronologically and according to lines of influence, Clark offers a definition of the mode, describes its early stages, and then explores six works that reflect its core characteristics: Ernest Hemingway s In Our Time ; Raymond Carver s Cathedral ; Jay McInerney s Bright Lights, Big City ; Susan Minot s Monkeys ; Sandra Cisneros s Caramelo ; and Cormac McCarthy s The Road . In his conclusion, Clark discusses the ongoing evolution of the category. Buchnummer des Verkäufers AAC9780817318277

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Buchbeschreibung Univ of Alabama Pr, 2015. HRD. Buchzustand: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Buchnummer des Verkäufers IB-9780817318277

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Buchbeschreibung University of Chicago press. Buchzustand: New. Brand New. Buchnummer des Verkäufers 0817318275

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Buchbeschreibung The University of Alabama Press, United States, 2015. Hardback. Buchzustand: New. 2nd. 231 x 160 mm. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Although a handful of books and articles have been written about American literary minimalism during the last forty years, the mode remains misunderstood. When in a 2011 interview in The Paris Review author Anne Beattie was asked how she felt about being classed as a minimalist, she began her answer: none of us have ever known what that means. Her response brings into focus the lack of agreement or clarity about the sources and definitions of literary minimalism. Robert C. Clark s American Literary Minimalism fills this significant gap. Clark demonstrates that, despite assertions by many scholars to the contrary, the movement originated in the aesthetic programs of the imagists and literary impressionists active at the turn of the twentieth century. The genre reflects the philosophy that form is thought, and that style alone dictates whether a poem, story, or novel falls within the parameters of the tradition. The characteristics of minimalist fiction are efficiency, frequent use of allusion, and implication through omission.Organizing his analysis both chronologically and according to lines of influence, Clark offers a definition of the mode, describes its early stages, and then explores six works that reflect its core characteristics: Ernest Hemingway s In Our Time ; Raymond Carver s Cathedral ; Jay McInerney s Bright Lights, Big City ; Susan Minot s Monkeys ; Sandra Cisneros s Caramelo ; and Cormac McCarthy s The Road . In his conclusion, Clark discusses the ongoing evolution of the category. Buchnummer des Verkäufers BTE9780817318277

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Robert C. Clark
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Buchbeschreibung University Of Alabama Press 2015-01-30, Tuscaloosa, 2015. hardback. Buchzustand: New. Buchnummer des Verkäufers 9780817318277

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