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This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: "The Arab Avant-Garde pursues a highly original inquiry into Arab music, politics, and modernism. This volume will serve as a significant point of orientation for a generation of Middle East scholars ready to move beyond the more familiar ethnomusicological positions in the study of music.". Buchnummer des Verkäufers

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Inhaltsangabe: From jazz trumpeters drawing on the noises of warfare in Beirut to female heavy metallers in Alexandria, the Arab culture offers a wealth of exciting, challenging, and diverse musics. The essays in this collection investigate the plethora of compositional and improvisational techniques, performance styles, political motivations, professional trainings, and inter-continental collaborations that claim the mantle of “innovation” within Arab and Arab diaspora music. While most books on Middle Eastern music-making focus on notions of tradition and regionally specific genres, The Arab Avant Garde presents a radically hybrid and globally dialectic set of practices. Engaging the “avant-garde”—a term with Eurocentric resonances—this anthology disturbs that presumed exclusivity, drawing on and challenging a growing body of literature about alternative modernities.

Chapters delve into genres and modes as diverse as jazz, musical theatre, improvisation, hip hop, and heavy metal as performed in countries like Iraq, Egypt, Lebanon, Syria, Palestine, and the United States. Focusing on multiple ways in which the “Arab avant-garde” becomes manifest, this anthology brings together international writers with eclectic disciplinary trainings—practicing musicians, area studies specialists, ethnomusicologists, and scholars of popular culture and media. Contributors include Sami W. Asmar, Michael Khoury, Saed Muhssin, Marina Peterson, Kamran Rastegar, Caroline Rooney, and Shayna Silverstein, as well as the editors.

Hardcover is un-jacketed.

About the Author: THOMAS BURKHALTER is a researcher at Zurich University of Arts, editor-in-chief of norient.com, and author of Local Music Scenes and Globalization: Transnational Platforms in Beirut. KAY DICKINSON is an associate professor at Concordia University and the author of Off Key: When Film and Music Won’t Work Together. BENJAMIN J. HARBERT is an assistant professor of music at Georgetown University and the director of the documentary Follow Me Down: Portraits of Louisiana Prison Musicians.

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Thomas Burkhalter
Verlag: University Press of New England (2013)
ISBN 10: 081957385X ISBN 13: 9780819573858
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Buchbeschreibung University Press of New England, 2013. HRD. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers CD-9780819573858

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Burkhalter, Thomas
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Buchbeschreibung Wesleyan. Buchzustand: BRAND NEW. BRAND NEW Hardcover - The first in-depth study of diverse and radical innovation in Arab music A Brand New Quality Book from a Full-Time Veteran Owned Bookshop in business since 1992!. Buchnummer des Verkäufers 2563566

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Verlag: University Press of New England, United States (2013)
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Buchbeschreibung University Press of New England, United States, 2013. Hardback. Buchzustand: New. Language: English . Brand New Book. From jazz trumpeters drawing on the noises of warfare in Beirut to female heavy metallers in Alexandria, the Arab culture offers a wealth of exciting, challenging, and diverse musics. The essays in this collection investigate the plethora of compositional and improvisational techniques, performance styles, political motivations, professional trainings, and inter-continental collaborations that claim the mantle of innovation within Arab and Arab diaspora music. While most books on Middle Eastern music-making focus on notions of tradition and regionally specific genres, The Arab Avant Garde presents a radically hybrid and globally dialectic set of practices. Engaging the avant-garde -a term with Eurocentric resonances-this anthology disturbs that presumed exclusivity, drawing on and challenging a growing body of literature about alternative modernities. Chapters delve into genres and modes as diverse as jazz, musical theatre, improvisation, hip hop, and heavy metal as performed in countries like Iraq, Egypt, Lebanon, Syria, Palestine, and the United States. Focusing on multiple ways in which the Arab avant-garde becomes manifest, this anthology brings together international writers with eclectic disciplinary trainings-practicing musicians, area studies specialists, ethnomusicologists, and scholars of popular culture and media. Contributors include Sami W. Asmar, Michael Khoury, Saed Muhssin, Marina Peterson, Kamran Rastegar, Caroline Rooney, and Shayna Silverstein, as well as the editors. Buchnummer des Verkäufers AAJ9780819573858

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Burkhalter, Thomas (edt)/ Dickinson, Kay (edt)/ Harbert, Benjamin J. (edt)
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Buchbeschreibung Buchzustand: New. Buchnummer des Verkäufers 19838128-n

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Verlag: University Press of New England, United States (2013)
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Buchbeschreibung University Press of New England, United States, 2013. Hardback. Buchzustand: New. Language: English . Brand New Book. From jazz trumpeters drawing on the noises of warfare in Beirut to female heavy metallers in Alexandria, the Arab culture offers a wealth of exciting, challenging, and diverse musics. The essays in this collection investigate the plethora of compositional and improvisational techniques, performance styles, political motivations, professional trainings, and inter-continental collaborations that claim the mantle of innovation within Arab and Arab diaspora music. While most books on Middle Eastern music-making focus on notions of tradition and regionally specific genres, The Arab Avant Garde presents a radically hybrid and globally dialectic set of practices. Engaging the avant-garde -a term with Eurocentric resonances-this anthology disturbs that presumed exclusivity, drawing on and challenging a growing body of literature about alternative modernities. Chapters delve into genres and modes as diverse as jazz, musical theatre, improvisation, hip hop, and heavy metal as performed in countries like Iraq, Egypt, Lebanon, Syria, Palestine, and the United States. Focusing on multiple ways in which the Arab avant-garde becomes manifest, this anthology brings together international writers with eclectic disciplinary trainings-practicing musicians, area studies specialists, ethnomusicologists, and scholars of popular culture and media. Contributors include Sami W. Asmar, Michael Khoury, Saed Muhssin, Marina Peterson, Kamran Rastegar, Caroline Rooney, and Shayna Silverstein, as well as the editors. Buchnummer des Verkäufers AAJ9780819573858

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Thomas Burkhalter,Kay Dickinson,Benjamin J. Harbert
Verlag: Wesleyan University Press 2013-11-13 (2013)
ISBN 10: 081957385X ISBN 13: 9780819573858
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Buchbeschreibung Wesleyan University Press 2013-11-13, 2013. Hardcover. Buchzustand: New. Buchnummer des Verkäufers NU-MAR-00076758

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Thomas Burkhalter, Kay Dickinson, Benjamin J. Harbert
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Buchbeschreibung University Press of New England. Hardback. Buchzustand: new. BRAND NEW, The Arab Avant-Garde: Music, Politics, Modernity, Thomas Burkhalter, Kay Dickinson, Benjamin J. Harbert, From jazz trumpeters drawing on the noises of warfare in Beirut to female heavy metallers in Alexandria, the Arab culture offers a wealth of exciting, challenging, and diverse musics. The essays in this collection investigate the plethora of compositional and improvisational techniques, performance styles, political motivations, professional trainings, and inter-continental collaborations that claim the mantle of "innovation" within Arab and Arab diaspora music. While most books on Middle Eastern music-making focus on notions of tradition and regionally specific genres, The Arab Avant Garde presents a radically hybrid and globally dialectic set of practices. Engaging the "avant-garde"-a term with Eurocentric resonances-this anthology disturbs that presumed exclusivity, drawing on and challenging a growing body of literature about alternative modernities. Chapters delve into genres and modes as diverse as jazz, musical theatre, improvisation, hip hop, and heavy metal as performed in countries like Iraq, Egypt, Lebanon, Syria, Palestine, and the United States. Focusing on multiple ways in which the "Arab avant-garde" becomes manifest, this anthology brings together international writers with eclectic disciplinary trainings-practicing musicians, area studies specialists, ethnomusicologists, and scholars of popular culture and media. Contributors include Sami W. Asmar, Michael Khoury, Saed Muhssin, Marina Peterson, Kamran Rastegar, Caroline Rooney, and Shayna Silverstein, as well as the editors. Buchnummer des Verkäufers B9780819573858

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Burkhalter, Thomas (Editor)/ Dickinson, Kay (Editor)/ Harbert, Benjamin J. (Editor)
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Buchbeschreibung Wesleyan Univ Pr, 2013. Hardcover. Buchzustand: Brand New. 284 pages. 9.00x6.25x1.00 inches. In Stock. Buchnummer des Verkäufers __081957385X

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Verlag: Wesleyan (2013)
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Buchbeschreibung Wesleyan, 2013. Hardcover. Buchzustand: New. book. Buchnummer des Verkäufers M081957385X

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Buchbeschreibung Wesleyan, 2013. Hardcover. Buchzustand: Very Good. Great condition with minimal wear, aging, or shelf wear. Buchnummer des Verkäufers P02081957385X

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