Architecture and Cubism. Centre Canadien D'Architecture / Canadian Centre for Architect Montréal.

BLAU Eve and TROY Nancy J. (Edited by):

ISBN 10: 0262024225 / ISBN 13: 9780262024228

Verlag: The MIT Press, Cambridge Massachusetts and London, England., 1997

Beschreibung

XI, 264, (2) pages. With some illustrations. Black original cloth binding and an illustrated dustjacket in good condition. 33x19 cm Sprache: Englisch Gewicht in Gramm: 700.

Bestandsnummer des Verkäufers 139930

Bibliografische Details

• Titel: Architecture and Cubism. Centre Canadien D'Architecture / Canadian Centre for Architect Montréal.
• Verlag: The MIT Press, Cambridge Massachusetts and London, England.
• Erscheinungsjahr: 1997
• Sprache: Englisch
• ISBN-10: 0262024225
• ISBN-13: 9780262024228
• Einband: Hardcover
• Zustand des Schutzumschlags: Schutzumschlag
• Verkäuferkataloge:
  • Architektur & Bauwesen

Über diesen Titel

Inhaltsangabe

A fundamental tenet of the historiography of modern architecture holds that cubism forged a vital link between avant-garde practices in early twentieth-century painting and architecture. This collection of essays, commissioned by the Canadian Centre for Architecture, takes a close look at that widely accepted but little scrutinized belief. In the first historically focused examination of the issue, the volume returns to the original site of cubist art in pre-World War I Europe and proceeds to examine the historical, theoretical, and socio-political relationships between avant-garde practices in painting, architecture, and other cultural forms, including poetry, landscape, and the decorative arts. The essays look at works produced in France, Germany, the Netherlands, and Czechoslovakia during the early decades of the twentieth century.Together, the essays show that although there were many points of intersection -- historical, metaphorical, theoretical, and ideological -- between cubism and architecture, there was no simple, direct link between them. Most often the connections between cubist painting and modern architecture were construed analogically, by reference to shared formal qualities such as fragmentation, spatial ambiguity, transparency, and multiplicity; or to techniques used in other media such as film, poetry, and photomontage. Cubist space itself remained two-dimensional; with the exception of Le Cobusiers work, it was never translated into the three dimensions of architecture. Cubism's significance for architecture also remained two-dimensional -- a method of representing modern spatial experience through the ordering impulses of art.Copublished with the Canadian Centre for Architecture/CentreCanadien d'Architecture

Über die Autorin bzw. den Autor

Eve Blau is Lecturer in Architecture at the Graduate School of Design, Harvard University.