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Inhaltsangabe: The Dinka have a connoisseur's appreciation of the patterns and colours of the markings on their cattle. The Japanese tea ceremony is regarded as a performance art. Some cultures produce carving but no drawing; others specialize in poetry. Yet despite the rich variety of artistic expression to be found across many cultures, we all share a deep sense of aesthetic pleasure. The need to create art of some form is found in every human society. In The Art Instinct, Denis Dutton explores the idea that this need has an evolutionary basis: how the feelings that we all share when we see a wonderful landscape or a beautiful sunset evolved as a useful adaptation in our hunter-gather ancestors, and have been passed on to us today, manifest in our artistic natures. Why do people indulge in displaying their artistic skills? How can we understand artistic genius? Why do we value art, and what is it for? These questions have long been asked by scholars in the humanities and in literature, but this is the first book to consider the biological basis of this deep human need. This sparking and intelligent book looks at these deep and fundamental questions, and combines the science of evolutionary psychology with aesthetics, to shed new light on longstanding questions about the nature of art.
Über den Autor: Professor Denis Dutton teaches the philosophy of art at The University of Canterbury, New Zealand. He is also well known as the founder and editor of the highly respected web publication, iArts and Letters Daily/i (www.aldaily.com), and editor of the journal iPhilosophy and Literature/i.
Buchbeschreibung Paperback. Buchzustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Buchnummer des Verkäufers GOR001892353
Buchbeschreibung Oxford University Press. Buchzustand: Used - Like New. 2009. Hardcover. Fine. Dust Jacket is Fine. Buchnummer des Verkäufers C26220
Buchbeschreibung Oxford University Press. Buchzustand: Used - Very Good. 2009. Hardcover. Very Good. Buchnummer des Verkäufers Z0099530
Buchbeschreibung Oxford University Press, Oxford, 2009. Hardcover. 8vo, First Edition. Book Condition: Very Good. Ex library. Very clean and tight. Dust Jacket Condition: Very Good. In protective cover. Buchnummer des Verkäufers 009928
Buchbeschreibung OUP Oxford, 2009. Hardcover. Buchzustand: Brand New. 278 pages. 9.25x6.00x1.00 inches. In Stock. Buchnummer des Verkäufers zk0199539421
Buchbeschreibung Oxford University Press. Hardcover. Buchzustand: VERY GOOD. Very Good: Cover and pages show some wear from reading and storage. May have light creases on the cover and binding. Buchnummer des Verkäufers 2665184513
Buchbeschreibung Oxford University Press, 2009. Hardcover. Buchzustand: New. Buchnummer des Verkäufers DADAX0199539421
Buchbeschreibung Oxford University Press, Oxford, 2009. Hardcover. Buchzustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. Size: 8vo - over 7¾ - 9¾" tall. Book. Buchnummer des Verkäufers 005674
Buchbeschreibung Oxford University Press, Oxford 2009, 2009. 24.0 x 16.0cms, 280pp, b/w & colour illusts, very good+ hardback & dustwrapper (author's inscription) This book argues that the arts allow us to commune with each other; to exewperience something of another peron's mind etc because it is a mind incarnate in sounds, words or colours. Buchnummer des Verkäufers 136734
Buchbeschreibung Oxford University Press, Oxford 2009, 2009. 24.0 x 16.0cms, 280pp, b/w & colour illusts, very good+ hardback & dustwrapper (author's inscription) This book argues that the arts allow us to commune with each other; to exewperience something of another peron's mind etc because it is a mind incarnate in sounds, words or colours. Buchnummer des Verkäufers 145880