ISBN 10: 0802035698 / ISBN 13: 9780802035691
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This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: The first systematic examination in English of Cronenberg's feature films, from Stereo (1969) to Crash (1996). Buchnummer des Verkäufers

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PAPERBACK INCLUDES TWO NEW CHAPTERS

David Cronenberg is one of the most fascinating filmmakers in the world today. His provocative work has stimulated debate and received major retrospectives in museums, galleries, and cinematheques around the world. William Beard's The Artist as Monster was the first book-length scholarly work in English on Cronenberg's films, analyzing all of his features from Stereo (1969) to Crash (1996). In this paperback edition, Beard includes new chapters on eXistenZ (1999) and Spider (2002).

Through close readings and visual analyses, Beard argues that the structure of Cronenberg's cinema is based on a dichotomy between, on the one hand, order, reason, repression, and control, and on the other, liberation, sexuality, disease, and the disintegration of self and of the boundaries that define society. The instigating figure in the films is a scientist character who, as Cronenberg evolves as a filmmaker, gradually metamorphoses into an artist, with the ground of liberation and catastrophe shifting from experimental subject to the self.

Bringing a wealth of analytical observation and insight into Cronenberg's films, Beard's sweeping, comprehensive work has established the benchmark for the study of one of Canada's best-known filmmakers.

Über den Autor: William Beard is a professor and film studies program director in the Department of English and Film Studies at the University of Alberta.

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Beard, William ( David Cronenberg related)
Verlag: Toronto, ON: University of Toronto Press ( UTP ), 2001, 1st edition, First Printing, Toronto, Ontario (2001)
ISBN 10: 0802035698 ISBN 13: 9780802035691
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Buchbeschreibung Toronto, ON: University of Toronto Press ( UTP ), 2001, 1st edition, First Printing, Toronto, Ontario, 2001. Hard Cover. Buchzustand: Very Good (see description). Zustand des Schutzumschlags: Near Fine (see description). Photo Cover (illustrator). First Edition. -------------hardcover, a very nice copy but there is a dampstain at the upper spine tip text block, no staining to cloth or dustjacket, just a bit of waviness to the paper with no real internal staining, just a faint stain on text block, copy in a Near Fine dustjacket, usual library stamps and marks, library sticker on spine and rear panel of jacket, 469 pages, Beard looks at Cronenberg's movies, these include: Stereo ( 1969 ); Crimes of the Future ( 1970 ); Shivers ( 1975 ); Rabid ( 1976 ); The brood ( 1979 ); Scanners ( 1980 ); videodrome ( 1982 ); The Dead zone ( 1983 ); The fly ( 1986 ) ; Dead ringers ( 1988 ); Naked lunch ( 1991 ); M Butterfly ( 1993 ); Crash ( 1996 ), any image directly beside this listing is the actual book and not a generic photo. Not Signed. Buchnummer des Verkäufers 150419

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Beard, William
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ISBN 10: 0802035698 ISBN 13: 9780802035691
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Buchbeschreibung University of Toronto Press, Toronto, Ontario, Canada, 2001. Hard Cover. Buchzustand: VG. Zustand des Schutzumschlags: G. 469pp. Soil to the fore-edge. DJ has light edge/rub wear and faint staining to the mainly white jacket (hence graded G, blame the cockroach typewriter). Actual book for sale pictured. 16 x 23.6 x 4 cm, wt999g Size: 8vo - over 7¾" - 9¾" tall. Buchnummer des Verkäufers 011511

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Beard, William
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Buchbeschreibung University of Toronto Press, Sch, 2001. Hardcover. Buchzustand: Very Good. Ex-library copy with usual markings. Buchnummer des Verkäufers mon0001489686

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Beard, William
Verlag: University of Toronto Press, Scholarly Publishing Division, Downsview, Ontario, Canada (2001)
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Buchbeschreibung University of Toronto Press, Scholarly Publishing Division, Downsview, Ontario, Canada, 2001. Hardcover. Buchzustand: Very Good. Zustand des Schutzumschlags: Very Good. 0802035698 Very nice clean used book with no marks or dj splits. Buchnummer des Verkäufers 027219

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William Beard
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Buchbeschreibung University of Toronto Press, Scholarly Publishing Division, 2001. Hardcover. Buchzustand: Used: Acceptable. Buchnummer des Verkäufers SONG0802035698

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William Beard
Verlag: University of Toronto Press 2001-09-08 (2001)
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Buchbeschreibung University of Toronto Press 2001-09-08, 2001. Hardcover. Buchzustand: New. Buchnummer des Verkäufers NU-NBN-00005327

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Buchbeschreibung University of Toronto Press, 2001. HRD. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers CW-9780802035691

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William Beard
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Buchbeschreibung University of Toronto Press, Canada, 2001. Hardback. Buchzustand: New. 237 x 161 mm. Language: English . Brand New Book. PAPERBACK INCLUDES TWO NEW CHAPTERS David Cronenberg is one of the most fascinating filmmakers in the world today. His provocative work has stimulated debate and received major retrospectives in museums, galleries, and cinematheques around the world. William Beard s The Artist as Monster was the first book-length scholarly work in English on Cronenberg s films, analyzing all of his features from Stereo (1969) to Crash (1996). In this paperback edition, Beard includes new chapters on eXistenZ (1999) and Spider (2002). Through close readings and visual analyses, Beard argues that the structure of Cronenberg s cinema is based on a dichotomy between, on the one hand, order, reason, repression, and control, and on the other, liberation, sexuality, disease, and the disintegration of self and of the boundaries that define society. The instigating figure in the films is a scientist character who, as Cronenberg evolves as a filmmaker, gradually metamorphoses into an artist, with the ground of liberation and catastrophe shifting from experimental subject to the self. Bringing a wealth of analytical observation and insight into Cronenberg s films, Beard s sweeping, comprehensive work has established the benchmark for the study of one of Canada s best-known filmmakers. Buchnummer des Verkäufers AAR9780802035691

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William Beard
Verlag: University of Toronto Press, Canada (2001)
ISBN 10: 0802035698 ISBN 13: 9780802035691
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Buchbeschreibung University of Toronto Press, Canada, 2001. Hardback. Buchzustand: New. 237 x 161 mm. Language: English . Brand New Book. PAPERBACK INCLUDES TWO NEW CHAPTERS David Cronenberg is one of the most fascinating filmmakers in the world today. His provocative work has stimulated debate and received major retrospectives in museums, galleries, and cinematheques around the world. William Beard s The Artist as Monster was the first book-length scholarly work in English on Cronenberg s films, analyzing all of his features from Stereo (1969) to Crash (1996). In this paperback edition, Beard includes new chapters on eXistenZ (1999) and Spider (2002). Through close readings and visual analyses, Beard argues that the structure of Cronenberg s cinema is based on a dichotomy between, on the one hand, order, reason, repression, and control, and on the other, liberation, sexuality, disease, and the disintegration of self and of the boundaries that define society. The instigating figure in the films is a scientist character who, as Cronenberg evolves as a filmmaker, gradually metamorphoses into an artist, with the ground of liberation and catastrophe shifting from experimental subject to the self. Bringing a wealth of analytical observation and insight into Cronenberg s films, Beard s sweeping, comprehensive work has established the benchmark for the study of one of Canada s best-known filmmakers. Buchnummer des Verkäufers AAR9780802035691

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Buchbeschreibung Buchzustand: New. Depending on your location, this item may ship from the US or UK. Buchnummer des Verkäufers 97808020356910000000

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