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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Both Francis Bacon (1909--1992) and Graham Sutherland (1903--1980) were highly influential modern British artists, yet in temperament they could not have been more different. This book is the first to consider their intriguing artistic dialogue, offering a rich and subtle analysis of their work up to 1950. Martin Hammer's starting points are the strong stylistic and thematic affinities between Bacon's and Sutherland's work and the fascinating series of letters that Bacon wrote to Sutherland (transcribed in an appendix). Hammer considers the dynamics of the artists' relationship, their intertwined careers, and how they expressed the experience of living through the Second World War and the onset of the Cold War.How did these two artists engage with international modernism when much English art was narrowly insular and "patriotic?" In what ways did their art embody a creative response to Picasso and surrealism? The author investigates these and many other questions to illuminate the personal and professional relationship between two compelling twentieth-century artists. Buchnummer des Verkäufers

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Inhaltsangabe: Both Francis Bacon (1909–1992) and Graham Sutherland (1903–1980) were highly influential modern British artists, yet in temperament they could not have been more different. This book is the first to consider their intriguing artistic dialogue, offering a rich and subtle analysis of their work up to 1950. Martin Hammer?s starting points are the strong stylistic and thematic affinities between Bacon?s and Sutherland?s work and the fascinating series of letters that Bacon wrote to Sutherland (transcribed in an appendix). Hammer considers the dynamics of the artists? relationship, their intertwined careers, and how they expressed the experience of living through the Second World War and the onset of the Cold War.

How did these two artists engage with international modernism when much English art was narrowly insular and “patriotic?? In what ways did their art embody a creative response to Picasso and surrealism? The author investigates these and many other questions to illuminate the personal and professional relationship between two compelling twentieth-century artists.

Über den Autor: Martin Hammer is senior lecturer in the history of art, University of Edinburgh. He is coauthor of Constructing Modernity: The Art and Career of Naum Gabo, published by Yale University Press, and curator of a major exhibition of Sutherland?s art that opens at the Dulwich Picture Gallery, London, in May 2005.

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Hammer, Martin
Verlag: Yale University Press
ISBN 10: 030010796X ISBN 13: 9780300107968
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Buchbeschreibung Yale University Press. Hardcover. Buchzustand: Good. 030010796X (3A3 LH) Heavy book. Note: Book is a former library book and has library stickers and/or markings on or inside the front or back cover and/or spine and may not have a dust jacket if hardcover.former library or school books may also be re-bound or library bound, so could be hardcover rather than paperback, even if the ISBN is for the paperback. Old library books from the 1980s or earlier may also be musty or have an odor. Please ask before buying if you need to know more about the specific condition of a particular book. Additional items ship at a discounted rate (not free). Please ask for details. Please Note: Pictures may be catalog/stock photos and NOT an actual picture of the actual item being sold. If you are looking for a particular cover art or edition, please ask BEFORE buying. Typical transit time for standard media mail is 7-10 business days. Buchnummer des Verkäufers SKU1176578

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Buchbeschreibung Yale University Press. Hardcover. Buchzustand: Very Good. 030010796X This book is shelved in the Art - General section of our retail store and may require extra shipping time - Note - Crisp clean unread hardcover with light shelfwearedgewear to the dust jacket - NICE!. Buchnummer des Verkäufers Z030010796XZ2

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Buchbeschreibung Yale University Press, New Haven, CT, 2005. Cloth. Buchzustand: Very Good Plus. Zustand des Schutzumschlags: Near Fine Dust Jacket. 272 pp. Tightly bound. Corners not bumped. Text is free of markings. Just lightly bumped at heal of spine. Size: 4to - over 9¾" - 12" tall. Buchnummer des Verkäufers 051535

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Buchbeschreibung Yale University Press, 2005. Hardcover. Buchzustand: New. Buchnummer des Verkäufers SONG030010796X

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Buchbeschreibung Buchzustand: Good. Book Condition: Good. Buchnummer des Verkäufers 97803001079684.0

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Buchbeschreibung Yale University Press, New Haven, CT, 2005. Cloth. Buchzustand: Near Fine. Zustand des Schutzumschlags: Near Fine Dust Jacket. 272 pp. Tightly bound. Corners not bumped. Text is free of markings. Size: 4to - over 9¾" - 12" tall. Buchnummer des Verkäufers 051524

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Buchbeschreibung Yale University Press, U.S.A., 2005. Hardcover. Buchzustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Hard bound with dust jacket. Some minor shelf wear to dust jacket, otherwise very good. [Heavy - please contact for overseas shipping quote]. Buchnummer des Verkäufers 34191

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Buchbeschreibung Yale University Press, 2005. HRD. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers WY-9780300107968

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Buchbeschreibung Yale University Press, United States, 2005. Hardback. Buchzustand: New. New.. 274 x 224 mm. Language: English . Brand New Book. Both Francis Bacon (1909--1992) and Graham Sutherland (1903--1980) were highly influential modern British artists, yet in temperament they could not have been more different. This book is the first to consider their intriguing artistic dialogue, offering a rich and subtle analysis of their work up to 1950. Martin Hammer s starting points are the strong stylistic and thematic affinities between Bacon s and Sutherland s work and the fascinating series of letters that Bacon wrote to Sutherland (transcribed in an appendix). Hammer considers the dynamics of the artists relationship, their intertwined careers, and how they expressed the experience of living through the Second World War and the onset of the Cold War. How did these two artists engage with international modernism when much English art was narrowly insular and patriotic? In what ways did their art embody a creative response to Picasso and surrealism? The author investigates these and many other questions to illuminate the personal and professional relationship between two compelling twentieth-century artists. Buchnummer des Verkäufers AAH9780300107968

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Martin Hammer
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Buchbeschreibung Yale University Press, United States, 2005. Hardback. Buchzustand: New. 274 x 224 mm. Language: English . Brand New Book. Both Francis Bacon (1909--1992) and Graham Sutherland (1903--1980) were highly influential modern British artists, yet in temperament they could not have been more different. This book is the first to consider their intriguing artistic dialogue, offering a rich and subtle analysis of their work up to 1950. Martin Hammer s starting points are the strong stylistic and thematic affinities between Bacon s and Sutherland s work and the fascinating series of letters that Bacon wrote to Sutherland (transcribed in an appendix). Hammer considers the dynamics of the artists relationship, their intertwined careers, and how they expressed the experience of living through the Second World War and the onset of the Cold War. How did these two artists engage with international modernism when much English art was narrowly insular and patriotic? In what ways did their art embody a creative response to Picasso and surrealism? The author investigates these and many other questions to illuminate the personal and professional relationship between two compelling twentieth-century artists. Buchnummer des Verkäufers AAH9780300107968

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