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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: An authoritative account of the 500-year history of the bassoon, with new research findings and dozens of rare illustrations. Buchnummer des Verkäufers

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This welcome volume encompasses the entire history of the bassoon, from its origins five centuries ago to its place in twenty-first-century music. James Kopp draws on new archival research and many years’ experience playing the instrument to provide an up-to-date and lively portrait of today’s bassoon and its intriguing predecessors. He discusses the bassoon’s makers, its players, its repertory, its myths, and its audiences, all in unprecedented detail.

 

The bassoon was invented in Italy in response to the need for a bass-register double-reed woodwind suitable for processionals and marching. Composers were quick to exploit its agility and unique timbre. Later, during the reign of Louis XIV, the instrument underwent a major redesign, giving voice to its tenor register. In the early 1800s new scientific precepts propelled a wave of invention and design modifications. In the twentieth century, the multiplicity of competing bassoon designs narrowed to a German (or Heckel) type and a French type, the latter now nearly extinct. The author examines the acoustical consequences of these various redesigns. He also offers new coverage of the bassoon’s social history, including its roles in the military and church and its global use during the European Colonial period. Separate historical chapters devoted to contrabassoons and smaller bassoons complete the volume.

About the Author:

James B. Kopp has performed professionally as a bassoonist, contrabassoonist, and early bassoonist for more than twenty years. He has an international reputation as a clinician and maker of reeds for bassoon, contrabassoon, and early bassoon. His articles on the history and acoustics of woodwind instruments have appeared in many journals and reference books, and he is a senior editor of the forthcoming Grove Dictionary of Musical Instruments, second edition. 

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Kopp, James B.
Verlag: Yale University Press
ISBN 10: 0300118295 ISBN 13: 9780300118292
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Buchbeschreibung Yale University Press. Hardcover. Buchzustand: Good. 0300118295 Crisp, clean, unread book with some shelfwear, and a missing dust jacket - still NICE. Buchnummer des Verkäufers Z0300118295Z3

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Buchbeschreibung Yale University Press. Buchzustand: very good. 2012. 1st edition. hardcover. Dustcover: good-- slightly edgeworn. ISBN:0300118295. sku252851: Buchnummer des Verkäufers 252851

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Buchbeschreibung Yale University Press, 2012. HRD. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers WY-9780300118292

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Buchbeschreibung Yale University Press, United States, 2012. Hardback. Buchzustand: New. Language: English . Brand New Book. This welcome volume encompasses the entire history of the bassoon, from its origins five centuries ago to its place in twenty-first-century music. James Kopp draws on new archival research and many years experience playing the instrument to provide an up-to-date and lively portrait of today s bassoon and its intriguing predecessors. He discusses the bassoon s makers, its players, its repertory, its myths, and its audiences, all in unprecedented detail. The bassoon was invented in Italy in response to the need for a bass-register double-reed woodwind suitable for processionals and marching. Composers were quick to exploit its agility and unique timbre. Later, during the reign of Louis XIV, the instrument underwent a major redesign, giving voice to its tenor register. In the early 1800s new scientific precepts propelled a wave of invention and design modifications. In the twentieth century, the multiplicity of competing bassoon designs narrowed to a German (or Heckel) type and a French type, the latter now nearly extinct. The author examines the acoustical consequences of these various redesigns.He also offers new coverage of the bassoon s social history, including its roles in the military and church and its global use during the European Colonial period. Separate historical chapters devoted to contrabassoons and smaller bassoons complete the volume. Buchnummer des Verkäufers AAH9780300118292

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Buchbeschreibung Yale University Press, United States, 2012. Hardback. Buchzustand: New. Language: English . Brand New Book. This welcome volume encompasses the entire history of the bassoon, from its origins five centuries ago to its place in twenty-first-century music. James Kopp draws on new archival research and many years experience playing the instrument to provide an up-to-date and lively portrait of today s bassoon and its intriguing predecessors. He discusses the bassoon s makers, its players, its repertory, its myths, and its audiences, all in unprecedented detail. The bassoon was invented in Italy in response to the need for a bass-register double-reed woodwind suitable for processionals and marching. Composers were quick to exploit its agility and unique timbre. Later, during the reign of Louis XIV, the instrument underwent a major redesign, giving voice to its tenor register. In the early 1800s new scientific precepts propelled a wave of invention and design modifications. In the twentieth century, the multiplicity of competing bassoon designs narrowed to a German (or Heckel) type and a French type, the latter now nearly extinct. The author examines the acoustical consequences of these various redesigns. He also offers new coverage of the bassoon s social history, including its roles in the military and church and its global use during the European Colonial period. Separate historical chapters devoted to contrabassoons and smaller bassoons complete the volume. Buchnummer des Verkäufers AAH9780300118292

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Buchbeschreibung YALE University Press. Buchzustand: New. Brand New. Buchnummer des Verkäufers 0300118295

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Buchbeschreibung Yale University Press. Hardback. Buchzustand: new. BRAND NEW, The Bassoon, James B. Kopp, This welcome volume encompasses the entire history of the bassoon, from its origins five centuries ago to its place in twenty-first-century music. James Kopp draws on new archival research and many years' experience playing the instrument to provide an up-to-date and lively portrait of today's bassoon and its intriguing predecessors. He discusses the bassoon's makers, its players, its repertory, its myths, and its audiences, all in unprecedented detail. The bassoon was invented in Italy in response to the need for a bass-register double-reed woodwind suitable for processionals and marching. Composers were quick to exploit its agility and unique timbre. Later, during the reign of Louis XIV, the instrument underwent a major redesign, giving voice to its tenor register. In the early 1800s new scientific precepts propelled a wave of invention and design modifications. In the twentieth century, the multiplicity of competing bassoon designs narrowed to a German (or Heckel) type and a French type, the latter now nearly extinct. The author examines the acoustical consequences of these various redesigns. He also offers new coverage of the bassoon's social history, including its roles in the military and church and its global use during the European Colonial period. Separate historical chapters devoted to contrabassoons and smaller bassoons complete the volume. Buchnummer des Verkäufers B9780300118292

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Buchbeschreibung Yale University Press, 2012. Hardcover. Buchzustand: Used: Acceptable. Buchnummer des Verkäufers SONG0300118295

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Buchbeschreibung 2012. HRD. Buchzustand: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Buchnummer des Verkäufers TY-9780300118292

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Buchbeschreibung Yale University Press, 2012. Hardcover. Buchzustand: New. book. Buchnummer des Verkäufers 0300118295

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