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Inhaltsangabe: Between 1935 and 1942, photographers for the New Deal's Resettlement Administration-Farm Security Administration (FSA) captured in powerfully moving images the travail of the Great Depression and the ways of a people confronting radical social change. Those who speak of the special achievement of FSA photography usually have in mind such white icons as Dorothea Lange's "Migrant Mother" or Walker Evans's Alabama sharecroppers. But some six thousand printed images, a tenth of FSA's total, included black figures or their dwellings. At last, Nicholas Natanson reveals both the innovative treatment of African Americans in FSA photographs and the agency's highly problematic use of these images once they had been created. While mono-dimensional treatments of blacks were common in public and private photography of the period, such FSA photographers as Ben Shahn, Arthur Rothstein, and Jack Delano were well informed concerning racial problems and approached blacks in a manner that avoided stereotypes, right-wing as well as left-wing. In addition, rather than focusing exclusively on FSA-approved agency projects involving blacks - politically the safest course - they boldly addressed wider social and cultural themes. This study employs a variety of methodological tools to explore the political and administrative forces that worked against documentary coverage of particularly sensitive racial issues. Moreover, Natanson shows that those who drew on the FSA photo files for newspapers, magazines, books, and exhibitions often entirely omitted images of black people and their environment or used devices such as cropping and captioning to diminish the true range of the FSA photographers' vision.

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Natanson, Nicholas
Verlag: Univ Tennessee Press (1992)
ISBN 10: 0870497243 ISBN 13: 9780870497247
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Buchbeschreibung Univ Tennessee Press, 1992. Paperback. Buchzustand: Acceptable. Warped. The cover image and date may vary. This is a used book. Potential defects may exist (folds, creases, highlighting, writing/markings, staining, stickers and/or sticker residue, ETC.) COAS Books, A Bookstore for Everyone. Ships Within 24 Hours - Satisfaction Guaranteed!. Buchnummer des Verkäufers mon0000962689

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Natanson, Nicholas
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Buchbeschreibung University of Tennessee. Soft cover. Buchzustand: Very Good. Buchnummer des Verkäufers 005135

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Buchbeschreibung Univ Tennessee Press, 1992. Paperback. Buchzustand: Used: Good. Buchnummer des Verkäufers SONG0870497243

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Natanson, Nicholas
Verlag: University of Tennessee Press, Knoxville, TN (1992)
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Buchbeschreibung University of Tennessee Press, Knoxville, TN, 1992. Paperback. Buchzustand: NEW. xii, 305 pp., illus., biblio., index; 23 cm. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. Documentary photography, United States Farm Security Administration. "Between 1935 and 1942, photographers for the New Deal's Resettlement Administration-Farm Security Administration (FSA) captured in powerfully moving images the travail of the Great Depression and the ways of a people confronting radical social change. Those who speak of the special achievement of FSA photography usually have in mind such white icons as Dorothea Lange's 'Migrant Mother' or Walker Evans' Alabama sharecroppers. But some six thousand printed images, a tenth of FSA's total, included black figures or their dwellings. At last, Nicholas Natanson reveals both the innovative treatment of blacks in FSA photographs and the agency's highly problematic use of these images once they had been created. While mono-dimensional treatments of blacks were common in public and private photography of the period, such FSA photographers as Ben Shahn, Arthur Rothstein, and Jack Delano were well informed concerning racial problems and approached blacks in a manner that avoided stereotypes, right-wing as well as left-wing. In addition, rather than focusing exclusively on FSA-approved agency projects involving blacks - politically the safest course - they boldly addressed wider social and cultural themes. This study employs a variety of methodological tools, to explore the political and administrative forces that worked against documentary coverage of particularly sensitive racial issues. Moreover, Natanson shows that those who drew on the FSA photo files for newspapers, magazines, books, and exhibitions often entirely omitted images of black people and their environment or used devices such as cropping and captioning to diminish the true range of the FSA photographers' vision. / Nicholas Natanson holds a Ph.D. in American Studies from the University of Iowa and is an archivist in the Still Picture Branch, National Archives, Washington, D.C." - Publisher. Size: 8vo - over 7¾" - 9¾" tall. Buchnummer des Verkäufers 074349

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Nicholas Natanson
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Buchbeschreibung Buchzustand: Brand New. Book Condition: Brand New. Buchnummer des Verkäufers 97808704972471.0

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Buchbeschreibung Univ Tennessee Press, 1992. Paperback. Buchzustand: New. Buchnummer des Verkäufers P110870497243

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