(USA) 2nd printing 1999. No markings, includes the CD-ROM unopened to the pouch to the back cover, Fine in Fine dust jacket. Hardcover, 350pp, index, line diagrams. Interactive music refers to a composition or improvisation in which software interprets live performances to produce music generated or modified by computers. In Composing Interactive Music, Todd Winkler presents both the technical and aesthetic possibilities of this increasingly popular area of computer music. His own numerous compositions have been the laboratory for the research and development that resulted in this book.The author's examples use a graphical programming language called Max. Each example in the text is accompanied by a picture of how it appears on the computer screen. The same examples are included as software on the accompanying CD-ROM, playable on a Macintosh computer with a MIDI keyboard. (2.7 JM LVR 206/b1 Size: 8vo - over 7�" - 9�".

Bestandsnummer des Verk�ufers 07102

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Bibliografische Details

Titel

COMPOSING INTERACTIVE MUSIC Techniques and Ideas Using Max (includes CD-ROM)

Verlag

The MIT Press, Cambridge / London

Erscheinungsjahr

1999

Sprache

Englisch

ISBN-10

026223193X

ISBN-13

9780262231930

Einband

Hardcover

Zustand

Fine

Zustand des Schutzumschlags

Fine

Verk�uferkataloge

Music and Musicians

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Inhaltsangabe

Interactive music refers to a composition or improvisation in which software interprets live performances to produce music generated or modified by computers. In Composing Interactive Music, Todd Winkler presents both the technical and aesthetic possibilities of this increasingly popular area of computer music. His own numerous compositions have been the laboratory for the research and development that resulted in this book.

The author's examples use a graphical programming language called Max. Each example in the text is accompanied by a picture of how it appears on the computer screen. The same examples are included as software on the accompanying CD-ROM, playable on a Macintosh computer with a MIDI keyboard.

Although the book is aimed at those interested in writing music and software using Max, the casual reader can learn the basic concepts of interactive composition by just reading the text, without running any software. The book concludes with a discussion of recent multimedia work incorporating projected images and video playback with sound for concert performances and art installations.

Cr�ticas

"Beyond a clear and thorough introduction to Max programming, Todd Winkler's "Composing Interactive Music" presents and explains a comprehensive theoretical framework encompassing the major issues in the field."--Robert Rowe, Music Technology Program, New York University

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