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Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: "The renowned Italian painter Michelangelo Merisi da Caravaggio (1571-1610) established his career in Catholic Rome, making paintings that placed particular importance on sacred relics and the glorification of martyred saints. Beginning with his early works, Caravaggio was intensely engaged with the physical world. He not only interrogated appearances but also experimented with the paint's material nature. Caravaggio's Pitiful Relics explores how the artist's commitment to materiality served and ultimately challenged the Counter Reformation church's interests. In his first ecclesiastical commission, Caravaggio offered an unconventional representation of martyrdom that collapsed the borders between art, contemporary religious persecution, iconoclasm, and relics in early Christian catacombs. Yet his art controversially and eventually led to a criminal trial. After he had fled from Rome in disgrace, his major altarpiece depicting the death of the Virgin Mary, portraying her mortality rather than her sanctity, was removed. Caravaggio's materiality came into conflict with changing notions of the sacred; thereafter, the sacred object became a secular work of art, marking the displacement of the relic. "--. Buchnummer des Verkäufers

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Inhaltsangabe: The renowned Italian painter Michelangelo Merisi da Caravaggio (1571 1610) established his career in Catholic Rome, making paintings that placed particular importance on sacred relics and the glorification of martyred saints. Beginning with his early works, Caravaggio was intensely engaged with the physical world. He not only interrogated appearances but also experimented with the paint’s material nature. Caravaggio’s Pitiful Relics explores how the artist’s commitment to materiality served and ultimately challenged the Counter Reformation church’s interests. In his first ecclesiastical commission, Caravaggio offered an unconventional representation of martyrdom that collapsed the borders between art, contemporary religious persecution, iconoclasm, and relics in early Christian catacombs. Yet his art controversially and eventually led to a criminal trial. After he had fled from Rome in disgrace, his major altarpiece depicting the death of the Virgin Mary, portraying her mortality rather than her sanctity, was removed. Caravaggio’s materiality came into conflict with changing notions of the sacred; thereafter, the sacred object became a secular work of art, marking the displacement of the relic.

Book Description: This thought-provoking volume explores how Caravaggio’s interest in materiality conflicted with the Catholic Church’s ideas about the sanctity of relics, resulting in controversies surrounding his paintings in early-17th-century Rome. 

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Olson, Todd P.
Verlag: Yale University Press (2014)
ISBN 10: 0300190131 ISBN 13: 9780300190137
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Buchbeschreibung Yale University Press, 2014. Hardcover. Buchzustand: Very Good. Very Good: a copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Most items will be dispatched the same or the next working day. Buchnummer des Verkäufers mon0007032420

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Buchbeschreibung Yale University Press, 2014. Buchzustand: Good. A+ Customer service! Satisfaction Guaranteed! Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. Buchnummer des Verkäufers 0300190131-2-4

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Buchbeschreibung Yale University Press. Hardcover. Buchzustand: Good. 0300190131 Bumped and creased book with tears to the extremities, but not affecting the text block - GOOD. Buchnummer des Verkäufers Z0300190131Z3

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Buchbeschreibung Yale University Press, 2014. Hardcover. Buchzustand: New. Zustand des Schutzumschlags: As New. This book is like new; no remainder marks. Unred copy. Dustjacket does have some edgewear. Inside pages are clean. ; 11.30 X 9.30 X 0.90 inches; 260 pages. Buchnummer des Verkäufers 020417-111-064

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Buchbeschreibung Yale University Press, United States, 2014. Hardback. Buchzustand: New. Language: English . Brand New Book. The renowned Italian painter Michelangelo Merisi da Caravaggio (1571-1610) established his career in Catholic Rome, making paintings that placed particular importance on sacred relics and the glorification of martyred saints. Beginning with his early works, Caravaggio was intensely engaged with the physical world. He not only interrogated appearances but also experimented with the paint s material nature. Caravaggio s Pitiful Relics explores how the artist s commitment to materiality served and ultimately challenged the Counter Reformation church s interests. In his first ecclesiastical commission, Caravaggio offered an unconventional representation of martyrdom that collapsed the borders between art, contemporary religious persecution, iconoclasm, and relics in early Christian catacombs. Yet his art controversially and eventually led to a criminal trial. After he had fled from Rome in disgrace, his major altarpiece depicting the death of the Virgin Mary, portraying her mortality rather than her sanctity, was removed. Caravaggio s materiality came into conflict with changing notions of the sacred; thereafter, the sacred object became a secular work of art, marking the displacement of the relic. Buchnummer des Verkäufers AAH9780300190137

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Buchbeschreibung Yale University Press 2014-04-29, New Haven, 2014. hardback. Buchzustand: New. Buchnummer des Verkäufers 9780300190137

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Buchbeschreibung Yale University Press, 2014. Hardcover. Buchzustand: New. BRAND NEW. Still Sealed in Publishers Shrinkwrap. Buchnummer des Verkäufers 170323005

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Buchbeschreibung Yale University Press. Hardcover. Buchzustand: New. New copy - Usually dispatched within 2 working days. Buchnummer des Verkäufers B9780300190137

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Buchbeschreibung Yale University Press. Hardcover. Buchzustand: Fine. 0300190131 Like New Condition. Buchnummer des Verkäufers LN7.1013355

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Buchbeschreibung Yale University Press, 2014. Hardcover. Buchzustand: Very Good. Great condition with minimal wear, aging, or shelf wear. Buchnummer des Verkäufers P020300190131

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