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Inhaltsangabe: The work of Carlo Crivelli (c.1435-c.1495), one of the most original artists of the Italian Renaissance, is well represented in the art museums of North America. Although much admired by collectors, artists, and designers in the 19th and early 20th centuries, he has until recently been largely written out of the history of early Renaissance art, is little known to the public, and outside of some rare instances in Italy, has never been the focus of a monographic exhibition. The book, accompanying an exhibition at the Isabella Stewart Gardner Museum, Boston, will reevaluate Crivelli?s ?provincial? status, presenting him as an experimental artist who provided an alternative to the influential new models of modern painting associated with Florence, and most famously associated with the theorist Leon Battista Alberti and with the Florentine-trained Piero della Francesca ? both of whom had strong connections to the Adriatic region, where painting was conceived as a volume of measurable space and commensurable figures receding in proportion to their notional distance from the eye of the observer. Crivelli departed from this. He was an artist who aimed to dazzle through a repertoire of spectacular pictorial effects that combined luxuriant ornamental display with bravura illusionism ? the latter entailing a sophisticated, witty, and sometimes unsettling play with the limits of frames and fictive space. His manipulation of the painted surface to suggest not just depth or volume but also the materiality of other crafts ? goldsmith?s work and luxury textile in particular ? produces an uncanny sense of the coexistence of a visionary other-world with the concreteness and particularity of the everyday.

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Alison Wright; C. Jean Campbell; Francesco De Carolis; Gianfranco Pocobene; Oliver Tostmann; Thomas Golsenne
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Buchbeschreibung Paul Holberton Publishing, 2015. Buchzustand: New. Bookseller Inventory # ST1907372865. Buchnummer des Verkäufers ST1907372865

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Oliver Tostmann, C. Jean Campbell, Francesco De Carolis, Thomas Golsenne, Gianfranco Pocobene
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Buchbeschreibung Paul Holberton Publishing. Paperback. Buchzustand: new. BRAND NEW, Ornament and Illusion: Carlo Crivelli of Venice, Oliver Tostmann, C. Jean Campbell, Francesco De Carolis, Thomas Golsenne, Gianfranco Pocobene, Accompanying an exhibition at the Isabella Stewart Gardner Museum, this catalogue explores one of the most important but historically neglected painters of the Italian Renaissance, Carlo Crivelli (c. 1435-c. 1495). Venetian by birth but shaped by formative experiences in Padua, Crivelli embarked on a career that spanned both sides of the Adriatic. His extraordinary success led to a virtual monopoly in the Marches, where he dominated the market for towering altarpieces and jewel-like paintings for private devotion in the second half of the fifteenth century. Pushing the boundaries between painting and sculpture, his works are distinguished by their radically expressive compositions, luxuriant ornamental display and bravura illusionism.Seven essays challenge the prevailing view of Crivelli as a provincial artist working in an anachronistic 'gothic' style, investigate the remarkable facture of his paintings, and shed new light on his rediscovery by collectors. Repositioning Crivelli's contributions within wider developments in the history of western art, Stephen J. Campbell (Johns Hopkins University), C. Jean Campbell (Emory University), Thomas Golsenne (Ecole Nationale Superieure d'Art de Nice), and Alison Wright (University College London) reveal his artistic ambition. Crivelli is reevaluated as an experimental artist who masterfully manipulated the surfaces of his paintings into visionary encounters with the divine, forged a modern icon, and offered a powerful alternative to new models of painting associated with Florence. Gianfranco Pocobene (Isabella Stewart Gardner Museum) examines the technical facility that underpins Crivelli's dazzling pictorial effects and publishes the results of the first ever technical analysis on the Gardner's Saint George and the Dragon. Essays by Francesco De Carolis (Universita di Bologna) and Oliver Tostmann (Wadsworth Athenaeum) investigate the painter's critical fortunes. The former explores the dispersal of Crivelli's works in nineteenth-century Italy and their role in shaping his modern reputation, while the latter examines the American taste for Crivelli in the early twentieth century.The catalogue reflects the iconographic range of his images. Entries written by a team of scholars in Europe and the United States include new insights and up-to-date bibliography for twenty-three paintings and Crivelli's only surviving drawing on paper. Buchnummer des Verkäufers B9781907372865

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Oliver Tostmann, C. Jean Campbell, Francesco De Carolis
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Buchbeschreibung Paul Holberton Publishing 2015-09-17, London, 2015. paperback. Buchzustand: New. Buchnummer des Verkäufers 9781907372865

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C. Jean Campbell,Francesco De Carolis,Thomas Golsenne,Gianfranco Pocobene,Alison Wright,Oliver Tostmann,Stephen Campbell
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Buchbeschreibung Paul Holberton Publishing 2015-10-15, 2015. Buchzustand: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Buchnummer des Verkäufers NU-GRD-05346927

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Oliver Tostmann, C. Jean Campbell, Francesco De Carolis
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Buchbeschreibung Paul Holberton Publishing, United Kingdom, 2015. Paperback. Buchzustand: New. 280 x 240 mm. Language: English . Brand New Book. Accompanying an exhibition at the Isabella Stewart Gardner Museum in Boston, this catalogue explores one of the most important but historically neglected painters of the Italian Renaissance, Carlo Crivelli (c.1435-c.1495). Venetian by birth but shaped by formative experiences in Padua, Crivelli embarked on a career that spanned both sides of the Adriatic. His extraordinary success led to a virtual monopoly in the Marches, where he dominated the market for towering altarpieces and jewel-like paintings for private devotion in the second half of the fifteenth century. Pushing the boundaries between painting and sculpture, his works are distinguished by their radically expressive compositions, luxuriant ornamental display and bravura illusionism. Seven essays challenge the prevailing view of Crivelli as a provincial artist working in an anachronistic Gothic style, investigate the remarkable facture of his paintings, and shed new light on his rediscovery by collectors. Repositioning Crivelli s contributions within wider developments in the history of western art, Stephen J. Campbell (Johns Hopkins University), C. Jean Campbell (Emory University), Thomas Golsenne (Ecole Nationale Superieure d Art de Nice), and Alison Wright (University College London) reveal his artistic ambition. Crivelli is reevaluated as an experimental artist who masterfully manipulated the surfaces of his paintings into visionary encounters with the divine, forged a modern icon, and offered a powerful alternative to new models of painting associated with Florence. Gianfranco Pocobene (Isabella Stewart Gardner Museum) examines the technical facility that underpins Crivelli s dazzling pictorial eff ects and publishes the results of the first ever technical analysis on the Gardner s Saint George and the Dragon. Essays by Francesco De Carolis (Universita di Bologna) and Oliver Tostmann (Wadsworth Athenaeum) investigate the painter s critical fortunes. The former explores the dispersal of Crivelli s works in nineteenth-century Italy and their role in shaping his modern reputation, while the latter examines the American taste for Crivelli in the early twentieth century. The catalogue reflects the iconographic range of his images. Entries written by a team of scholars in Europe and the United States include new insights and up-to-date bibliography for twenty-three paintings and Crivelli s only surviving drawing on paper. Buchnummer des Verkäufers AAJ9781907372865

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Oliver Tostmann, C. Jean Campbell, Francesco De Carolis
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Buchbeschreibung Paul Holberton Publishing, United Kingdom, 2015. Paperback. Buchzustand: New. 280 x 240 mm. Language: English . Brand New Book. Accompanying an exhibition at the Isabella Stewart Gardner Museum in Boston, this catalogue explores one of the most important but historically neglected painters of the Italian Renaissance, Carlo Crivelli (c.1435-c.1495). Venetian by birth but shaped by formative experiences in Padua, Crivelli embarked on a career that spanned both sides of the Adriatic. His extraordinary success led to a virtual monopoly in the Marches, where he dominated the market for towering altarpieces and jewel-like paintings for private devotion in the second half of the fifteenth century. Pushing the boundaries between painting and sculpture, his works are distinguished by their radically expressive compositions, luxuriant ornamental display and bravura illusionism. Seven essays challenge the prevailing view of Crivelli as a provincial artist working in an anachronistic Gothic style, investigate the remarkable facture of his paintings, and shed new light on his rediscovery by collectors. Repositioning Crivelli s contributions within wider developments in the history of western art, Stephen J. Campbell (Johns Hopkins University), C. Jean Campbell (Emory University), Thomas Golsenne (Ecole Nationale Superieure d Art de Nice), and Alison Wright (University College London) reveal his artistic ambition. Crivelli is reevaluated as an experimental artist who masterfully manipulated the surfaces of his paintings into visionary encounters with the divine, forged a modern icon, and offered a powerful alternative to new models of painting associated with Florence. Gianfranco Pocobene (Isabella Stewart Gardner Museum) examines the technical facility that underpins Crivelli s dazzling pictorial eff ects and publishes the results of the first ever technical analysis on the Gardner s Saint George and the Dragon. Essays by Francesco De Carolis (Universita di Bologna) and Oliver Tostmann (Wadsworth Athenaeum) investigate the painter s critical fortunes. The former explores the dispersal of Crivelli s works in nineteenth-century Italy and their role in shaping his modern reputation, while the latter examines the American taste for Crivelli in the early twentieth century. The catalogue reflects the iconographic range of his images. Entries written by a team of scholars in Europe and the United States include new insights and up-to-date bibliography for twenty-three paintings and Crivelli s only surviving drawing on paper. Buchnummer des Verkäufers AAJ9781907372865

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Campbell, C. Jean, De Carolis, Francesco, Golsenne, Thomas, Pocobene, Gianfranco, Tostmann, Oliver
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Buchbeschreibung Paul Holberton Publishing, 2015. Buchzustand: New. Exploring one of the most important but historically neglected painters of the Italian Renaissance, Carlo Crivelli (c.1435-c.1495). Pushing the boundaries between painting and sculpture, Crivelli's works are distinguished by their radically expressive compositions, luxuriant ornamental display and bravura illusionism. Editor(s): Campbell, Stephen. Num Pages: 256 pages. BIC Classification: ACND; AFC; AGB. Category: (G) General (US: Trade). Dimension: 283 x 243 x 21. Weight in Grams: 1096. . 2015. Paperback. . . . . . Buchnummer des Verkäufers V9781907372865

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