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Caspar David Friedrich and the Subject of Landscape

Joseph Leo. Koerner

33 Bewertungen bei GoodReads
ISBN 10: 0948462426 / ISBN 13: 9780948462429
Verlag: Reaktion Books 1993, 1993
Gebraucht Soft cover
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Digital Reprint New paperback. Some minor shelf wear and slight damage to lamination but content fine and unread. Buchnummer des Verkäufers A53615

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Bibliografische Details

Titel: Caspar David Friedrich and the Subject of ...

Verlag: Reaktion Books 1993

Erscheinungsdatum: 1993

Einband: Soft cover

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Inhaltsangabe:

Caspar David Friedrich (1774-1840) is heralded as the greatest painter of the Romantic movement in Germany, and Europe's first truly modern artist. His mysterious and melancholy landscapes, often peopled with lonely wanderers, are experiments in a radically subjective artistic perspective--one in which, as Freidrich wrote, the painter depicts not "what he sees before him, but what he sees within him." This vulnerability of the individual when confronted with nature became one of the key tenets of the Romantic aesthetic. Now available in a compact, accessible format, this beautifully illustrated book is the most comprehensive account ever published in English of one of the most fascinating and influential nineteenth-century painters. "This is a model of interpretative art history, taking in a good deal of German Romantic philosophy, but founded always on the immediate experience of the picture. . . . It is rare to find a scholar so obviously in sympathy with his subject."--"Independent"

Inhaltsangabe:

Caspar David Friedrich (1774 1840), the greatest painter of the Romantic movement in Germany, was perhaps Europe's first truly modern artist. His melancholy landscapes, often peopled by lonely wanderers, represent experiments towards a radically subjective art, one in which, as Friedrich wrote, the painter depicts not what he sees before him, but what he sees within him. Yet in their awesome power to capture the individuality of visible forms Friedrich's pictures also accept and express the irredeemable otherness of Nature. Winner of the 1992 Mitchell Prize for the History of Art, this compelling and highly original book is now made available in a compact pocket format. Beautifully illustrated, "Caspar David Friedrich and the Subject of Landscape" is the most comprehensive account ever published in English on this most fascinating of nineteenth-century masters.

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