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This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: Chinese Buddhist wooden sculptures of Water-moon Guanyin, a Bodhisattva sitting in a leisurely reclining pose on a rocky throne, are housed in Western collections and are thus removed from their original context(s). Not only are most of them of unknown origin, but also lack a precise date. Tracing their sources is difficult because of the scant information provided by art dealers in previous periods. Thus, only preliminary investigations into their stylistic development and technical features have been made so far. Moreover, until recently none of the Chinese temples that provided their original context, i.e. their precise position within those temple compounds and their respective place in the Buddhist pantheon, have been examined at all.In her study, Petra H. Rsch investigates these very aspects, including questions about the religious position and function of the sculptures of this special Bodhisattva. She also looks at the technical construction, the collecting of Chinese Buddhist sculptures in general and those made of wood in particular.She uses a combination of stylistic, iconographical, buddhological, as well as technical methodologies in her investigation of the Water-moon Guanyin images and sheds light on the Buddhist temples in Shanxi Province, the works of art they once housed, and the religious practices of the eleventh to thirteenth centuries connected with them. Buchnummer des Verkäufers

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Inhaltsangabe: "Chinese Buddhist wooden sculptures of Water-moon Guanyin, a Bodhisattva sitting in a leasurely reclining pose on a rocky throne, are housed in Western collections and are thus removed from their original context(s). Not only are most of them of unknown origin, but also do lack a precise date. Tracing their sources is moreover difficult because of the scant information provided by art dealers in previous periods. Thus, only preliminary investigations into their stylistic development and technical features have been made so far. Moreover, until recently none of the Chinese temples that provided their original context, i.e. their precise/exact/specific position within those temple compounds and their respective place in the Buddhist pantheon, have been examined at all. In herstudy, Petra H. Rösch investigates these very aspects, including questions about the religious position and function of the sculptures of this special Bodhisattva. She also looks at the technical construction, the collecting of Chinese Buddhist sculptures in general and those sculptures made of wood in particular. She uses a combination of stylistic, iconographical, buddhological, as well as technical methodologies in her investigation of the Water-moon Guanyin images andsheds light on the Buddhist temples in Shanxi Province, the works of art they once housed, and the religious practices of the eleventh to thirteenth centuries connected with them."

Über den Autor:

Petra H. Rösch received a PhD in East Asian Art History from Heidelberg University. She is Research Fellow of the Interdisciplinary Research Centre "Dynamics of Ritual" at Heidelberg University and is currently working on a book on confession rituals at Chinese Buddhist cave temples of the 6th to 8th century.

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Buchbeschreibung Ibidem. Taschenbuch. Buchzustand: Neu. 210xx mm. Neuware - Chinese Buddhist wooden sculptures of Water-moon Guanyin, a Bodhisattva sitting in a leasurely reclining pose on a rocky throne, are housed in Western collections and are thus removed from their original context(s). Not only are most of them of unknown origin, but also do lack a precise date. Tracing their sources is moreover difficult because of the scant information provided by art dealers in previous periods. Thus, only preliminary investigations into their stylistic development and technical features have been made so far. Moreover, until recently none of the Chinese temples that provided their original context, i.e. their precise/exact/specific position within those temple compounds and their respective place in the Buddhist pantheon, have been examined at all.In herstudy, Petra H. Rösch investigates these very aspects, including questions about the religious position and function of the sculptures of this special Bodhisattva. She also looks at the technical construction, thecollecting of Chinese Buddhist sculptures in general and those sculptures made of wood in particular.She uses a combination of stylistic, iconographical, buddhological, as well as technical methodologies in her investigation of the Water-moon Guanyin images andsheds light on the Buddhist temples in Shanxi Province, the works of art they once housed, and the religious practices of the eleventh to thirteenth centuries connected with them. 386 pp. Englisch. Buchnummer des Verkäufers 9783898216623

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Buchbeschreibung Ibidem. Taschenbuch. Buchzustand: Neu. 210xx mm. This item is printed on demand - Print on Demand Neuware - Chinese Buddhist wooden sculptures of Water-moon Guanyin, a Bodhisattva sitting in a leasurely reclining pose on a rocky throne, are housed in Western collections and are thus removed from their original context(s). Not only are most of them of unknown origin, but also do lack a precise date. Tracing their sources is moreover difficult because of the scant information provided by art dealers in previous periods. Thus, only preliminary investigations into their stylistic development and technical features have been made so far. Moreover, until recently none of the Chinese temples that provided their original context, i.e. their precise/exact/specific position within those temple compounds and their respective place in the Buddhist pantheon, have been examined at all.In herstudy, Petra H. Rösch investigates these very aspects, including questions about the religious position and function of the sculptures of this special Bodhisattva. She also looks at the technical construction, thecollecting of Chinese Buddhist sculptures in general and those sculptures made of wood in particular.She uses a combination of stylistic, iconographical, buddhological, as well as technical methodologies in her investigation of the Water-moon Guanyin images andsheds light on the Buddhist temples in Shanxi Province, the works of art they once housed, and the religious practices of the eleventh to thirteenth centuries connected with them. 386 pp. Englisch. Buchnummer des Verkäufers 9783898216623

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Buchbeschreibung Ibidem. Taschenbuch. Buchzustand: Neu. 210xx mm. Neuware - Chinese Buddhist wooden sculptures of Water-moon Guanyin, a Bodhisattva sitting in a leasurely reclining pose on a rocky throne, are housed in Western collections and are thus removed from their original context(s). Not only are most of them of unknown origin, but also do lack a precise date. Tracing their sources is moreover difficult because of the scant information provided by art dealers in previous periods. Thus, only preliminary investigations into their stylistic development and technical features have been made so far. Moreover, until recently none of the Chinese temples that provided their original context, i.e. their precise/exact/specific position within those temple compounds and their respective place in the Buddhist pantheon, have been examined at all.In herstudy, Petra H. Rösch investigates these very aspects, including questions about the religious position and function of the sculptures of this special Bodhisattva. She also looks at the technical construction, thecollecting of Chinese Buddhist sculptures in general and those sculptures made of wood in particular.She uses a combination of stylistic, iconographical, buddhological, as well as technical methodologies in her investigation of the Water-moon Guanyin images andsheds light on the Buddhist temples in Shanxi Province, the works of art they once housed, and the religious practices of the eleventh to thirteenth centuries connected with them. 386 pp. Englisch. Buchnummer des Verkäufers 9783898216623

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Buchbeschreibung ibidem-Verlag, Jessica Haunschild u Christian Schon, Germany, 2007. Paperback. Buchzustand: New. 201 x 145 mm. Language: English . Brand New Book. Chinese Buddhist wooden sculptures of Water-moon Guanyin, a Bodhisattva sitting in a leisurely reclining pose on a rocky throne, are housed in Western collections and are thus removed from their original context(s). Not only are most of them of unknown origin, but also lack a precise date. Tracing their sources is difficult because of the scant information provided by art dealers in previous periods. Thus, only preliminary investigations into their stylistic development and technical features have been made so far. Moreover, until recently none of the Chinese temples that provided their original context, i.e. their precise position within those temple compounds and their respective place in the Buddhist pantheon, have been examined at all.In her study, Petra H. R sch investigates these very aspects, including questions about the religious position and function of the sculptures of this special Bodhisattva. She also looks at the technical construction, the collecting of Chinese Buddhist sculptures in general and those made of wood in particular.She uses a combination of stylistic, iconographical, buddhological, as well as technical methodologies in her investigation of the Water-moon Guanyin images and sheds light on the Buddhist temples in Shanxi Province, the works of art they once housed, and the religious practices of the eleventh to thirteenth centuries connected with them. Buchnummer des Verkäufers KNV9783898216623

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Buchbeschreibung ibidem Press. Paperback. Buchzustand: New. Paperback. 386 pages. Dimensions: 7.9in. x 5.7in. x 0.9in.Chinese Buddhist wooden sculptures of Water-moon Guanyin, a Bodhisattva sitting in a leisurely reclining pose on a rocky throne, are housed in Western collections and are thus removed from their original context(s). Not only are most of them of unknown origin, but also lack a precise date. Tracing their sources is difficult because of the scant information provided by art dealers in previous periods. Thus, only preliminary investigations into their stylistic development and technical features have been made so far. Moreover, until recently none of the Chinese temples that provided their original context, i. e. their precise position within those temple compounds and their respective place in the Buddhist pantheon, have been examined at all. In her study, Petra H. Rsch investigates these very aspects, including questions about the religious position and function of the sculptures of this special Bodhisattva. She also looks at the technical construction, the collecting of Chinese Buddhist sculptures in general and those made of wood in particular. She uses a combination of stylistic, iconographical, buddhological, as well as technical methodologies in her investigation of the Water-moon Guanyin images and sheds light on the Buddhist temples in Shanxi Province, the works of art they once housed, and the religious practices of the eleventh to thirteenth centuries connected with them. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Buchnummer des Verkäufers 9783898216623

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