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From Iceland to Iran, from Singapore to Scotland, a growing intellectual and cultural wave of production is taking cinema beyond the borders of its place of origin-exploring faraway places, interacting with barely known peoples, and making new localities imaginable. In these films, previously entrenched spatial divisions no longer function as firmly fixed grid coordinates, the hierarchical position of place as "center" is subverted, and new forms of representation become possible. In Cinema at the Periphery, editors Dina Iordanova, David Martin-Jones, and Belén Vidal assemble criticism that explores issues of the periphery, including questions of transnationality, place, space, passage, and migration.

Cinema at the Periphery examines the periphery in terms of locations, practices, methods, and themes. It includes geographic case studies of small national cinemas located at the global margins, like New Zealand and Scotland, but also of filmmaking that comes from peripheral cultures, like Palestinian "stateless" cinema, Australian Aboriginal films, and cinema from Quebec. Therefore, the volume is divided into two key areas: industries and markets on the one hand, and identities and histories on the other. Yet as a whole, the contributors illustrate that the concept of "periphery" is not fixed but is always changing according to patterns of industry, ideology, and taste.

Cinema at the Periphery highlights the inextricable interrelationship that exists between production modes and circulation channels and the emerging narratives of histories and identities they enable. In the present era of globalization, this timely examination of the periphery will interest teachers and students of film and media studies.

Book Description: Highlights the industries, markets, identities, and histories that distinguish cinema beyond the traditional hubs of mainstream Western cinema.

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Buchbeschreibung Wayne State Univ. Buchzustand: BRAND NEW. BRAND NEW Softcover - Highlights the industries, markets, identities, and histories that distinguish cinema beyond the traditional hubs of mainstream Western cinema. A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Buchnummer des Verkäufers 2292643

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Buchbeschreibung Wayne State University Press, 2010. PAP. Buchzustand: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Buchnummer des Verkäufers CE-9780814333884

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Buchbeschreibung Wayne State University Press. Paperback. Buchzustand: new. BRAND NEW, Cinema at the Periphery, Dina Iordanova, David Martin-Jones, Belen Vidal, This title highlights the industries, markets, identities, and histories that distinguish cinema beyond the traditional hubs of mainstream Western cinema. From Iceland to Iran, from Singapore to Scotland, a growing intellectual and cultural wave of production is taking cinema beyond the borders of its place of origin - exploring faraway places, interacting with barely known peoples, and making new localities imaginable. In these films, previously entrenched spatial divisions no longer function as firmly fixed grid coordinates, the hierarchical position of place as 'center' is subverted, and new forms of representation become possible. In "Cinema at the Periphery", editors Dina Iordanova, David Martin-Jones, and Belen Vidal assemble criticism that explores issues of the periphery, including questions of transnationality, place, space, passage, and migration. "Cinema at the Periphery" examines the periphery in terms of locations, practices, methods, and themes. It includes geographic case studies of small national cinemas located at the global margins, like New Zealand and Scotland, but also of filmmaking that comes from peripheral cultures, like Palestinian 'stateless' cinema, Australian Aboriginal films, and cinema from Quebec. Therefore, the volume is divided into two key areas: industries and markets on the one hand, and identities and histories on the other. Yet as a whole, the contributors illustrate that the concept of 'periphery' is not fixed but is always changing according to patterns of industry, ideology, and taste. "Cinema at the Periphery" highlights the inextricable interrelationship that exists between production modes and circulation channels and the emerging narratives of histories and identities they enable. In the present era of globalization, this timely examination of the periphery will interest teachers and students of film and media studies. Buchnummer des Verkäufers B9780814333884

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Buchbeschreibung Wayne State University Press, United States, 2010. Paperback. Buchzustand: New. Language: English . Brand New Book. This title highlights the industries, markets, identities, and histories that distinguish cinema beyond the traditional hubs of mainstream Western cinema. From Iceland to Iran, from Singapore to Scotland, a growing intellectual and cultural wave of production is taking cinema beyond the borders of its place of origin - exploring faraway places, interacting with barely known peoples, and making new localities imaginable. In these films, previously entrenched spatial divisions no longer function as firmly fixed grid coordinates, the hierarchical position of place as center is subverted, and new forms of representation become possible. In Cinema at the Periphery , editors Dina Iordanova, David Martin-Jones, and Belen Vidal assemble criticism that explores issues of the periphery, including questions of transnationality, place, space, passage, and migration. Cinema at the Periphery examines the periphery in terms of locations, practices, methods, and themes.It includes geographic case studies of small national cinemas located at the global margins, like New Zealand and Scotland, but also of filmmaking that comes from peripheral cultures, like Palestinian stateless cinema, Australian Aboriginal films, and cinema from Quebec. Therefore, the volume is divided into two key areas: industries and markets on the one hand, and identities and histories on the other. Yet as a whole, the contributors illustrate that the concept of periphery is not fixed but is always changing according to patterns of industry, ideology, and taste. Cinema at the Periphery highlights the inextricable interrelationship that exists between production modes and circulation channels and the emerging narratives of histories and identities they enable. In the present era of globalization, this timely examination of the periphery will interest teachers and students of film and media studies. Buchnummer des Verkäufers AAN9780814333884

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Verlag: Wayne State University Press, United States (2010)
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Buchbeschreibung Wayne State University Press, United States, 2010. Paperback. Buchzustand: New. Language: English . Brand New Book. This title highlights the industries, markets, identities, and histories that distinguish cinema beyond the traditional hubs of mainstream Western cinema. From Iceland to Iran, from Singapore to Scotland, a growing intellectual and cultural wave of production is taking cinema beyond the borders of its place of origin - exploring faraway places, interacting with barely known peoples, and making new localities imaginable. In these films, previously entrenched spatial divisions no longer function as firmly fixed grid coordinates, the hierarchical position of place as center is subverted, and new forms of representation become possible. In Cinema at the Periphery , editors Dina Iordanova, David Martin-Jones, and Belen Vidal assemble criticism that explores issues of the periphery, including questions of transnationality, place, space, passage, and migration. Cinema at the Periphery examines the periphery in terms of locations, practices, methods, and themes.It includes geographic case studies of small national cinemas located at the global margins, like New Zealand and Scotland, but also of filmmaking that comes from peripheral cultures, like Palestinian stateless cinema, Australian Aboriginal films, and cinema from Quebec. Therefore, the volume is divided into two key areas: industries and markets on the one hand, and identities and histories on the other. Yet as a whole, the contributors illustrate that the concept of periphery is not fixed but is always changing according to patterns of industry, ideology, and taste. Cinema at the Periphery highlights the inextricable interrelationship that exists between production modes and circulation channels and the emerging narratives of histories and identities they enable. In the present era of globalization, this timely examination of the periphery will interest teachers and students of film and media studies. Buchnummer des Verkäufers AAN9780814333884

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Buchbeschreibung Wayne State University Press, 2010. Paperback. Buchzustand: New. book. Buchnummer des Verkäufers 0814333885

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Dina Iordanova, Dina Iordanova (Editor), Belen Vidal (Editor), David Martin Jones (Editor)
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Buchbeschreibung Wayne State Univ Pr, 2010. Paperback. Buchzustand: New. Buchnummer des Verkäufers DADAX0814333885

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Iordanova, Dina (Editor)/ Vidal, Belen (Editor)
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Buchbeschreibung Wayne State Univ Pr, 2010. Paperback. Buchzustand: Brand New. n edition. 280 pages. 8.75x5.75x0.25 inches. In Stock. Buchnummer des Verkäufers __0814333885

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Buchbeschreibung Wayne State Univ Pr 2010-03-15, 2010. Paperback. Buchzustand: New. 0814333885. Buchnummer des Verkäufers 608063

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Buchbeschreibung Buchzustand: New. Depending on your location, this item may ship from the US or UK. Buchnummer des Verkäufers 97808143338840000000

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